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Kids love Harriet!Harriet Clare is an amazing book. It makes you want to turn the page and see what happens next... I loved the book, I can't wait for the next one! - Maya, age 8 The Harriet Clare series is unique in newly independent children's fiction. You the reader become Harriet's new bestie. Harriet will ask you for advice, to draw a picture of your own BFF, or even to design a cool skateboard!A visual feast of fun, the Harriet Clare books draw in even the most reluctant of readers with charming illustrations, illustrated text and sketching activities. Harriet also encourages problem-solving, self-understanding and empathy in the reader. Harriet Clare is set apart from similar books on the market by its interactivity with the reader - Harriet asks children to participate in writing her diary and requests that the reader colour/draw/ write in the book! Author Louise Park has total book sales of over 3 million copies, and illustrator Marlene Monterrubio has a bright and fun illustration style perfected after two university degrees. Harriet is laugh-out-loud funny. And it's a hoot to read aloud. Her everyday adventures will captivate children who will be able to relate to every big challenge she faces.
GENERAL FICTION (CHILDREN'S / TEENAGE). The Harriet Clare series is unique in newly independent children's fiction. In the fourth instalment of this popular series, Camp Bugbear, join Harriet as she ventures to camp with her school friends! A visual feast and explosion of fun, the Harriet Clare books draw in even the most reluctant of readers with charming illustrations, illustrated text and sketching activities. Harriet also encourages problem-solving, self-understanding and empathy in the reader. Ages 7+
"It's a funny old house. They have this ceremony every summer . . . There's an old chapel, in the grounds of the house. It's half-derelict. The Hunters keep bees in there. Every year, on the same day, the family processes to the chapel. They open the combs, taste the honey. Take it back to the house. Half for them -" my father winced, as though he had bitten down on a sore tooth. "And half for us." Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure - someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes - a mysterious West Country manor house - where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold. Over the summer, as an ancient family ritual looms closer, Janey falls for each member of the family in turn. She and Kitty, the eldest daughter of the house, will forge a bond that decades later, is still shaping the present . . . 'We need the bees to survive, and they need us to survive. Once you understand that, you understand the history of Vanes, you understand our family.'
Summary: Join Harriet as she heads off for a holiday at a haunted hotel - will they ever solve the Mystery of the Mermaid Tortoiseshell Comb, or, even worse, is Harriet too chicken to do Finn's mystery dare?
This collection considers how embodiment, mothering, and curriculum theory are related to practices in education that silence, conceal, and limit gendered, raced, and sexual maternal bodies. Advancing a new understanding of the maternal body, it argues for a 'bodied curriculum' – a practice that attends to the relational, social, and ethical implications of 'being-with' other bodies differently, and to the different knowledges such bodily encounters produce. Contributors argue that the prevailing silence about the maternal body in educational scholarship reinforces the binary split between domestic and public spaces, family life and work, one's own children and others' children, and women's roles as 'mothers' or 'others.' Providing an interdisciplinary perspective in which postmodern ideas about the body interact with those of learning and teaching, Mothering a Bodied Curriculum brings theory and practice together into an ever-evolving conversation.
Kids love Harriet!Harriet Clare is an amazing book. It makes you want to turn the page and see what happens next... I loved the book, I can't wait for the next one! - Maya, age 8 The Harriet Clare series is unique in newly independent children's fiction. You the reader become Harriet's new bestie. Harriet will ask you for advice, to draw a picture of your own BFF, or even to design a cool skateboard!A visual feast of fun, the Harriet Clare books draw in even the most reluctant of readers with charming illustrations, illustrated text and sketching activities. Harriet also encourages problem-solving, self-understanding and empathy in the reader. Harriet Clare is set apart from similar books on the market by its interactivity with the reader - Harriet asks children to participate in writing her diary and requests that the reader colour/draw/ write in the book! Author Louise Park has total book sales of over 3 million copies, and illustrator Marlene Monterrubio has a bright and fun illustration style perfected after two university degrees. Harriet is laugh-out-loud funny. And it's a hoot to read aloud. Her everyday adventures will captivate children who will be able to relate to every big challenge she faces.
Soon to be an Apple TV+ animated series starring Golden Globe nominee Beanie Feldstein and Emmy Award winner Jane Lynch, it's no secret that Harriet the Spy is a timeless classic that kids will love! Harriet M. Welsch is a spy. In her notebook, she writes down everything she knows about everyone, even her classmates and her best friends. Then Harriet loses track of her notebook, and it ends up in the wrong hands. Before she can stop them, her friends have read the always truthful, sometimes awful things she’s written about each of them. Will Harriet find a way to put her life and her friendships back together? "What the novel showed me as a child is that words have the power to hurt, but they can also heal, and that it’s much better in the long run to use this power for good than for evil."—New York Times bestselling author Meg Cabot
Hannah Harrison escapes her stalled life in Cape Town for a small-town bookshop in the Free State. A concentration-camp journal from the South African War, found in a dusty box of old stock, reveals the life of Rachel Badenhorst, a young girl separated from her family and enduring the crushing hardship of war. Hannah becomes obsessed with finding out what happened to Rachel. Coveting the young girl’s courage and endurance, she is compelled to uncover Rachel’s story, never thinking it will lead her to pick open the wounds of a local farmer and dig up old tragedies, unearthing grief that even the land has held on to for over a century.