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A pictorial history of the Civil War, featuring articles and illustrations that appeared in Harper's Magazine beginning with the events leading up to the firing on Fort Sumter through Reconstruction.
Featuring breathtaking panoramas and revelatory, unforgettable images, Battle Lines is an utterly original graphic history of the Civil War. A collaboration between the award-winning historian Ari Kelman and the acclaimed graphic novelist Jonathan Fetter-Vorm, Battle Lines showcases various objects from the conflict (a tattered American flag from Fort Sumter, a pair of opera glasses, a bullet, an inkwell, and more), along with a cast of soldiers, farmers, slaves, and well-known figures, to trace an ambitious narrative that extends from the early rumblings of secession to the dark years of Reconstruction. Employing a bold graphic form to illuminate the complex history of this period, Kelman and Fetter-Vorm take the reader from the barren farms of the home front all the way to the front lines of an infantry charge. A daring presentation of the war that nearly tore America apart, Battle Lines is a monumental achievement.
The first shot of the American Civil War was not fired on April 12, 1861, in Charleston, South Carolina, but instead came on October 16, 1859, in Harpers Ferry, Virginia—or so claimed former slave turned abolitionist Frederick Douglass. The shot came like a meteor in the dark. John Brown, the infamous fighter on the Kansas plains and detester of slavery, led a band of nineteen men on a desperate nighttime raid that targeted the Federal arsenal at Harpers Ferry. There, they planned to begin a war to end slavery in the United States. But after 36 tumultuous hours, John Brown’s Raid failed, and Brown himself became a prisoner of the state of Virginia. Brown’s subsequent trial further divided north and south on the issue of slavery as Brown justified his violent actions to a national audience forced to choose sides. Ultimately, Southerners cheered Brown’s death at the gallows while Northerners observed it with reverence. The nation’s dividing line had been drawn. Herman Melville and Walt Whitman extolled Brown as a “meteor” of the war. Roughly one year after Brown and his men attacked slavery in Virginia, the nation split apart, fueled by Brown’s fiery actions. John Brown’s Raid tells the story of the first shots that led to disunion. Richly filled with maps and images, it includes a driving and walking tour of sites related to Brown’s Raid so visitors today can follow the path of America’s meteor.
Walk in the footsteps of history with this stunning volume that brings more than thirty Civil War battlefields to life. From the “First Battle of Bull Run” to Lee’s surrender at Appomattox Court House four years later, this book celebrates the history and scenic beauty of these hallowed grounds in a large-format, beautifully produced volume. Explore more than thirty Civil War battlefields— from Antietam to Chancellorsville, Gettysburg to Shiloh—including the first five national battlefield parks preserved by veterans in the 1890s. Each battlefield features extensive photos of the key sites and monuments, as well as beautiful landscapes and historic archival photography. The essays enable the reader to understand each battlefield from a strategic perspective—its topography, geography, and military value—the battle’s seminal moments, and its historical significance, and guide the reader on how best to tour the grounds on foot. With maps, rarely seen archival photos, and stunning contemporary photography, this photo- and information-packed book is an inspirational bucket list for Civil War and history buffs, as well as those who wish to walk in the literal boot steps of American history.
"Comprises six chapters of the West Point history of warfare that have been revised and expanded for the general reader"--Page vii.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Forty ready-to-color illustrations dramatically and accurately depict historic moments, social issues and important figures in this epic conflict, including an 1860 slave auction, black leaders Harriet Tubman and Frederick Douglass, the bombardment of Ft. Sumter, Lee's surrender at Appomattox, Lincoln's assassination, and more. Descriptive captions.
During his service in the Confederate army, Major General Lafayette McLaws (1821-1897) served under and alongside such famous officers as Robert E. Lee, Joseph E. Johnston, James Longstreet, and John B. Hood. He played a significant role in some of the most crucial battles of the Civil War, including Harpers Ferry, Antietam, Fredericksburg, Chancellorsville, and Gettysburg. Despite this, no biography of McLaws or history of his division has ever been published. A Soldier's General gathers ninety-five letters written by McLaws to his family between 1858 and 1865, making these valuable resources available to a wide audience for the first time. The letters, painstakingly transcribed from McLaws's notoriously poor handwriting, contain a wealth of opinion and information about life and morale in the Confederate army, Civil War-era politics, the Southern press, and the impact of war on the Confederate home front. Among the fascinating threads the letters trace is the story of McLaws's fractured relationship with childhood friend Longstreet, who had McLaws relieved of command in 1863. John Oeffinger's extensive introduction sketches McLaws's life from his beginnings in Augusta, Georgia, through his early experiences in the U.S. Army, his marriage, his Civil War exploits, and his postwar years.