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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.
Troubled by his complex sexuality, Monro was a tormented soul whose aim was to serve the cause of poetry. Hibberd's revealing and beautifully-written biography will help rescue Monro from the graveyard of literary history and claim for him the recognition he deserves. Poet and businessman, ascetic and alcoholic, socialist and reluctant soldier, twice-married yet homosexual, Harold Monro probably did more than anyone for poetry and poets in the period before and after the Great War, and yet his reward has been near oblivion. Aiming to encourage the poets of the future, he befriended, among many others, T.S. Eliot, Ezra Pound and the Imagists; Rupert Brooke and the Georgians; Marinetti the Futurist; Wilfred Owen and other war poets; and the noted women poets, Charlotte Mew and Amma Wickham.
A goblin is happily making salt-crystal "bling" for himself, until he spots the nymph's green glass beads and is overwhelmed by desire for them. He asks for the beads, he demands the beads, he whines and begs for the beads. But the nymph has her own purpose for the beads, using them to do her science-magic ... Marcia Santore's colorful pictures retell the story of Overheard on a Saltmarsh, introducing Harold Monro's beloved poem to a new generation of children, while raising an important question: Just because some guy asks you for something, does that mean you have to give it him? Children (and adults!) will identify with the envy and desire of the tantruming goblin on the one hand, and with the serious-minded work of the gentle but firm nymph. The book also provides an opportunity to talk with children about when sharing is important and when maintaining personal boundaries is important, as well as the difference between "want" and "need." And that sometimes the right answer is "No." Don't miss the salt crystal-making activity in the back!
A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.
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