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A practical volume that can be used by instrumental and vocal teachers who want their students to know some of the essentials of harmony, but who haven't the time to teach it as a separate subject. Thus, a piano teacher, for example, can teach harmony in conjunction with the regular piano lesson. At the end of Book 2, students will be able to harmonize melodies using a variety of harmonic accompaniment patterns. Also included are exercises in transposition and composition.
A practical volume to follow the SCHAUM NOTE SPELLER, Book Two. This is a book that can be used by instrumental and vocal teachers who want their students to know some of the essentials of harmony, but who haven't the time to teach it as a separate subject. Thus, a piano teacher, for example, can teach harmony in conjunction with the regular piano lesson. At the end of Book II, we have employed harmony in an accompaniment sense rather than in the traditional four-part harmony way. Transposition has been treated both melodically and harmonically.
The Schaum Note Speller has the unqualified testimonial of thousands of teachers who pronounce it 'The Best.' Musical facts, beginning with line and space numbers are taught. Students learn by doing, since this book is in workbook form. This saves valuable lesson time, and immediately shows any mistakes in the beginner's thinking.
The Schaum Note Speller has the unqualified testimonial of thousands of teachers who pronounce it 'The Best.' Musical facts, beginning with line and space numbers are taught. Students learn by doing, since this book is in workbook form. This saves valuable lesson time, and immediately shows any mistakes in the beginner's thinking.
The purpose of this book is to simplify the process of learning the positions of the notes in music and on the guitar fingerboard.
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.
Most often a pupil's difficulty is not because of technic deficiency but is due to weak note recognition. Consistent use of these drills will help your student to become a good note reader.