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From the simple chords of 'Love Me Do' to the sophisticated modulations of 'The Abbey Road Medley', The Beatles' artistic development can be traced through their unusual and innovative harmonies. Like its volume 1 predecessor, BEATLESTUDY volume 2: Harmonic Analysis of Beatles Music examines its subject in exhaustive detail. It is divided into three parts: The first is a harmonic analysis of all 211 officially recorded and released Beatles songs from 1962-1970; the second part contains a spreadsheet and a concordance documenting each chord used in each song; the third draws statistical conclusions about how The Beatles use harmony.
Thirty years after The Beatles split up, the music of Lennon, McCartney, Harrrison and Starkey lives on. What exactly were the magical ingredients of those legendary songs? Why are they still so influential for today's bands? This ground-breaking book sets out to explore The Beatles' songwriting techniques in a clear and readable style. It is aimed not only at musicians but anyone who has ever enjoyed the work of one of the most productive and successful songwriting parterships of the 20th Century. Author Dominic Pedler explores the chord sequences, melodies, harmonies, rhythms and structures of The Beatles' self-penned songs, while challenging readers to enhance their appreciation of the lyrics themselves with reference to the musical context. Throughout the book the printed music and lyrics of The Beatles' songs appear alongside the text, illustrating the author's explanations. The Songwriting Secrets Of The Beatles is an essential addition to Beatles literature - a new and perceptive analysis of both the music and the lyrics written and performed by what Paul McCartney still calls 'a really good, tight little band'.
At first glance, mathematics and music seem to be from separate worlds—one from science, one from art. But in fact, the connections between the two go back thousands of years, such as Pythagoras’s ideas about how to quantify changes of pitch for musical tones (musical intervals). Mathematics and Music: Composition, Perception, and Performance explores the many links between mathematics and different genres of music, deepening students’ understanding of music through mathematics. In an accessible way, the text teaches the basics of reading music and explains how various patterns in music can be described with mathematics. The authors extensively use the powerful time-frequency method of spectrograms to analyze the sounds created in musical performance. Numerous examples of music notation assist students in understanding basic musical scores. The text also provides mathematical explanations for musical scales, harmony, and rhythm and includes a concise introduction to digital audio synthesis. Along with helping students master some fundamental mathematics, this book gives them a deeper appreciation of music by showing how music is informed by both its mathematical and aesthetic structures. Web Resource On the book’s CRC Press web page, students can access videos of many of the spectrograms discussed in the text as well as musical scores playable with the free music software MuseScore. An online bibliography offers many links to free downloadable articles on math and music. The web page also provides links to other websites related to math and music, including all the sites mentioned in the book.
(Transcribed Score). A fitting tribute to possibly the greatest pop band ever - The Beatles. This outstanding edition features full scores and lyrics to all 210 titles recorded by The Beatles. Guitar and bass parts are in both standard notation and tablature. Also includes a full discography. Songs include: All You Need Is Love * And I Love Her * Baby You're a Rich Man * Back in the U.S.S.R. * The Ballad of John and Yoko * Blackbird * Can't Buy Me Love * Come Together * Drive My Car * Eleanor Rigby * From Me to You * Glass Onion * A Hard Day's Night * Help! * Hey Jude * I Saw Her Standing There * I Want to Hold Your Hand * Michelle * Penny Lane * She Loves You * Twist and Shout * Yesterday * and many more! A must-own for any serious Beatles fan or collector!
As dazzling as the decade they dominated, The Beatles almost single-handedly created pop music as we know it. Today, their songs are cited as seminal influences by stars like Oasis, Blur and Kula Shaker. Eloquently giving voice to their time, The Beatles quite simply changed the world. Fully updated to include material from The Beatles Live at the BBC and the Anthology series, this acclaimed book goes back to the heart of The Beatles - their records. Drawing on a unique resource of knowledge and experience to 'read' their 241 tracks - chronologically from their first amateur efforts in 1957 to 'Real Love', their final 'reunion' recording in 1995 - Ian MacDonald has created an engrossing classic of popular criticism in which the extraordinary songs of The Beatles remain a central and continually surprising presence.
(Berklee Press). An essential guide for all songwriters and Beatles fans, this book explores John Lennon's songwriting genius with a guided tour through 25 of his Beatles-era hits. Author John Stevens explains Lennon's intuitive talent from a technical point of view, through the lens of songwriting's three basic elements: melody, harmony and lyric. He shows how Lennon fashioned songs that were at once politically and socially relevant during the '60s, yet remain ageless and timeless today. Features in-depth musical analysis of: A Hard Day's Night * Ticket to Ride * Norwegian Wood * Strawberry Fields Forever * Come Together * and more. John Stevens is a songwriting professor at Berklee College of Music. For more than 20 years, he has taught "The Music of John Lennon," one of the most popular courses in the Berklee curriculum. "You've got the Beatles' records and the John Lennon records; now with this book, you can have the Owner's Manual. This will tell you how the songs are built and how they work. Good stuff." Marshall Crenshaw, Singer/Songwriter
Here, for the first time in published form, is an encyclopedic analysis of structure in the music of The Beatles. With a keen eye for detail and ears to match, Beatles scholar Aaron Krerowicz breaks down every Beatles song with the two-fold intent of illustrating the band's sophisticated compositional skill and plotting their artistic evolution by examining in great detail how their music was put together. The volume opens with a comprehensive structural analysis of all 211 tracks recorded and officially released by The Beatles between 1962-1970, and ends with commentary on those analyses. The product is the most exhaustive study of the topic ever made. For the scholar, this catalog will provide a basis for further study and analysis; for the fan, it will offer insight for deeper understanding; for all, it will increase appreciation for The Beatles' extraordinary music.
The Beatles and the Beatlesque address a paradox emanating from The Beatles’ music through a cross-disciplinary hybrid of reflections, drawing from both, musical practice itself and academic research. Indeed, despite their extreme stylistic variety, The Beatles’ songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage. The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles' music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs "in the making"). Through an investigation into the work of George Martin and his team, as well as The Beatles themselves, this text sheds light on the role of the studio in shaping the group's eclectic but unique sound. The chapters address what makes a song “Beatlesque”, to what extent production choices are responsible for developing a style, production being understood not as a mere set of technicalities, but also in a more conceptual way, as well as the aesthetics, semiotics and philosophy that animated studio activity. The outcome is a book that will appeal to both students and researchers, as well as, of course, musicophiles of all kinds.
In a stretch of just seven years, the Beatles recorded hundreds of songs which tower above those of their worthy peers as both the product of cultural leadership and an artistic reflection of their turbulent age, the1960s. Walter Everett and Tim Riley's What Goes On: The Beatles, Their Music, and Their Time blends historical narrative, musicology, and music analysis to tell the full story of the Beatles and how they redefined pop music. The book traces the Beatles' development chronologically, marking the band's involvement with world events such as the Vietnam War, strides in overcoming racial segregation, gender stereotyping, student demonstrations, and the generation gap. It delves deeply into their body of work, introducing the concepts of musical form, instrumentation, harmonic structure, melodic patterns, and rhythmic devices in a way that is accessible to musicians and non-musicians alike. Close readings of specific songs highlight the tensions between imagination and mechanics, songwriting and technology, and through the book's musical examples, listeners will learn how to develop strategies for creating their own rich interpretations of the potential meanings behind their favorite songs. Videos hosted on the book's companion website offer full definitions and performance demonstrations of all musical concepts discussed in the text, and interactive listening guides illustrate track details in real-time listening. The unique multimedia approach of What Goes On reveals just how great this music was in its own time, and why it remains important today as a body of singular achievement.
Rock-and-roll, a generic term, originally (1951) used to replace the label rhythm and blues, defines the music indigenous to and supported by white, middle-class, youth. Characteristic of the music is a recurring, overstated rhythm, a plodding 4/4 beat (most music was dance-oriented), and the simple I-vi-IV-V-I harmonic progression., Other features include a typical ABA form with occasional variations, melodies which are indistinguishable through the raw, semi-shouting style of the vocalists, and a text, usually subordinate to the music, dealing almost solely with adolescent love. Among the countless groups displaying the rock-and-roll style, both in America and England, the Beatles, then the Quarrymen, including, in 1957, John Lennon, George Harrison, and Paul McCartney, were assimilating the popular style (reflected by such contemporaries as Elvis Presley, the Everly Brothers and Chuck Berry) which became the basis of their own musical output. As they emerged as an internationally famous group, the Beatles were producing songs in a polished style, including more sophisticated melodies and harmonies than those typical of the rock scene. Their music illustrates the major influences operating in the field of popular music from 1962 to 1970. Acting in both an avant-garde capacity as well as maintaining traditional ties with the genre, these composers provide a documented evolution of popular music materials of the last decade. Inasmuch as the music ranges from the simple, stylized idiom characteristic of the early '60s to the more personal and artistic expression of their mature years, evolutionary tendencies are evident in virtually all musical parameters which they employ. It is the purpose of this thesis to examine the instrumentation, harmony, form, and album unity within the Beatles' music, hopefully deriving an understanding of some style characteristics of rock and roll of the '60's and a regard for its artistic integrity. In general the procedure shall include the identification of the style of each specific parameter as utilized in the quartet's early years (1962-1965) and a longitudinal investigation of their properties throughout the remainder of the Beatles' complete works. Appended to the thesis is a complete discography as well as information supportive of the conclusions stated within the thesis. For the more statistical areas of harmonic analysis, a computer program in the SNOBOL IV language was utilized . Compilations of chord types, root movement patterns, and recurring harmonic patterns as well as list of frequency and percentage of usage are well suited for analysis programs.