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FIRST STATEMENT TO THE AUDIENCE I stand naked in front of you. I can't lie to you for one second. This is my story you will see. I see it as one of redemption, Justice. But how you will see it, my thousand eyes transfixing this darkness, I do not know, and I cannot say. I only know that you have entered it, my story. You will feel it in my blood as I feel it. I do not accept that any distance can exist between us. Not any distance in space. Not any distance in culture. Not any distance in time. Not any distance in language. Not in blood. Not in hope. You are me, in this. Who you will be afterward even you do not know. I stand naked in front of you. I can't lie to you for one second. Oh, my thousand eyes, my thousand eyes... from ULTRA
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Chronicles the experiences of Ditie, who rises from busboy to hotel owner in World War II Prague, and whose life is shaped by the fate of his country before, during, and after the conflict.
Wonderful stories of Communist Prague by “the masterly Bohumil Hrabal” (The New Yorker) Never before published in English, the stories in Mr. Kafka and Other Tales from the Time of the Cult were written mostly in the 1950s and present the Czech master Bohumil Hrabal at the height of his powers. The stories capture a time when Czech Stalinists were turning society upside down, inflicting their social and political experiments on mostly unwilling subjects. These stories are set variously in the gas-lit streets of post-war Prague; on the raucous and dangerous factory floor of the famous Poldi steelworks where Hrabal himself once worked; in a cacophonous open-air dance hall where classical and popular music come to blows; at the basement studio where a crazed artist attempts to fashion a national icon; on the scaffolding around a decommissioned church. Hrabal captures men and women trapped in an eerily beautiful nightmare, longing for a world where “humor and metaphysical escape can reign supreme.”
Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.
Over one hundred twenty formula romance novels are churned out every month. These romantic fantasies for women are big business and earn huge profits for the companies that publish them. Love's $weet Return examines the phenomenon of romance fiction, focusing specifically on one of the most successful book publishers in the world, the Canadian-based Harlequin Enterprises. Margaret Jensen details the rise of the company, examines the Harlequin formula, and evaluates the growth and impact of both Harlequin and its competition. She also assesses recent shifts in the content of Harlequins, particularly as they pertain to women's changing roles in society.
Weisser (English, Adelphi U.) writes that her anthology is "for anyone who is interested in understanding the conflicted but powerful female urge to experience the pleasure and endure the pain of romantic love." In particular, she explores the collision of pervasive media images of romance with feminist values of independence and self-assertion. Several dozen historic and contemporary works of criticism, personal essays, and letters, by feminist and anti-feminist thinkers, consider changing images of romantic love and whether romance, fundamentally, weakens or empowers women. Contributors include Jean-Jacques Rousseau, Charlotte Bronte, Karen Horney, Simone de Beauvoir, Rita Mae Brown, bell hooks, Vivian Gornick, and Carolyn Heilbrun. c. Book News Inc.
Before Enron, before Arthur Anderson, and before Worldcom, there was the Bank of New York money laundering scandal, which hit headlines in 1999. Promising to be one of the most important books on international organized crime, money laundering, and the complicity between legitimate and illegitimate businesses in both the United States and the former Soviet Union, among other places, during the last decade of the 20th century, All Is Clouded by Desire examines the criminal dealings that led to the revelation that the Bank of New York's Eastern European Division laundered $6 billion for Russian organized criminals and other shady organizations and individuals. In a series of intrigues that involved crooked Geneva banker Bruce Rappaport and high-level members of the Bank of New York, criminal Russian organizations were able to thrive and prosper during a time when the rest of the former Soviet Union crumbled amidst growing corruption and a declining economy. Tracing the financial shenanigans back many years, Block and Weaver illustrate how the underworld of high finance, money laundering, mafia groups, CIA operatives, and legitimate banking institutions can clean dirty money and operate criminal enterprises that span the globe. Block and Weaver carefully assemble a vivid examination of the world of hot money in the arena of international banking and the roles played by Intelligence, the politically connected, and the criminally inclined. Focusing on the intensely private Genava banker Bruce Rappaport and the Bank of New York, the authors show how the two worked together with dodgy Russian banks to move and launder billions through channels that include off-shore banks, shady joint-ventures, and outright criminal organizations. Relying on primary sources from the logs of the institutions involved, interviews with British Intelligence operatives and former CIA officers, secret discussions with private detectives handling the infamous Marc Rich tax case, and material collected by two private detective agencies in London and New York, the book exposes the various machinations that were instrumental in completing the financial schemes that would ultimately cause the downfall of two top Bank of New York executives.