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Graphic adaptations of twelve stories by Harlan Ellison, each introduced by Harlan Ellison.
Seven stunning stories of speculative fiction by the author of A Boy and His Dog. In a post-apocalyptic world, four men and one woman are all that remain of the human race, brought to near extinction by an artificial intelligence. Programmed to wage war on behalf of its creators, the AI became self-aware and turned against humanity. The five survivors are prisoners, kept alive and subjected to brutal torture by the hateful and sadistic machine in an endless cycle of violence. This story and six more groundbreaking and inventive tales that probe the depths of mortal experience prove why Grand Master of Science Fiction Harlan Ellison has earned the many accolades to his credit and remains one of the most original voices in American literature. I Have No Mouth and I Must Scream also includes “Big Sam Was My Friend,” “Eyes of Dust,” “World of the Myth,” “Lonelyache,” Hugo Award finalist “Delusion for a Dragon Slayer,” and Hugo and Nebula Award finalist “Pretty Maggie Moneyeyes.”
The vicious dictator of a future world seeks refuge in the prehistoric past; a fast-gun sheriff refuses to lay up his weapon when his days of power are ended; sharp, small teeth horribly show what can happen to a stoolie; and in the year 2074, a consumer upgrades his mutant housebeast for this year's model. These are a few of the things Harlan Edison dreams about. Full-color throughout. Graphic novel format.
“An enjoyable, irascible collection” of smart and sometimes-scathing film criticism from a famously candid author (Library Journal). Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism. It’s pure, raw, unapologetic opinion. Star Wars? “Luke Skywalker is a nerd and Darth Vader sucks runny eggs.” Big Trouble in Little China? “A cheerfully blathering live-action cartoon that will give you release from the real pressures of your basically dreary lives.” Despite working within the industry himself, Ellison never learned how to lie. So punches go unpulled, the impersonal becomes personal, and sometimes even the critics get critiqued, as he shares his views on Pauline Kael or Siskel and Ebert. Ultimately, it’s a wild journey through the cinematic landscape, touching on everything from Fellini to the Friday the 13th franchise. As Leonard Maltin writes in his preface, “I don’t know how valuable it is to learn Harlan Ellison’s opinion of this film or that, but I do know that reading an Ellison essay is gong to be provocative, infuriating, hilarious, or often a combination of the above. It is never time wasted. . . . Let me assure you, Harlan Ellison is never dull.”
An all-new, all-ages series full of magic and whimsy from award-winning creators Eric Shanower and Gabriel Rodriguez! Spinning out of Winsor McKay's brilliant early 20th century strip, Little Nemo: Return to Slumberland sees King Morpheus' daughter, in the Royal Palace of Slumberland, select her next-playmate: Nemo! Collects issues #1_4 and includes an art gallery from artist Gabriel Rodriguez.
Winner of the World Fantasy Award for best short story collection, this volume by one of the most acclaimed authors of the 20th century takes an intense look at how the specter of death haunts everyday life.
"Get it straight right now: these aren't kids playing games of war. They mean business. They are junior-grade killers and public enemies one through five thousand..." In Rusty Santoro's neighborhood, the kids carry knives, chains, bricks. Broken glass. And when they fight, they fight dirty, leaving the streets littered with the bodies of the injured and the dead. Rusty wants out - but you can't just walk away from a New York street gang. And his decision may leave his family to pay a terrible price. First published more than half a century ago and inspired by the author's real-life experience going undercover inside a street gang, Web of the City was Harlan Ellison's first novel and marked the long-form debut of one of the most electrifying, unforgettable, and controversial voices of 20th century letters. Appearing here for the first time together with three thematically related short stories Ellison wrote for the pulp magazines of the 1950s, Web of the City offers both a snapshot of a lost era and a portrait of violence and grief as timely as today's most brutal headlines.
Harlan Ellison, science fiction's brightest luminary, has joined forces with multi-award winning artist Paul Chadwick, creator of the incomparable Concrete, to bring you SEVEN AGAINST CHAOS, a graphic novel that is singular, powerful and unpredictable. This extraordinary odyssey of mystery and adventure will take you to the rim of reality and beyond. In a distant future, Earth is in grave danger: The fabric of reality itself in unraveling, leading to catastrophic natural disasters, displaced souls appearing from bygone eras, and sudden, shocking cases of spontaneous combustion. The only hope for Earth's survival is a force of seven warriors, each with his or her special abilities. But can these alien Seven Samurai learn to get along in time to find the source of the gathering chaos and save all of reality?
Contains three stories that follow the further adventures of Dorothy, the Scarecrow, and their friends in the magical land of Oz and their visits to the Forgotten Forest, the Secret Island, and the Blue Witch of Oz.
Rediscover the Early Ellison. This collection restores to print fifteen never-collected tales from the first dozen years of his career. Hard-hitting crime stories like "Thrill Kill," "Girl at Gunpoint," "Kill Joy," "Knife/Death" and "Burn My Killers " share the table of contents with stories of betrayal, including "Death Climb," "Riff," "Mac's Girl," and "The Honor in the Dying." And, together for the first time, Ellison's three detective stories featuring insurance investigator Jerry Killian. Toss in the solo outing of a diminutive private dick named Big John Novak (of whom Ellison expected to write much more, but never did) and a sexy Western called "Saddle Tramp" and you've got quite an assemblage of tales from the seamier side of life. All that, plus "The Final Movement," a never-before-published story from the mid-1950s. Better than a poke in the eye with a white-hot bone of Amenhotep, I think you'll agree.