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Harewood House is one of the greatest country houses in Britain. Situated in the heart of Yorkshire, the house was commissioned in the 18th century by Edwin Lascelles, 1st Earl of Harewood. He employed the finest artists and craftsmen of the time, including John Carr of York for the Palladian exterior, Robert Adam for the interiors and Lancelot 'Capability' Brown for the landscape. Exquisitely furnished, Harewood was Thomas Chippendale's largest single commission. Harewood displays an extraordinary collection of Renaissance masterpieces alongside fine works of 20th-century art, and was the first country house in England to have a designated space for contemporary art. All Saints' Church, on the Harewood Estate, contains one of the most magnificent collections of late medieval alabaster tombs in Britain. This exquisite album of photographs by Harry Cory Wright allows us to experience Harewood as if for the first time. With an introduction by David Lascelles, 8th Earl of Harewood, who shares with us his own experience of living in such a remarkable house, this book evokes an incredibly vivid sense of place.
In the spring of 2004, David Lascelles invited a group of monks from Bhutan to build a stupa in the gardens of Harewood House in Yorkshire. It was a step into the unknown for the Bhutanese. They didn’t speak any English, had never travelled outside their own culture, had never flown in an airplane or seen the ocean. Theirs was one kind of journey, but the project was also another kind of voyage for David. It was an attempt to reconcile a deep interest in Buddhism with the 250 years that his family has lived at Harewood, the country house and estate – with its links to one of the darkest chapters in Britain’s colonial past – that he has loved, rejected, tried to make sense of and been haunted by all his life. In Buddhist thought, one of the functions of a stupa is to harmonise the environment in which it is built and subdue the chaotic forces at work there. Would this stupa have a similar effect, quelling the forces of Harewood’s past and harmonising the contradictions of its present? A Hare-Marked Moon tells the story behind the extraordinary meeting of cultures that resulted in the Harewood Stupa, interspersed with accounts of David’s travels in the Himalayas which delve into the rich and turbulent history of the region, and the beliefs that have shaped it.
In May 1835 in a Sydney courtroom, a slight, balding man named John Dow stood charged with forgery. The prisoner shocked the room by claiming he was Edward, Viscount Lascelles, eldest son of the powerful Earl of Harewood. The Crown alleged he was a confidence trickster and serial impostor. Was this really the heir to one of Britain's most spectacular fortunes? Part Regency mystery, part imperial history, A Swindler's Progress is an engrossing tale of adventure and deceit across two worlds—British aristocrats and Australian felons—bound together in an emerging age of opportunity and individualism, where personal worth was battling power based on birth alone. The first historian to unravel the mystery of John Dow and Edward Lascelles, Kirsten McKenzie illuminates the darker side of this age of liberty, when freedom could mean the freedom to lie both in the far-flung outposts of empire and within the established bastions of British power. The struggles of the Lascelles family for social and political power, and the tragedy of their disgraced heir, demonstrate that British elites were as fragile as their colonial counterparts. In ways both personal and profound, McKenzie recreates a world in which Britain and the empire were intertwined in the transformation of status and politics in the nineteenth century.
The first of a three-volume survey of greater houses in England and Wales of the 14th and 15th centuries, first published in 1996.