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An interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies.
DIVComparative study of 19th-century representations of Ottoman harems that considers both the tradition of British paintings and writings about harems as well as the perspectives of Ottoman women who commissioned their own harem portraits./div
The unprecedented political power of the Ottoman imperial harem in the sixteenth and seventeenth centuries is widely viewed as illegitimate and corrupting. This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.
A firsthand account of the private world of a harem in colonial Cairo—by a groundbreaking Egyptian feminist who helped liberate countless women. In this compelling memoir, Shaarawi recalls her childhood and early adult life in the seclusion of an upper-class Egyptian household, including her marriage at age thirteen. Her subsequent separation from her husband gave her time for an extended formal education, as well as an unexpected taste of independence. Shaarawi’s feminist activism grew, along with her involvement in Egypt’s nationalist struggle, culminating in 1923 when she publicly removed her veil in a Cairo railroad station, a daring act of defiance. In this fascinating account of a true original feminist, readers are offered a glimpse into a world rarely seen by westerners, and insight into a woman who would not be kept as property or a second-class citizen.
A study of the chief of the African eunuchs who guarded the sultan's harem in Istanbul under the Ottoman Empire.
Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal’s study of the narratives and discourses of travel reveals the ways in which the colonial encounter created linked yet distinct constructs of nation and gender and explores the impact of this encounter on both English and Indian men and women. Reworking colonial discourse studies to include both sides of the colonial divide, this work is also the first to discuss Indian women traveling West as well as English women touring the East. In her look at England, Grewal draws on nineteenth-century aesthetics, landscape art, and debates about women’s suffrage and working-class education to show how all social classes, not only the privileged, were educated and influenced by imperialist travel narratives. By examining diverse forms of Indian travel to the West and its colonies and focusing on forms of modernity offered by colonial notions of travel, she explores how Indian men and women adopted and appropriated aspects of European travel discourse, particularly the set of oppositions between self and other, East and West, home and abroad. Rather than being simply comparative, Home and Harem is a transnational cultural study of the interaction of ideas between two cultures. Addressing theoretical and methodological developments across a wide range of fields, this highly interdisciplinary work will interest scholars in the fields of postcolonial and cultural studies, feminist studies, English literature, South Asian studies, and comparative literature.
Follows a fifteen-year-old girl who, after presenting Gaddafi with a bouquet of flowers during a visit to her school, was summoned to his compound where she, along with a number of young women, was violently abused, raped, and degraded.
An anthology of personal writings in which twenty-nine women who have lived in Turkey over the last forty years chronicle their experiences and share their impressions of the country.
Latvia, 1905. Amidst the ashes of the failed workers' rebellions of 1905, Latvian aristocrat Wiktor Rooks finds that he has lost everything: home and heritage, his life's very purpose. Coerced into the Russian Army, Wiktor is soon swept up into the turbulent years of the Great War and Bolshevik Revolution. In the service of his enemies, he finds himself torn between the noble classes of his birth and his new communist masters, between calls for freedom on Baltic shores and waves of oppression radiating from Moscow's centre. By a twist of fate, he becomes a member of the elite Red Riflemen of the Revolution, a regiment nicknamed "Lenin's Harem" for their absolute loyalty to the cause. Wiktor adapts to his situation by hiding his aristocratic past. He finds friendship amongst the soldiers and love with a communist girl. When the wars end, he returns to his homeland a different man. But betrayals await in R?ga and Stalin's soldiers are soon knocking on the midnight door... Set in Russia and Latvia between 1905 and 1941, 'Lenin's Harem' is a story of nationhood, brotherhood and love throughout the most turbulent years of the twentieth century. The novel explores identity in a time of changing loyalties, and the search for a just struggle when all causes are tainted by bloodshed and betrayal.