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A first-hand account of a Greek refugee camp—and the stories of the refugees staying there Syrian Kurd Juwan Azad left his home and family in Damascus in 2011 to flee military service under the al-Assad regime. After several troubled years as a refugee in Turkey, he arrived in Greece by sea, on the route taken by hundreds of thousands of his fellow Syrians seeking a safe haven in Europe. But as borders closed across the Balkans in early 2016, Juwan and his fellow Syrians found themselves blocked from travelling any further. Teresa Thornhill volunteered at Hara Hotel, a makeshift camp on the Greece–Macedonia border. An Arabic speaker, she met Syrians from all walks of life as she distributed clothing and organized activities for children. One of the Syrians was Juwan, who would later walk through the mountains of Macedonia to safety in Austria. In Hara Hotel, Thornhill interweaves a narrative of daily life at the camp with Juwan’s extraordinary story, the recent history of the revolution in Syria, and an account of the ensuing civil war, painting a vivid picture of the predicament of Syrians trapped on Europe’s borders.
The definitive biography of short story writer John O’Hara.
The writer John O'Hara (1905-1970) came from Pottsville in Pennsylvania. He put his home town and the surrounding vicinity under a microscope to produce an account of 'The Anthracite Region' that rivals Edith Wharton's descriptions of New York and Sinclair Lewis's anatomy of Sauk Centre. With the discerning eye of a local resident, O'Hara recreated this coal-rich region and its people so well that his novelettes, novellas, novels, plays and short stories give a true record of his 'Pennsylvania Protectorate' in the latter part of the nineteenth century and the first half of the twentieth century. In order to reveal the ethnographical, geographical and historical authenticity of the O'Hara Canon, this book examines his writings in the context of Pottsville and the borough of Tamaqua, as well as the nearby towns and villages. The author also investigates both O'Hara's genteel upbringing and his gangster stratum. The book explores the many dimensions of O'Hara's life from the time of his birth until his escape to New York City in 1928. New sources such as unpublished letters and interviews with O'Hara's family, friends and enemies provide important insights into O'Hara, as well as into Pottsville and the surrounding region.
A powerful portrait of the greatest humanitarian emergency of our time, from the director of Human Flow In the course of making Human Flow, his epic feature documentary about the global refugee crisis, the artist Ai Weiwei and his collaborators interviewed more than 600 refugees, aid workers, politicians, activists, doctors, and local authorities in twenty-three countries around the world. A handful of those interviews were included in the film. This book presents one hundred of these conversations in their entirety, providing compelling first-person stories of the lives of those affected by the crisis and those on the front lines of working to address its immense challenges. Speaking in their own words, refugees give voice to their experiences of migrating across borders, living in refugee camps, and struggling to rebuild their lives in unfamiliar and uncertain surroundings. They talk about the dire circumstances that drove them to migrate, whether war, famine, or persecution; and their hopes and fears for the future. A wide range of related voices provides context for the historical evolution of this crisis, the challenges for regions and states, and the options for moving forward. Complete with photographs taken by Ai Weiwei while filming Human Flow, this book provides a powerful, personal, and moving account of the most urgent humanitarian crisis of our time.
The story is about a high school graduate named Hara, who attended college at TSU, a college in San Marcos, Texas, where she reunites with her ex-boyfriend named Bishop Summers but at the same time becomes friends with a fellow student named Stephen. Stephen becomes obsessed over her and sets up a plot with one of Hara's roommates to break her and Bishop up. When the plot doesn't go as planned, he kidnaps Hara and keeps her tied up in his barn for three weeks. Within those three weeks, he makes her quit TSU, turns her back to her friends and family, including Bishop. Also within those three weeks he beats and rapes her. Her mom hires a private investigator to find Hara. Once he finds Hara, her mom, the private investigator, and Bishop team up to rescue Hara, but the plan to rescue Hara will become a difficult task because Stephen has killed someone before and to keep Hara, he would do so again. Youtube: http: //youtu.be/F-Ybl-Ac3A8
"The History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart's classic musical comedy Pal Joey (1940). When Pal Joey opened at the Barrymore on Christmas day, 1940, it flew in the face of musical comedy convention. The characters and situation were depraved. The setting was caustically realistic. Its female lead was frankly sexual and yet not purely comic. A narratively-driven dream ballet closed the first act, begging audiences to take seriously the inner life and desires of a confirmed heel. Although the show appears on many top-ten lists surveying the so-called "Golden Age," it is a controversial classic; its legacy is tied both to the fashionable scandal that it provoked, and, retrospectively, to the uncommon attention it paid to characterization and narrative cohesion. Through an archive-driven investigation of the show and its music, History of a Heel offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, I argue that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender roles in the pre-war era The History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart's classic musical comedy Pal Joey (1940).
Shortly after the end of World War II, the world is still trying to put itself back together, Europe most of all. Within the chaos, a French heroin cartel takes advantage and begins successfully trafficking drugs into the United States, via New York City, utilizing a covert Latin American organization. The DEA is on the hunt. Meanwhile, Israeli Intelligence struggles to pin down the location of ex-Nazi war criminals. Their investigation collides with that of the DEA, and two very unlikely parties become allies. As the agencies work together, they soon come to a shocking revelation. The Latin American connection, sneaking heroin onto U.S. soil, is linked to the ex-Nazis hunted by the Mossad. Now more than ever, two countries must share confidential information to stop not only a drug epidemic but also bring to justice hateful men who tortured and murdered thousands.