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Welcome to Happyland, an extreme amusement park! The Komiya family is not unusual is any way, two parents love each other and their two children, who are healthy, happy, and accomplished at school and with extracurriculars. In appearance, they’re an ideal family that has everything going for them! At least… That's what they believed until the father decided to take them to spend a day at Happyland Park. In this park with its extreme attractions, the most shameful secrets will emerge in the most literally explosive way possible! A horrifying and gory tale of survival begins in this first of two volumes by Shingo Honda!
Based on close reading of historical documents--poetry as much as statistics--and focused on the conceptualization of technology, this book is an unconventional evocation of late colonial Netherlands East Indies (today Indonesia). In considering technology and the ways that people use and think about things, Rudolf Mrázek invents an original way to talk about freedom, colonialism, nationalism, literature, revolution, and human nature. The central chapters comprise vignettes and take up, in turn, transportation (from shoes to road-building to motorcycle clubs), architecture (from prison construction to home air-conditioning), optical technologies (from photography to fingerprinting), clothing and fashion, and the introduction of radio and radio stations. The text clusters around a group of fascinating recurring characters representing colonialism, nationalism, and the awkward, inevitable presence of the European cultural, intellectual, and political avant-garde: Tillema, the pharmacist-author of Kromoblanda; the explorer/engineer IJzerman; the "Javanese princess" Kartina; the Indonesia nationalist journalist Mas Marco; the Dutch novelist Couperus; the Indonesian novelist Pramoedya Ananta Toer; and Dutch left-wing liberal Wim Wertheim and his wife. In colonial Indies, as elsewhere, people employed what Proust called "remembering" and what Heidegger called "thinging" to sense and make sense of the world. In using this observation to approach Indonesian society, Mrázek captures that society off balance, allowing us to see it in unfamiliar positions. The result is a singular work with surprises for readers throughout the social sciences, not least those interested in Southeast Asia or colonialism more broadly.
Through the lives of the Cleaver and the Owen families, recounts the histography of the American frontier from the 17th century to the Civil War.
Includes information on places of origin, marriages, children, and deaths. Examines the roles that women played in business, the causes of mortality, the antebellum Jewish family, the common aspects of life, and relations between Jews and African-Americans.
The David Bowie Chronology, Volume 1, is a comprehensive look at his recording and release history. From the time he left school to pursue a career in music, David Bowie was always working. After years of struggling with bands, releasing singles and a debut album, all of which failed to chart, success first came with ñSpace Oddityî in 1969. The 1972 album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars made David Bowie a household name. This Chronology covers every aspect of David BowieÍs recording career. It looks at his singles, albums and rarities. Demos, alternate versions, remixes and edits, side projects and his work with other artists such as Mott The Hoople and Lou Reed are all explored. The information is presented date by date in chronological order, accompanied by detailed descriptions of each song version, guest appearance, edit, non-album track and alternate version. The book also covers his tours and live appearances.
The author of The Pirates of Penzance, The Mikado, H.M.S. Pinafore and the other great Savoy libretti, W.S. Gilbert was witty, caustic and disrespectful, one of the celebrities of the late Victorian era. He wrote the most brilliantly inventive plays of his time, and with Arthur Sullivan he wrote comic operas that defined the age. He became richer and more famous than he could have imagined, but at the price of his artistic freedom. In his time Gilbert had been many things: journalist, theatre critic, cartoonist, comic poet, stage director, writer of short stories, dramatist. Andrew Crowther examines W.S. Gilbert from all these angles, using a wealth of sources to tell the story of an angry and quarrelsome man, discontented with himself and the age he lived in, raging at life's absurdities and laughing at them. In this book Gilbert's glorious, contradictory character is explored and brought vividly to life.
Punch's History of Modern England is a unique review of the English customs, traditions, education, nobility, courts, fashion, culture, and personalities entirely based on the articles from Punch, the British satirical journal. As the author mentions in the preface, "The Files of Punch have been generally admitted to be a valuable mine of information of the manners, customs and fashions f the Victorian age." This is one of the best examples of Victorian-era humor prose and gives a unique insight into the history of England outside political matters._x000D_ _x000D_