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An account of two people - Fred and Rose West - who lived together, raised (and killed) children, provided sexual services for anyone interested, and pretended to provide social services for single women. Investigated and told by one of the greatest journalists and writers of the last twenty years, this is the most powerful and upsetting true crime book you will ever read.
In this controversial and seminal work of reportage, Gordon Burn reveals the strange inner dynamic of Fred and Rosemary West's relationship. Based on meticulous research, this dark history is told in a powerful, compelling narrative. With a new introduction by Benjamin Myers.
Gordon Burn's Happy Like Murderers is a disturbing catalogue of the manner in which Frederick and Rosemary West raped, tortured and killed. It spares none of the utterly sordid details.
It seemed the case of the notorious Yorkshire Ripper was finally closed when Peter Sutcliffe was sentenced to life imprisonment in 1981. But in the early 1980s Gordon Burn spent three years living in Sutcliffe's home town of Bingley, researching his life. A modern classic, Somebody's Husband, Somebody's Son offers one of the most penetrating and provocative insights into the mind of a murderer ever written. 'A book which will, with some justice, be compared to In Cold Blood and The Executioner's Song. It's as if Thomas Hardy were also present at the writing of this account of the Yorkshire Ripper.' Norman Mailer
Summer 2007 was an extraordinarily rich time for news. Floods. Foot and mouth. The disappearances of Tony Blair and Madeleine McCann. The arrival of Gordon Brown. Terror attacks in Glasgow. And Gordon Burn, artist, journalist and true-crime author, has taken the events from this bleak summer and turned them into an utterly unique novel about the way news is made, and how the media creates and manipulates the stories we see before us. A daring and thrilling novel from one of the most astute observers of celebrity and tragedy, that is sure to make the headlines itself.
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
One of Cosmopolitan's Best Romance Novels Ever Turns out that reading nothing but true crime isn't exactly conducive to modern dating—and one woman is going to have to learn how to give love a chance when she's used to suspecting the worst. PhD candidate Phoebe Walsh has always been obsessed with true crime. She's even analyzing the genre in her dissertation—if she can manage to finish writing it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn't had a relationship with for years. It doesn't help that she's low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he's clearly up to something). It's not long before Phoebe realizes that Sam might be something much scarier—a genuinely nice guy who can pierce her armor to reach her vulnerable heart.
Norman Miller used to be one of Fleet Street's finest. Now he's a middle-aged, burned-out hack with a gift for the sensational story, the shouting tabloid lead. But as he reports on a series of brutal murders and sex crimes, he's forced to wonder whether he is just a witness - or part of some deeper pattern of cause and effect . . .'Remarkable . . . Devastating . . . Required reading for anyone interested in what British fiction should be doing today.' Stephen Amidon, Esquire
While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.
AN INSTANT NEW YORK TIMES BESTSELLER! “This Golden Girls meets James Bond thriller is a journey you want to be part of.” -Buzzfeed Older women often feel invisible, but sometimes that’s their secret weapon. They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can’t just retire – it’s kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman—and a killer—of a certain age.