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Four well-loved stories from the long-running popular series in one handsome volume. Meet Mr Biff the Boxer, illustrated by Janet Ahlberg, Mrs Vole the Vet with pictures by Emma Chichester Clark, the delightful Miss Dirt the Dustman's Daughter illustrated by Tony Ross and Master Bun the Bakers' Boy with illustrations by Fritz Wegner. Irresistible stories by one of our most respected and popular children's authors, Allan Ahlberg.
"In this haunting new novel, the act of forgetting is as strange and interesting as the power of remembering." —The New York Times Book Review Look out for Penelope Lively’s new book, The Purple Swamp Hen and Other Stories. Penelope Lively is renowned for her signature combination of silken storytelling and nuanced human insights. In Family Album, lively masterfully peels back one family's perfect façade to reveal the unsettling truths. All Alison ever wanted was to provide her six children with a blissful childhood. Its creation, however, became an obsession that involved Ingrid, the family au pair. As adults, Paul, Gina, Sandra, Katie, Roger, and Clare return to their family home and as mysteries begin to unravel, each must confront how the consequences of long-held secrets have shaped their lives.
Set in rural Wales, Happy Families shines a tender, funny and heartwarming light on the lives of three generations of a Chinese immigrant family. When was the last time you paid much attention to the person behind the counter of your local Chinese takeaway? Amy is thirty-four and has just given up her glittering career in the big (Welsh) city to move back in with her grandfather, returning to work in the small-town Chinese takeaway where she spent her bookish and boring childhood. Why? That's a secret she won't tell. Just like the secret of why her grandfather, Ah Goong, and her faith, TC Li, haven't spoken to each other in thirty years. Weirder still, they've lived in the same small flat above the takeaway for the majority of those years, with Amy's mother Joan acting as their unfortunate go-between and buffer. Now Amy's parents have moved, leaving her in charge of looking after the old man. But then Ah Goong collapses in the street and time is running out if Amy wants to play happy families before it's too late.
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
The Glass Castle meets The Nest in this stunning debut, an intimate family memoir that gracefully brings us behind the dappled beachfront vista of privilege, to reveal the inner lives of two wonderfully colorful, unforgettable families. On a mid-August weekend, two families assemble for a wedding at a rambling family mansion on the beach in East Hampton, in the last days of the area’s quietly refined country splendor, before traffic jams and high-end boutiques morphed the peaceful enclave into the "Hamptons." The weather is perfect, the tent is in place on the lawn. But as the festivities are readied, the father of the bride, and "pater familias" of the beachfront manse, suffers a massive stroke from alcohol withdrawal, and lies in a coma in the hospital in the next town. So begins Jeanne McCulloch’s vivid memoir of her wedding weekend in 1983 and its after effects on her family, and the family of the groom. In a society defined by appearance and protocol, the wedding goes on at the insistence of McCulloch’s theatrical mother. Instead of a planned honeymoon, wedding presents are stashed in the attic, arrangements are made for a funeral, and a team of lawyers arrive armed with papers for McCulloch and her siblings to sign. As McCulloch reveals, the repercussions from that weekend will ripple throughout her own family, and that of her in-law’s lives as they grapple with questions of loyalty, tradition, marital honor, hope, and loss. Five years later, her own brief marriage ended, she returns to East Hampton with her mother to divide the wedding presents that were never opened. Impressionistic and lyrical, at turns both witty and poignant, All Happy Families is McCulloch’s clear-eyed account of her struggle to hear her own voice amid the noise of social mores and family dysfunction, in a world where all that glitters on the surface is not gold, and each unhappy family is ultimately unhappy in its own unique way.
Offers an inside look at the critically acclaimed television comedy series, offering anecdotes and interviews with cast, crew, and writers, as well as an illustrated episode-by-episode guide to the show's first eight seasons.
Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities. The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible. The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.