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An enchanting novel about fate, second chances, and hope, lost and found, by the Amazon Charts bestselling author of The Last of the Moon Girls. Soline Roussel is well schooled in the business of happy endings. For generations her family has kept an exclusive bridal salon in Paris, where magic is worked with needles and thread. It's said that the bride who wears a Roussel gown is guaranteed a lifetime of joy. But devastating losses during World War II leave Soline's world and heart in ruins and her faith in love shaken. She boxes up her memories, stowing them away, along with her broken dreams, determined to forget. Decades later, while coping with her own tragic loss, aspiring gallery owner Rory Grant leases Soline's old property and discovers a box containing letters and a vintage wedding dress, never worn. When Rory returns the mementos, an unlikely friendship develops, and eerie parallels in Rory's and Soline's lives begin to surface. It's clear that they were destined to meet―and that Rory may hold the key to righting a forty-year wrong and opening the door to shared healing and, perhaps, a little magic.
When an accident sends Tiggy the hedgehog to the hospital, she finds out how X rays and blood pressure are taken and discovers there is no reason to be frightened during a hospital stay.
With her debut novel, Thien-Kim Lam serves up a sexy second-chance romance about exes with unfinished business. When working together reignites their passion, will these former flames sizzle or get burned all over again? Trixie Nguyen is determined to make her sex toy business a success, proving to her traditional Vietnamese parents that she can succeed in a nontraditional career. She's made a fresh start in Washington DC, and her first pop-up event is going well—until she runs into the ex who dumped her. With a Post-it note. The last person Andre Walker expected to see in his soul food restaurant was the woman he left behind in New Orleans. Their chemistry is still scorching, but he's desperately trying to save his family restaurant from gentrifying developers. The solution? Partnering with his ex to turn Mama Hazel’s into a vibrator pop-up shop for hungry and horny clients. Thanks to their steamy truce, both businesses start to sizzle and their red-hot desire soon reignites deeper feelings. But when Trixie receives an incredible career opportunity, will pride ruin their second chance at happiness?
What happens after the books we love end? New York Times Bestselling author J. Sterling takes you home with the Fisher Brothers for one last heart-racing story! Hold onto your hats and enjoy one last drink with the boys. Weddings, proposals, and babies...oh my! What happens after you've found your happily-ever-after? The Fisher boys learn that life is unpredictable and nothing is certain. Will they get to keep everything they've worked so hard to achieve, or will they lose it all? Come join the brothers for one last round at the bar and let's cheers to a happy ending! The Fisher Brothers is a series of Stand-Alone Romance Novels that do not have to be read in order to be enjoyed. Happy Ending however, should not be read before reading Adios Pantalones, unless you like ruining surprises and reading the last page of a novel first. LOL No Bad Days- Book #1 Guy Hater- Book #2 Adios Pantalones- Book #3 Happy Ending- Book #4
"e;Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. "e;
A 97 year old hero becomes involved in a very 21st century problem... A novel for those who enjoyed 'The 100 Year Old Man Who Climbed out of the Window and Disappeared' and 'The Unlikely Pilgrimage of Harold Fry' “This is a feel-good, heart-warming novel, full of fun and whimsy that also touches on a serious theme.” When his wife of seventy years dies, Harry Pigeon considers joining her in the grave as he feels his purpose for living has gone. A freak accident outside his bungalow draws him into the sordid world of modern slavery and a quest that re-invigorates his zest for life. Single-handedly rescuing two girls from an international trafficking operation, he finds the tables are turned when he is accused of kidnapping them. When the girls also admit to using him to gain money, Harry's old-fashioned values suddenly seem inadequate. Can someone of his age still make a contribution in the modern world? Also running through the story is a sub-plot involving Harry's deceased wife, Betty who retains a strong voice in his life through their amusing, daily conversations that show his continued dependency on her for advice and guidance. Clearly they’ve had their difficulties in the past - in particular over the daughter he never met who died before he returned home from the war. Can Harry hope to resolve his feelings with Betty from beyond the grave?
A searing, intimate and blisteringly honest memoir about mothers and daughters, grief and healing, and finding your voice. Minelle Mahtani had taken a leap of faith. A new mother in a new life, she'd moved across the country for love, and soon found herself facing the exciting and terrifying prospect of hosting her own radio show. But as she began to find her place in the majority white newsroom, she was handed devastating news: her Iranian mother had been diagnosed with tongue cancer. Just as Minelle was finding her voice, her mother was losing hers. What does it mean to amplify the voices of others while the stories of your ancestors are being buried in your mother's mouth? Why do we cling to superstition and luck when we’ve lost all faith in healing those we love? And how do we juggle bearing the burden of looking after an ill parent when we are trying to parent our own children? In exquisitely lyrical and inventive prose, Mahtani recounts the experience so many of us recognize: a life calibrated through calculating when to speak and when to be silent in a world that feels like it forces us to be broken.
The rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well as supplying dramatic and critical analysis, this study sets the plays within their wider social and artistic context. Michael Mangan begins by considering the social function of laughter, the use of humour in drama for handling social tensions in Elizabethan and Jacobean society and the resulting expectations the audience would have had about comedy in the theatre. In the second section he discusses the individual plays in the light of recent critical and theoretical research. The useful reference section at the end gives the reader a short bibliographic guide to key historical figures relevant to a study of Shakespeare's comedies and a detailed critical bibliography.
When Rey loses her husband in a plane crash a month before her fiftieth birthday, she seems to recover from the loss and slowly begins returning to her everyday life. She knows herself to be a strong woman and believes shell be okay. But a part of her falls into a deep sleep as men and relationships vanish, and whats more, she isnt interested in reviving that aspect of her life. Fifteen years later, however, things have changed. Rey feels the time has come to emerge from her cocoon and investigate the possibility of romance once more. As she explores her options, men begin to notice her, and she feels ready to try again. But shes in uncharted territory. Its been more than thirty years since shes been on a date, and shes lost. The rules and language of the game have changed, and Rey faces the singles scene of the twenty-first century with the tools and information of a bygone era. But with the help of some friendly younger women who are familiar with dating dos and donts and are willing to help her out, Rey finds herself on an amazing journey toward a new life. Reys story is the story of single women who reached their golden years still feeling vitality and passion to live life to the fullest, as well as the importance of embracing new opportunities and experiences regradless of ones age.