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A story that begins from his childhood and completes with the end of world. Hold your breaths and get ready to live his life. A story which will remind you of your friends and give the message of the future. Siddhartha is what we call him, the boy who dreamed of saving the world one day but when the day came, he lost everything. Almost everything except Madhava.The end was prophesied but watching it live is not in everyone's fortune. Seated on the cool sands of a beach, two friends debate on what is right and what is wrong. They watch their friends and family disappear in time. But that's the least they can do. Its then that Madhava comes up with a strange wish; to hear the history of his best friend. This is what we call as true friendship. Siddhar¬tha narrates his story, shares his memories with Madhava. But was he satisfied, no instead he wanted a longer and clear story and that's what his friend gave. Let's find what had happened or what will happen if we don't take a step forward against it......HAPPY READING..........
This book explores the post-apocalyptic novel in American literature from the 1940s to the present as reflections of a growing anxiety about the decline of US hegemony. Post-apocalyptic novels imagine human responses to the aftermath of catastrophe. The shape of the future they imagine is defined by "the remainder," when what is left behind expresses itself in storytelling tropes. Since 1945 the portentous fate of the United States has shifted from the irradiated future of nuclear holocaust to the saltwater wash of global warming. Theorist Brent Ryan Bellamy illuminates the political unconscious of post-apocalyptic writing, drawing on a range of disciplinary fields, including science fiction studies, American studies, energy humanities research, and critical race theory. From George R. Stewart's Earth Abides to N.K. Jemisin's The Fifth Season, Remainders of the American Century describes the tension between a reactionary impulse and the progressive impetus for a new world. "Brent Ryan Bellamy weaves a rich and diverse tapestry of fictions, all of which navigate the changing valences of apocalypse, survival, and remainders during the rise and fall of the post-Second World War 'American Century.' Given the global post-apocalyptic reality we all currently inhabit, this is a timely and significant study." "Brent Ryan Bellamy weaves a rich and diverse tapestry of fictions, all of which navigate the changing valences of apocalypse, survival, and remainders during the rise and fall of the post-Second World War 'American Century.' Given the global post-apocalyptic reality we all currently inhabit, this is a timely and significant study." —Gerry Canavan, author of Octavia E. Butler
"For Geert Lovink, interviews are imaginative texts that help create global, networked discourses not only among different professions but also among different cultures and social groups. Conducting interviews online, over a period of weeks or months, allows the participants to compose documents of depth and breadth, rather than simply snapshots of timely references." "The interviews collected in this book are with artists, critics, and theorists who are intimately involved in building the content, interfaces, and architectures of new media. ... The topics discussed include digital aesthetics, sound art, navigating deep audio space, European media philosophy, the internet in Eastern Europe, the mixing of old and new in India, critical media studies in the Asia-Pacific, Japanese techno tribes, hybrid identities, the storage of social movements, theory of the virtual class, virtual and urban spaces, corporate takeover of the internet, and cyberspace and the rise of nongovernmental organizations."
In the last two years a movement known as "trans-Architectures" has gotten under way among architects and media artists. Dedicated to the conceptual use of computers in the design process, the movement's practitioners might study such things as the form of a cloud or the surface of water through computer models -- in order to conceptualize a new kind of space. This book considers the concept of accident as explored in the November 1998 Dutch Electronic Art Festival by members of "trans-Architectures, " and provides project descriptions, illustrations, interviews and essays from the symposium. Contributors include Paul Virilio, John Rajchman, Greg Lynn, Humberto Maturana, Lieven de Cauter, Lars Spuybroek, Marcos Novak, Seiko Mikami, and Knowbotic Research.
The ring of fire stands for the life cycle of both the universe and each individual being: the circular dance of nature in the eternal process of creation and destruction. At the same time, the light radiated by the ring of flames symbolizes eternal wisdom and transcendental illumination. -J.E. Cirlot. A Dictionary of Symbols The circular form in which the group is seated symbolizes its unity, connectedness, and cohesion as well as its microcosmic relation to the larger world of human evolution, culture, and the life cycle. Foulkes, Bion, and others have identified primitive layers of affect and object relations where universal collective themes and early infantile object relations are re-experienced and repeated in the meeting place for healing called the therapy group. In this context, very profound emotions and energies are released which have deep implications for change and growth, provided the therapist can manage and respond to them effectively. This book brings together a collection of new and original contributions to an understanding of primitive object relations and intensely critical emotional states which present the maximum challenge to the group psychotherapist: the ring of fire. An international group of colleagues, based primarily in Great Britain and the United States, address areas of special interest to them and to which they have devoted considerable research and therapeutic effort. They provide insights into the dynamics of these issues and guide the therapist in the management and interpretation of the group events as they unfold. While much has been written on primitive group states, the information is scattered throughout many journals and books and all too often does not address the practical problems faced by the group therapist in Practical terms. Furthermore, there have been significant developments in affect theory and object relations theory which have yet to be assimilated sufficiently into the theory and technique of group psychotherapy. This book attempts to reduce that gap as it concentrates on the relevance of concepts to treatment in accordance with Kurt Lewin's maxim, There is nothing so practical as a good theory. Ring of Fire will be invaluable to group psychotherapy supervisors, beginning and experienced group therapists, students and supervisers of group psychotherapy and group dynamics, and organizational consultants who utilize group dynamics principles in their work. Victor L. Schermer is a clinical psychologist in private practice in Philadelphia. He is Executive Director of the Study Group for Contemporary Psychoanalytic Process and Director of the Institute for the Study of Human Conflict. Malcolm Pines was, until his recent retirement, Consultant Psychiatrist at the Tavistock Clinic, London and is a member of the Group-Analytic Practice.
It's the full-color edition of Drinking with the Saints! Recipe for a liturgically correct cocktail: mix Bartender's Guide and Lives of the Saints, shake well, garnish with good cheer. Drinking with the Saints is a concoction that both sinner and saint will savor. Michael Foley offers the faithful drinker witty and imaginative instruction on the appropriate libations for the seasons, feasts, and saints' days of the Church year.
This book offers both an introduction to the methods and language of moral psychology as a philosophical field, and to sadness as an emotion.
The wonderful works of beautiful life are poems in written form. Nature is a form of emotion created by God. The poem is an image of a heartfelt song in the lap of nature. Despite the debates and sorrows in our lives, this poetry has evolved into a dawn of choice. Whatever the criticisms, put an end to it, Advancing towards the starting point to wards the goal. Let this poetry be heard all over the world with the melody of secret ragas. The music of my poem is a medicine for the wounds of suffering people and a medi cine for respecting the emotions of excited hearts. It is a song of music that forgets the sufferings of relatives and learns the benefits to friends. Knowing the lyrics of the songs, this poem is not only mad, but also a medicine for everyone's healing. Rhythm of verse is the work of this new poet for the benefit of the people to the world. "TO HEAR THE RHYTHM OF MUSIC! TO FEEL- THE RHYTHM OF VERSE! TO LEAD THE RHYTHM OF LIFE!!!"
This “powerfully absorbing” biography of 17th century Welsh poet George Herbert brings essential personal and social context to his immortal poetry (Financial Times). Though he never published any of his English poems during his lifetime, George Herbert has been celebrated for centuries as one of the greatest religious poets in the language. In this richly perceptive biography, author and theologian John Drury integrates Herbert’s poems fully into his life, enriching our understanding of both the poet’s mind and his work. As Drury writes in his preface, Herbert lived “a quiet life with a crisis in the middle of it.” Beginning with his early academic success, Drury chronicles the life of a man who abandons the path to a career at court and chooses to devote himself to the restoration of a church in Huntingdonshire and lives out his life as a country parson. Because Herbert’s work was only published posthumously, it has always been difficult to know when or in what context he wrote his poems. But Drury skillfully places readings of the poems into his narrative, allowing us to appreciate not only Herbert’s frame of mind while writing, but also the society that produced it. He reveals the occasions of sorrow, happiness, regret, and hope that Herbert captured in his poetry and that led T. S. Eliot to write, “What we can confidently believe is that every poem . . . is true to the poet’s experience.” “It is hard to imagine a better book for anyone, general reader or seventeenth-century aficionado or teacher or student, newly embarking on Herbert.”—The Guardian, UK