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Say “happy birthday,” Dr. Seuss-style! This classic picture book whisks readers away on the most spectacular birthday of all time—and reminds them to celebrate themselves every day of the year! I wish we could do what they do in Katroo. They sure know how to say “Happy birthday to you!” When the Great Birthday Bird of Katroo arrives to usher in your “Day of all Days,” you can expect a colorful romp full of fantastical fun that is all about YOU! Treat yourself to flowers that smell like licorice and cheese. Pick out the world’s tallest pet—or a nice Time-Telling Fish. Then prepare for a party so grand it will take twenty days just to sweep up the mess. Featuring birthday festivities on every page, this joyful classic from the one and only Dr. Seuss rejoices in the person you were born to be! Today you are you! That is truer than true! There is no one alive who is you-er than you!
Saurabh’s birth is celebrated across the town of Konkur, where people rejoice in the arrival of the much-admired Vinod and Shashi Parashars’ first offspring. Soon, their neighbour’s 5-year-old daughter Vidya is entrusted with the responsibility of Saurabh’s daily wellbeing. They grow up together among the secluded trees, hills and narrow roads of the small town, spending much of their time in an abandoned graveyard they discover near their homes. But when Saurabh starts showing signs of trouble, their seemingly idyllic world begins to quickly unravel. As the incidents become more frequent and violent, he is brandished a pariah by the very people who had once held him aloft. Vidya, Shashi and Vinod’s struggle to come to terms with Saurabh’s impulses, becomes the uncomfortable thread that binds them together and leads them to re-evaluate their own lives and relationships. Traversing through the realms of guilt and solitude, A Stick in the Dirt attempts to grapple with the uncomfortable nature of the unknown and with what it means to be misunderstood by those closest to us.
When the man with the yellow hat tells George that he is planning a surprise, of course George is curious. Before long George finds a hat, noisemakers, decorations, and games. It must be a birthday! But whose birthday is it? That’s the surprise! This paperback edition now includes a maze and a birthday vocabulary seek-and-find.
"GIFT GIVING for Mommies" helps you overcome the dilemmas and to enjoy the art and practice of gift giving; becoming "gifted" in the art of selection, presentation, and reception of gifts. In the first Chapter, "Gift Selection," the quandaries in choosing and giving the right gift are unraveled. Surprisingly, "re-gifting" can be done with a lot of class. In the second chapter, "Gift Presentation," the reader is shown how to make exactly the right presentation of the gift. Cultures dictate that gifts must be presented in a particular manner to avoid offending the receiver. Knowing the protocol can mean the difference between making or breaking a personal or business relationship. In the third chapter, "Gift Reception," the author enlightens the reader about the complications associated with being on the receiving end of a gift. We don't always receive a gift properly. Knowing how and when to decline a gift is as important as knowing how to select and properly present a gift.
“The fact of the matter,” Seamus Heaney said in a 1997 interview with the Paris Review, “is that the most unexpected and miraculous thing in my life was the arrival in it of poetry.” Throughout his career, Heaney, who received the 1995 Nobel Prize in Literature, maintained that poetry came to him from a mysterious source like a gift of grace. He also believed that the recipient of this sort of boon had an ethical obligation to share it with others. Seamus Heaney’s Gifts, by the noted scholar and poet Henry Hart, offers the first comprehensive examination of Heaney’s preoccupation with gifts and gift-exchange. Drawing on extensive research in Heaney’s papers, as well as three decades of correspondence with the poet, Hart presents a richly detailed study of Heaney’s life and work that foregrounds the Irishman’s commitment to the vocation of poetry as a public art to be shared with audiences and readers around the world. Heaney traced his devotion to gifts back to the actual present of a Conway Stewart fountain pen that his parents gave him at the age of twelve when he left his family farm in Northern Ireland to attend a private Catholic secondary school in Londonderry. He commemorated this gift in “Digging,” the first poem in his first book, and in two poems he wrote near the end of his life: “The Conway Stewart” and “On the Gift of a Fountain Pen.” Friends and doctors had warned him that his endless globetrotting to give lectures and poetry readings had damaged his health. Yet he felt obligated to share his talent with audiences around the world until his death in 2013. As Hart shows, Heaney found his first models for gift-giving in his rural community in Northern Ireland, the Bible, the rituals of the Catholic Church, and the literature of mystical and mythical quests. Blending careful research with evocative commentaries on the poet’s work, Seamus Heaney’s Gifts explains his ideas about the artist’s gift, the necessity of gift-exchange acts, and the moral responsibility to share one’s talents for the benefit of others.