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How risk, disasters and pollution were managed and made acceptable during the Industrial Revolution Being environmentally conscious is not nearly as modern as we imagine. As a mode of thinking it goes back hundreds of years. Yet we typically imagine ourselves among the first to grasp the impact humanity has on the environment. Hence there is a fashion for green confessions and mea culpas. But the notion of a contemporary ecological awakening leads to political impasse. It erases a long history of environmental destruction. Furthermore, by focusing on our present virtues, it overlooks the struggles from which our perspective arose. In response, Happy Apocalypse plunges us into the heart of controversies that emerged in the eighteenth and nineteenth centuries around factories, machines, vaccines and railways. Jean-Baptiste Fressoz demonstrates how risk was conceived, managed, distributed and erased to facilitate industrialization. He explores how clinical expertise around 1800 allowed vaccination to be presented as completely benign, how the polluter-pays principle emerged in the nineteenth century to legitimize the chemical industry, how safety norms were invented to secure industrial capital and how criticisms and objections were silenced or overcome to establish technological modernity. Societies of the past did not inadvertently alter their environments on a massive scale. Nor did they disregard the consequences of their decisions. They seriously considered them, sometimes with dread. The history recounted in this book is not one of a sudden awakening but a process of modernising environmental disinhibition.
Nukes ended most of society. Now all that’s left is taxes. No big deal or anything. Safe and sound inside a government bunker, Arthur is proud to be just another drone. But for an ambitious man (and excellent typist) such as Arthur, a promotion to supervisor is just around the corner. But his world is flipped when the brass makes him a census-taker instead. His task: to head out into the irradiated streets armed with paperwork and red tape. Assigned to him is a drug-addicted bodyguard, Rabia Duke, who could care less if they survive. The wastes bring much to fear. But even above radiation, roving gangs, and starvation, what the world should fear the most remains bureaucracy. A happy bureaucracy. Brazil by way of Mad Max, M.P. Fitzgerald’s A Happy Bureaucracy is a bleak and hilarious look at the wheels of a system that keep turning even when nothing else is left.Get your copy today!
For everyone looking to find a little extra magic in a life with little to celebrate, Happy Cruelty Day! is here. Beginning on January 1, this book features 365 new holidays, each accompanied by a strange, dark and humorous short story explaining the day you woke up in and how to celebrate it. These 365 daily doses of delight, perversion, and nonsense include "Hire Someone Attractive To Pretend To Love You Day," "Hang on to Your Wide-Eyed Innocence Day," "Sit in Abject Terror Day," and, of course, "Cruelty Day." Far more than just a humor book, Happy Cruelty Day! is like a daily instructional manual written by a psychopath. On one page, the book has you joining a community crime watch group in an effort to make friends (it won't work). Flip the page, and you'll find the details of your attempt to rescue your husband from a POW camp (you'll fail). Flip it again, and Happy Cruelty Day! will have important insight into how best to befriend a runaway teen (offer her some soup). These holidays celebrate everything from that pivotal point in your life when everything changes, to the day you're not going to do anything but sit on the edge of your bed and get very drunk. When people realize they've fallen in love, or when they realize their love was just a lie. And of course, when love of whatever incarnation brings an index finger to clench tight around the trigger of a gun. Raw, ridiculous, and laugh-out-loud funny, this is a sharp-edged satire on the subtleties, shallowness, and stupidity of daily life.
Explores the meaning of life and nature of happiness through the lens of Thomas Aquinas's classical treatise.
Monsters aren’t real. Everyone knows that. Full of creepy-cool atmosphere and monstrous magic, this gripping middle grade debut will sink its claws into fans of supernatural adventures like Holly Black’s Doll Bones and Ellen Oh’s Spirit Hunters. When a sudden earthquake strands Celia’s parents out of town, she finds herself on her own in a shaken city. She tries to reach out to other kids around her apartment building. Some of them, like the sad boy named Demetri, seem wary of letting her too close. The others call themselves Hunters. They claim the earthquake was caused by monsters only kids can see. And they think Celia is destined to save the city. Celia doesn’t feel destined to save anything—but for the first time, she feels like maybe she’s seeing things as they really are….
Enough already! Who ripped your fun out of fatherhood? When did parenting become a war of attrition? Didn't you get the memo? Being a dad is the best damn thing that will ever happen to you. It's the story of a lifetime. It's your own personal 'Once Upon a Time.' You're the director. The screenwriter. You write the first act, the second act, the third act. Do you want a happy beginning, middle and end? Then write one. But you're going to have to work for it. Push yourself beyond what you believe possible. Invest in your daughter. Invest in your son. Invest in yourself. When your kids' time comes - and if Epictetus has taught us anything, their time will come - when they grow up, no matter what, will they know you tried your best? Will you have kept those promises you made at 3 a.m. in the dark on a chill Tuesday morning in April as you sang lullabies into the delicate ear of that sleeping fragile lump of life you call your daughter? I'm like you. I'm a father, I'm a parent. I want what's best for my kids. And I'll go to the end of the world to make that a reality. "Because It's not the end of your world, but what if it was?" The Apocalypse Daddy isn't your traditional guide to fatherhood. You'll find zero nappy reviews. You won't read about car seats and bottle feeding and how to manage your sleep. You won't get a breakdown of the latest gadgets or the top 5 fatherhood mis-haps. They'll be nothing about pregnancy or which pushchair to buy. I don't care what's on your breakfast menu. You'll get something much better than that. Something much more actionable and powerful. You'll get a reminder that the best stories are written in childhood. You'll get a story about Quentin Tarantino and Reservoir Dogs and Stoicism and the ancient courts and emperors and Seneca and Diogenes and Epictetus and Aurelius. You'll learn about the power of running circles in your backyard and playing in grass with your children. You'll read about the magic of sleep deprivation and dreams; of running and jumping and playing; of holidays and the never-ending chaos that always ends too soon. Part love letter to his children, part alternative parenting guide, part stoic meditation, part psychotic breakdown, Apocalypse Daddy is the story of a father and his daughter and how one Spring can last a lifetime. Joining Apocalypse Daddy is a cast of cultural icons, scientists, musicians, dead kings and Schrödinger's cat. Can Buddha, Seneca, Epictetus, Bob Dylan, Diogenes, Richard Nixon, Peter Rabbit, Alfred Hitchcock, Jimi Hendrix and Hunter S Thompson help Apocalypse Daddy overcome the odds and bring education home? Is there enough time for Alice and Luca to teach Apocalypse Daddy about the meaning of life and what being a parent is really about? Undistracted. In the moment.
For fans of David Sedaris, Tina Fey and Caitlin Moran comes the new book from Jenny Lawson, author of the #1 New York Times bestseller Let's Pretend This Never Happened... In Let's Pretend This Never Happened, Jenny Lawson regaled readers with uproarious stories of her bizarre childhood. In her new book, Furiously Happy, she explores her lifelong battle with mental illness. A hysterical, ridiculous book about crippling depression and anxiety? That sounds like a terrible idea. And terrible ideas are what Jenny does best. As Jenny says: "You can't experience pain without also experiencing the baffling and ridiculous moments of being fiercely, unapologetically, intensely and (above all) furiously happy." It's a philosophy that has - quite literally - saved her life. Jenny's first book, Let's Pretend This Never Happened, was ostensibly about family, but deep down it was about celebrating your own weirdness. Furiously Happy is a book about mental illness, but under the surface it's about embracing joy in fantastic and outrageous ways. And who doesn't need a bit more of that?
“Hanif Kureishi’s best novel since The Buddha of Suburbia” (The Independent, UK): a mischievous, wickedly funny, and intellectually deft story about a young biographer and the famous and reclusive novelist who is his subject. Mamoon Azam is an eminent Indian-born writer who has made a career in England—but now, in his early seventies, his reputation is fading, his book sales are nonexistent, and the expensive habits of his flamboyant second wife are bleeding him dry. In a final attempt to revitalize his career, Mamoon’s publisher commissions Harry, an ambitious young writer, to produce a provocative biography to bring Mamoon back into the public eye. Harry sets off for Mamoon’s estate, where he finds not the literary hero he had imagined, but a vain, bigoted, cynical, and cruelly manipulative genius, who quickly turns the tables on his ambitious young biographer. Harry must insinuate, seduce, and finesse the truth out of the extravagant and damaged characters in Mamoon’s surreal sphere as the young writer and the old master battle for the last word in the story of Mamoon’s life. Acute and brilliantly entertaining, The Last Word is a tale of youthful exuberance and the misery of outgrowing it, as hilarious as it is moving. It is Kureishi’s wisest work to date.
A collection of poetry, short stories and open letters by budding writers about love, loss and experiences one lives through as they grow up.
Apocalyptic Transformation explores how one the oldest sense-making paradigms, the apocalyptic myth, is altered when postmodern authors and filmmakers adopt it. It examines how postmodern writers adapt a fundamentally religious story for a secular audience and it proposes that even as these writers use the myth in traditional ways, they simultaneously undermine and criticize the grand narrative of apocalypse itself.