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At a time when narrow scientific and philosophical specialization dominates our academic landscape, a thinking that unfolds in broad ways is often viewed with some suspicion. This, however, is not the case of Gadamer's philosophical hermeneutics, which is still present today in the most diverse fields of philosophy and the humanities. In addition to central themes of Gadamer's hermeneutics and their use in the interpretation of philosophical writings, the following first number of Labyrinth 2022 discusses the little-known debate between Gadamer and Blumenberg, the last dispute between Gadamer and Derrida, which has hardly been considered, and the dialogic models of interpretation in Gadamer and Davidson.
Hermeneutics is the branch of knowledge that deals with interpretation, a behaviour that is intrinsic to our daily lives. As humans, we decipher the meaning of newspaper articles, books, legal matters, religious texts, political speeches, emails, and even dinner conversations every day . But how is knowledge mediated through these forms? What constitutes the process of interpretation? And how do we draw meaning from the world around us so that we might understand our position in it? In this Very Short Introduction Jens Zimmermann traces the history of hermeneutic theory, setting out its key elements, and demonstrating how they can be applied to a broad range of disciplines: theology; literature; law; and natural and social sciences. Demonstrating the longstanding and wide-ranging necessity of interpretation, Zimmermann reveals its significance in our current social and political landscape. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This issue of Labyrinth 2022 is the second part of the commemoration publication on the occasion of the 20th anniversary of the death of Hans-Georg Gadamer. It explores the actuality of Gadamer's philosophical hermeneutics and its possible applications in practice. In this context are debated some contemporary attempts to naturalize hermeneutics as well as the relevance of hermeneutics for social and political philosophy, feminist criticism and value research.
'This volume presents carefully selected essays from Gadamer's Kleine Schriften. The seven essays comprising Part 1 contain Gadamer's discussion of hermeneutical reflection. Part 2 consists of six essays dealing with phenomenology, existential philosophy, and philosophical hermeneutics.
Fifteen essays examine the work of German philosopher Hans Georg Gadamer to provide feminist interpretations of his views on science, language, history, literature, and other topics.
This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor’s introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book’s nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body’s role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.
Hans-Georg Gadamer is one of the leading exponents of hermeneutics, with a formidable influence on thinking in the humanities. The two main foci of his work have been Greek philosophy, especially Plato, and hermeneutics, but his influences range through many sources, from Kant to Heidegger. This volume contains Gadamer's intellectual autobiography, essays by leading philosophers, Gadamer's replies to each essay, and a bibliography of Gadamer's writings.
A philosophical and historical testament to the twentieth century, this volume consists of a wide-ranging series of interviews conducted in 1999/2000 between the then centenarian and his former assistant and associate of over thirty years, Riccardo Dottori. These ten dialogues distill and situate Gadamer's philosophy in the context of what has arguably been the bloodiest century in human history. In the course of the interviews, Gadamer addresses-often critically-the work of a wide variety of philosophers, including Heidegger, Nietzsche, Jaspers, Popper, Vico, Habermas, Rorty, and Derrida. He also elaborates on German philosophy during the Nazi period; and, in one of the more fascinating conversations, we are treated to a glimpse of Gadamer's personal perspective on the question of Heidegger's Nazism, including a discussion of the political influence that great philosopher's wife, Elfirde, had on him that tends to contradict most other published accounts. With the possible exception of his autobiography 1985, A Century of Philosophy is perhaps the most accessible expression of Gadamer's life and work in English today.
This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.
This collection of speeches and essays clarifies Gadamer's thoughts on the power of language, the social role and influence of science, and the idea of reason. He argues that the theoretical pursuit of truth is valuable for its own sake, and devalued when pursued explicitly for practical purposes.