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"Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references. The panels are sequenced and grouped, with the groups then juxtaposed in arrangements that often seem little more than chance associations."--Global Books in Print.
During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.
Essays by Valerie Hillings, Anne Rorimer and Wolfgang Marx.
Artists on Hanne Darboven is the first installment in a series culled from Dia Art Foundation's Artists on Artists lectures, focused on German conceptual artist Hanne Darboven (1941-2009). Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. The inaugural Artists on Artists title is published in conjunction with the opening of Darboven's 1980-83 installation "Kulturgeschichte 1880-1983" ("Cultural History 1880-1983") at Dia: Chelsea in New York City, the first time Darboven's magnum opus has been on view in the United States for over a decade. It features contributions from Gregg Bordowitz, Sam Lewitt, Josephine Meckseper and Matt Mullican.
"Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references. The panels are sequenced and grouped, with the groups then juxtaposed in arrangements that often seem little more than chance associations."--Global Books in Print.
"This short monograph combines works by Hanne Darboven and John Cage from the stock of the Bayerische Staatsgalerie moderner Kunst in Munich. It shows the independent oeuvres of two highly individual artists whose works touch upon Minimal Art. Joachim Kaak's substantial essay examines Hanne Darboven's 7 Tafeln, II from 1972/73, a geometric construction on squared millimetre paper based on prime numbers and the square. Corinna Thierolf analyses John Cage's Ryoanji, a loose series of drawings made between 1983 and 1992. The title refers to the rock garden of the Ryoanji monastery in the north-west of Kyoto. With the help of the I Ching, the ancient book of wisdom and truth which Cofucius re-edited. Cage established a number system by which he encircled 15 stones he had picked out himself with 17 different pencils. On the basis of a complex concept based on random operations, this created partly very delicate circular formations, partly a structure composed of a dense tissue of lines. These are reproduced in this book according to a rhythm predetermined by John Cage"--Publisher website.
This facsimile edition collects all 19 issues of 'Art-Rite' magazine, edited by art critics Walter Robinson and Edit DeAk from 1973 to 1978. Robinson, DeAk and a third editor, Joshua Cohn, met as art history students at Columbia University, and were inspired to found the magazine by their art criticism teacher, Brian O'Doherty. 'Art-Rite', cheaply produced on newsprint, served as an important alternative to the established art magazines of the period. 'Art-Rite' ran for only five years, and published only 19 issues. But in that time the magazine featured contributions from hundreds of artists, a list that now reads like a who's-who of 1970s art: Yvonne Rainer, Gordon Matta-Clark, Alan Vega (Suicide), William Wegman, Nancy Holt, Jack Smith, Dorothea Rockburne, Robert Morris, Adrian Piper, Laurie Anderson, Carolee Schneemann and Carl Andre; critics such as Lucy Lippard contributed writing. Through its single-artist issues and its thematic issues on performance, video and artists' books, 'Art-Rite' championed the new art of its era.