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Jake Ryan is in town, and he's doing his best to win back Miley's affection. He's showering her with gifts and flowers, but she isn't convinced—at least not until Jake announces his feelings for her on national TV! Now that his secret is out, Miley has to decide if she should trust him with her biggest secret: she's Hannah Montana! Or should she keep quiet and risk losing Jake—again?
After Hannah Montana gives six encores during a sold-out concert, Miley wakes up the next morning with no voice at all! She'll need to give her vocal cords a rest-that means no talking for a week so she'll be able to sing at an upcoming live TV broadcast.
Miley Stewart has a hard time juggling school, homework, and her secret life as pop star Hannah Montana, and her secret becomes even harder to keep when her friend Oliver develops an obsession with Hannah Montana.
Television Brandcasting examines U. S. television’s utility as a medium for branded storytelling. It investigates the current and historical role that television content, promotion, and hybrids of the two have played in disseminating brand messaging and influencing consumer decision-making. Juxtaposing the current period of transition with that of the 1950s-1960s, Jennifer Gillan outlines how in each era new technologies unsettled entrenched business models, an emergent viewing platform threatened to undermine an established one, and content providers worried over the behavior of once-dependable audiences. The anxieties led to storytelling, promotion, and advertising experiments, including the Disneyland series, embedded rock music videos in Ozzie & Harriet, credit sequence brand integration, Modern Family’s parent company promotion episodes, second screen initiatives, and social TV experiments. Offering contemporary and classic examples from the American Broadcasting Company, Disney Channel, ABC Family, and Showtime, alongside series such as Bewitched, Leave it to Beaver, Laverne & Shirley, and Pretty Little Liars, individual chapters focus on brandcasting at the level of the television series, network schedule, "Blu-ray/DVD/Digital" combo pack, the promotional short, the cause marketing campaign, and across social media. In this follow-up to her successful previous book, Television and New Media: Must-Click TV, Gillan provides vital insights into television’s role in the expansion of a brand-centric U.S. culture.
When Miley turns down a date with Jesse McCartney because she has to finish a science project, she wishes on a shooting star that she could be Hannah Montana all the time. The next morning, Miley wakes up to a world where she's waited on hand and foot, doesn't have to worry about school, and is dating Jesse! But not only has Miley's world changed, so have her family and friends.
When Lilly decides to record a song as a birthday gift for her mother, Hannah decides to replace Lilly's voice with her own.
What is Miley supposed to do when her friend Oliver becomes totally obsessed with Hannah Montana? How can she possibly keep her pop-star identity hidden with Oliver constantly in her face, in her limo, everywhere?! Plus, Miley gets invited to a celebrity-filled birthday bash!
Between 2001–2011, Disney Channel produced several sitcoms aimed at tweens that featured female protagonists with extraordinary abilities (e.g., celebrity and super/magical powers). In this book, Christina H. Hodel argues that, while male counterparts in similar programs openly displayed their extraordinariness, the female characters in these programs were often forced into hiding and secrecy, which significantly diminished their agency. She analyzes sitcom episodes, commentary in magazine articles, and web-based discussions of these series to examine how they portrayed female youths and the impact it had on its adolescent viewers. Combining close readings of dialogue and action with socioeconomic and historical contextual insights, Hodel sheds new light on the attitudes of the creators of these programs (mostly white, middle-aged, Western, heterosexual males) and the long-term impact on women today. Ultimately, her analysis shows, these blockbuster sitcoms reveal that despite Disney’s progress toward creating empowered girls, the network was—and still is—locked into tradition. This book is of interest to scholars of Disney studies, cultural studies, television studies, and gender studies.