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Writings and Contents are not mere words. Each work has its own uniqueness and features. It tries to cover the interdisciplinary fields that are emerging in the contemporary trends of Arts and Humanities. Since 2008, the institute for English and Foreign Languages deals with the intersectionality of language and literature. It recognizes the necessity to bridge academic gaps and promote the link in English Studies. In the book chapter “Hankering in Literature”, the department presents various research papers under an umbrella term. This includes the neoteric literary investigations of outstanding scholars and researchers in the field of study. Recognizing that language is more powerful than what we say, read, write or hear, in this issue of „Hankering‟ our editors have privileged articles that express the ecology, aesthetic and cognitive qualities of the discipline. Expressing a struggle of deliverance, disability and ethnicity, this edition is a synthesis of literary, symbolic and psychology reflection on the English language and literary studies. Topics are from various literary studies, prose and verse criticism, theoretical analysis, application of interpretive methods of literary criticism and research perspectives. Attention has been given to the dominant areas encompassing literary discourse analysis. By sticking to the research goals, and aid to use language in critical and creative ways, we firmly believe that we will able to provide an ambitious, engaging and stimulating space for those who contribute to us. Above all, the ability to communicate in single language is one of the eminent improvements humanity has ever experienced. Therefore, as advocates and users of the words of this beautiful human language within its framework, let us evince this process with the utmost faith and gratitude.
This full-length theoretical examination of Constantine Cavafy breaks the study of this great Greek poet free from the narrow context of traditional scholarship and introduces the latest critical developments into the study of Greek poetry. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This collection is in honour of E.G. Stanley. They apply Stanley's approach of 'wise scepticism' to provide new and exciting readings of difficult and rewarding fields, including Old English metre and verse and Beowulf.
"Eleven essays that explore how modern scholarship interprets Chaucer's writings"--Provided by publisher.
Criticizes the way history is presented in current textbooks, and suggests a more accurate approach to teaching American history.
Surveys a war-haunted, self-consciously disoriented but exceptionally vibrant decade of writing The 1920s emerge in this study as a period with its own distinctive historical awareness and creative agenda, one in which Modernist, non-Modernist and semi-Modernist writers met on shared ground with common memories and preoccupations. Spanning genres high and low, including war memoirs, critical essays and detective stories as well as drama, poetry and the novel, Chris Baldick's approachable study of the decade sets out a 'map' of the new post-Great-War literary landscape with its unique configuration of genres, settings and character-types. Successive chapters investigate the place of ideas (biological, Freudian, esoteric, and more) in literature; the uses of anachronism and the time-sense of the Twenties; re-shapings of war-memory and war myth into varieties of Twenties 'disillusionment'; and curious connections between crime-writing and comedy in the period. This account moves easily between experimental and more 'traditional' literary tendencies of the decade to discover common obsessions and shared moods of elegiac despair, nervous frivolity and bold irreverence.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 39 include: . the poetry of Walt Whitman . the verse of John Greenleaf Whittier . the writings of Woodrow Wilson . the essays of Mary Wollstonecraft . the poetry of William Wordsworth . the writings of Xenophon . the work of Emile Zola . and much, much more.
Virginia Woolf's career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry's techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf's sense of genre rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analysis, genetic criticism, source study, and feminist literary history. Woolf's attitude towards poetry is framed within contexts of wide scholarly interest: the decline of the lyric poem, the rise of the novel, the gendered associations with these two genres, elegy in prose and verse, and the history of English Studies. Virginia Woolf and Poetry makes three important contributions. It clarifies a major prompt for Woolf's poetic prose. It exposes the genre rivalry that was creatively generative to many modernist writers. And it details how holding an ideology of a genre can shape literary debates and aesthetics.