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The Grddha Mullick family bursts with marvellous tales of hangmen and hangings in which they figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. When twenty-two-year-old Chetna Grddha Mullick is appointed the first woman executioner in India, assistant and successor to her father, her life explodes under the harsh lights of television cameras. When the day of the execution arrives, will she bring herself to take a life? Meera’s spectacular imagination turns the story of Chetna’s life into an epic and perverse coming-of-age tale. The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.
Young and impressionable, Prema is deeply infatuated with Yudas, the enigmatic man who dredges corpses from the bottom of the nearby lake. Longing to be rescued from the tyranny of her father, a former policeman who zealously tortured Naxalite rebels during the Emergency, Prema dreams of escape and finds herself drawn to the Naxal political ideology. Convinced that Yudas was one of the inmates at her father’s prison camp, Prema believes that only he can save her. But Yudas is haunted by secrets of his own and, like his biblical namesake Judas Iscariot, bears the burden of crushing guilt.
‘A literary heavyweight’—Indian Express In these bold, wry and ebullient stories, Meera’s astonishing range of narrative techniques is on full display as she expertly lays bare the faultlines behind the façade of everyday life, sometimes with dark humour and sometimes with astoundingly bitter sadness.
One fateful day, Deepti vanishes mysteriously. Baffled by her disappearance and consumed with grief, Prakash, her husband, loses his eyesight. For Prakash, the inexplicable loss of his wife is doubly painful because she was pregnant with their child. And no amount of consolation can bring him solace in the years that ensue. Into this void steps Rajani, a woman with a tormented past. Despite her initial disdain of Prakash, she steadily finds herself drawn to him. And although an intense desire brings them together, Prakash is unable to give Rajani the love she craves just as he is powerless to dispel the luminous memory of Deepti. But where will this grave obsession lead? The Unseeing Idol of Light is a haunting tale that explores love and loss, blindness and sight, obsession and suffering-and the poignant interconnections between them.
A chronicle of five women from Irish history who illustrate the fact that women in the past were not voiceless and subservient. The women in the book are: Aoibheall the banshee; Maire Rua McMahon; Lady Betty, the Roscommon hangwoman; Moll Shaughnessy; and Alice Kyteler of Kilkenny.
Ugly Prey tells the riveting story of poor Italian immigrant Sabella Nitti, the first woman ever sentenced to hang in Chicago, in 1923, for the alleged murder of her husband. Journalist Emilie Le Beau Lucchesi leads readers through the case, showing how, with no evidence and no witnesses, Nitti was the target of an obsessed deputy sheriff and the victim of a faulty legal system. She was also—to the men who convicted her and reporters fixated on her—ugly. For that unforgiveable crime, the media painted her as a hideous, dirty, and unpredictable immigrant, almost an animal. Featuring two other fascinating women—the ambitious and ruthless journalist who helped demonize Sabella through her reports and the brilliant, beautiful, 23-year-old lawyer who helped humanize her with a jailhouse makeover—Ugly Prey is not just a page-turning courtroom drama but also a thought-provoking look at the intersection of gender, ethnicity, and class within the American justice system.
The Angel's Beauty Spots' is a disquieting story about Angela's repeated infidelities and the trauma of failed love; in 'And Forgetting the Tree, I...' Radhika tries to come to terms with a former love that refuses to leave her; and 'The Deepest Blue' uses magic and metaphor to tell the story of a wife who yearns for a love that transcends lifetimes.
David Mitre finds himself the focus of attention for an assassin while helping FBI Special Agent Delia Delacorte in her latest case in Amsterdam. “It takes a thief to catch a thief . . .” The last thing fugitive crime writer David Mitre expects as he’s cruising along an Amsterdam canal is to be the focus of a bizarre murder attempt . . . But why is he being targeted? He hasn’t even done anything wrong. Recently. After the would-be assassin tries again, David is rescued by Delia Delacorte, the FBI Special Agent he locked horns with in Cyprus. In return, Delia wants his help to prevent the theft of a priceless painting from the Rijksmuseum. Meanwhile David is also attempting to find a friend’s missing daughter, allay the suspicions of the local police and evade the assassin, all the while devising a plan to stop the theft. His plan: he’ll steal the painting himself . . .