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Nora Brooke drowned last year. Her heart stopped: long enough to leave, deep inside, a shadow of death that opened her to other shadows. Coming to Holdfast Island for remedial school, Nora finds a garden in the woods: an old, overgrown prison yard. She enters by a gate that then vanishes, glimpses a restless figure who is suddenly gone, and finds thousands of blue flowers like watching eyes. She finds friends, especially irrepressible Jack McKie. And Adam: seen in the prison ruin and met underwater while swimming, when Nora nearly drowns again. A local boy, they think, until they learn of an old tragedy. Three teens died here: Ursula stabbed, Graham hanged, Adam drowned. Triple suicide? Or murder? Adam says he loved Ursula but lost her. Now he's bound here. Questions swarm. Why does Nora sleepwalk nearly to her death? Why is Jack suddenly accident-prone, like Graham? Who haunts the prison, where the warden, Adam's grandfather, was called the Hangman? What will happen if Nora sets Adam free?
Through a variety of activities ranging from pulling weeds in Delta asparagus and sugar beet fields to playing hang tag during a two-a-day summer football practices on Delta bridges, Curtis shares vivid experiences with the reader that the Delta and the San Joaquin Valley offer. All is not simply fun and games in Curtis' rite of passage as he becomes aware of the profound impact that water holds on his family and environment of the state of California. Through personal experiences, Curtis shares basic facts with the reader such as the following: it takes five gallons of water for a walnut to reach market; a levee is reinforced with junked cars for eight miles to save the agricultural fields; or there is only one river in the U.S that has not been dammed, the Yellowstone. Through the supportive, enlivened narrative of his family, friends, and acquaintances, Curtis weaves a compelling story that includes his establishing a school for challenged youth. As the main character, Lou, processes the gathered information, Lou takes a radical stand to confront the abuses that impact our socioeconomic culture. The novel culminates in a violent conclusion, to which the reader is asked, "What would you do?"
The Maritime region is thus torn between its memory of an earlier, more prosperous and traditional social order and its present experience as a less fortunate modern industrial society. These tensions are embedded in the Maritime character and have affected not only the lives of its people but the imaginations and texts of its writers."--BOOK JACKET.
Scary tales from Nova Scotia, by the author of The Tatterdemon Omnibus and Where the Ghosts Are: A Guide to Nova Scotia’s Spookiest Places. This is a collection of ghost stories from Nova Scotia—from the restless spirits of Devil’s Island to the Black Dog of Antigonish Harbour. Documented and well-known stories from the provincial archives are mixed with word-of-mouth legends of strange happenings and scary sightings from across the province. Author Steve Vernon relies on his storytelling experience to create moody and terrifying tales from the annals of history. Praise for Steve Vernon “Writing with a rare swagger and confidence, Steve Vernon can lead his readers through an entire gamut of emotions from outright fear and repulsion to pity and laughter.” —Cemetery Dance
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Eleven-year-old Flavia de Luce didn’t intend to investigate another murder — but then, Rupert Porson didn’t intend to die. When the master puppeteer’s van breaks down in the village of Bishop’s Lacey, Flavia is front and centre to help Rupert and his charming assistant, Nialla, put together a performance in the local church to help pay the repair bill. But even as the newcomers set up camp and set the stage for Jack and the Beanstalk, there are signs that something just isn’t right: Nialla’s strange bruises and solitary cries in the churchyard, Rupert’s unexplained disappearances and a violent argument with his BBC producer, the disturbing atmosphere at Culverhouse Farm, and the peculiar goings-on in nearby Gibbet Wood — where young Robin Ingleby was found hanging just five years before. It’s enough to set Flavia’s detective instincts tingling and her chemistry lab humming. What are Rupert and Nialla trying to hide? Why are Grace and Gordon Ingleby, Robin’s still-grieving parents, acting so strangely? And what does Mad Meg mean when she says the Devil has come back to Gibbet Wood? Then it’s showtime for Porson’s Puppets at St. Tancred’s — but as Nialla plays Mother Goose, Rupert’s goose gets cooked as the victim of an electrocution that is too perfectly planned to be an accident. Someone had set the stage for murder. Putting down her sister-punishing experiments and picking up her trusty bicycle, Gladys, Flavia uncovers long-buried secrets of Bishop’s Lacey, the seemingly idyllic village that is nevertheless home to a madwoman living in its woods, a prisoner-of-war with a soft spot for the English countryside, and two childless parents with a devastating secret. While the local police do their best to keep up with Flavia in solving Rupert’s murder, his killer may pull Flavia in way over her head, to a startling discovery that reveals the chemical composition of vengeance.
After losing his starting position as a college quarterback to a shoulder injury, Nick Gallow has remade himself as a punter. Now in his fifth year in the pros with the Philadelphia Sentinels, Nick spends most of his time on the sidelines. He no longer makes winning plays, and when the team visits a hospital, the sick kids would rather talk to the players they've actually heard of. But Nick is unexpectedly thrust back into the spotlight when he witnesses the murder of the new all-star draft pick on the eve of the team's summer minicamp. Nick has no plans to get involved. Despite the murder, his focus is squarely on an uppity rookie player eyeing his roster spot. But after a second attack hits closer to home and the police go after the wrong man, Nick finds himself driven by the chance to be a hero again. In Hangman's Game, Syken offers a seasoned sportswriter's take on the contemporary culture of football and the will to play on despite the game's toll on the body and mind.
Traumatized by the 1917 Halifax Explosion, followed by his father's death, Raddall left school at age 14 ? yet he went on to become one of Canada's most renowned storytellers.
A student at McGill in the mid-1950s, Marian Engel wrote her M.A. thesis under the direction of Hugh MacLennan. Their work together became the basis of a correspondence, the MacLennan half of which survives and is detailed here. Both personal and professional in nature, MacLennan's letters to Engel provide fascinating insights into his life's pursuit of writing and offer another glimpse of the author of Two Solitudes.