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In this beautiful new book you will find one of the finest collections of library lamps in existence today. This book contains an array of Victorian library lamp shades ranging from hand-painted Bristol to art glass shades of cranberry, ruby, yellow, amber, vaseline, blue, green, amethyst, and more. Manufacturers featured include The Ansonia Brass & Copper Company; The Bradley & Hubbard Company; The Meriden Malleable Iron Company; The Edward Miller Company; The Charles Parker Company; and The Pittsburgh Lamp, Brass and Glass Company. The glass produced by these companies ranged from white Bristol to beautiful colored crystals, satins, and mother of pearls, often designed in patterns of hobnail, bullseye, diamond quilt, swirl, zipper, snakeskin, geometric, raindrop, and so on. Full-color, full-page photographs are included in this detailed book. Victorian library lamps were not only sold at distribution retail stores operated by the manufacturers, but also sold by huge retail giants. When using independent retailers catalogs, the task of verifying correct manufacturers is quite challenging; this book attempts to pinpoint various manufacturers for readers. 2008 values.
A comprehensive tour of 19th century fashion and decor, The Victorian Home leads you through a typical period house, then describes how to recreate the warmth and charm of Victorian style in your own home.
In the collection of the J. Paul Getty Museum are more than six hundred ancient lamps that span the sixth century BCE to the seventh century CE, most from the Roman Imperial period and largely created in Asia Minor or North Africa. These lamps have much to reveal about life, religion, pottery, and trade in the ancient Graeco-Roman world. Most of the Museum’s lamps have never before been published, and this extensive typological catalogue will thus be an invaluable scholarly resource for art historians, archaeologists, and those interested in the ancient world. Reflecting the Getty's commitment to open content, Ancient Lamps in the J. Paul Getty Museum is available online at http://www.getty.edu/publications/ancientlamps and may be downloaded free of charge in multiple formats, including PDF, MOBI/Kindle, and EPUB, and features zoomable images and multiple views of every lamp, an interactive map drawn from the Ancient World Mapping Center, and bibliographic references. For readers who wish to have a bound reference copy, a paperback edition has been made available for sale.
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
Dorothy L. Sayers wrote bestselling detective novels and short stories in the 1920s and 1930s. Working within a popular medium, Sayers promotes nineteenth century and modernist literature with skills learnt during a period of employment in an advertising agency. In much of her fiction she recommends her choice of good books by name. She also suggests that taking Victorian literature as a foundation can bring her reader to a better understanding of literary modernism. With a didactic intent, Sayers shows how Lewis Carroll’s Alice can help us to eventually read Virginia Woolf, for instance. Her approach to educating her readers is always through entertainment. Sayers worked briefly as a teacher before taking up copywriting and retained important insights on how to improve the learning experience for any reader. Sayers’ admiration for the Victorian sensation author Wilkie Collins is widely recognised. This book examines Sayers’ attention to equally important Victorian influences from John Ruskin and George Eliot to Oscar Wilde, particularly in relation to the topic of education. She often questions the boundaries between “popular” and “serious” literature. Sayers’ personal views on the connections between mid-Victorian, late Victorian and high modernist authors are also considered.
Over 800 lamps made from 1880 through the 1930s are shown in full color. The lamps range from the simplest examples given out with boxes of candles to the most extravagant chandelier assemblages made for lords, rajahs, and royalty. This work draws upon many primary sources to trace the development of fairy lamps, and catalogs examples that can be found on today's market.
This is volume four in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the final volume looks at consumption and uses of design as a part of the wider cultures of the period. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.
From Where the Parson's Partner Sits . . . or Hanging on by my Fingernails After centuries of church doctrine resulting in schism after schism, a rather stereotyped picture of Parson and Mrs. Parson has gradually emerged. From Where the Parson's Partner Sits is a book that tends to dispel any such lofty ideas as to the reality of Perfect Parson and Perfect Mrs. Parson. With tongue in cheek this is a behind-the-scenes, day-by-day life of Mrs. Parson, filled with humor, wit, stamina and just a bit of a jab at the equally stereotyped 'good church folk'. Who better to tell the story than a minister's wife?
This volume of primary source materials documents the nineteenth-century search for a representative style, and the alternating fashions for interiors that demonstrated the consumerism of the period. Although in some senses every interior is unique so that a style canon may seem to be meaningless, there have been important historical trends or styles that have influenced individual interiors, and these have formed the groundwork from which other styles and tastes have developed and changed. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.