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Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space. Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Kristin Schwain | Elzbieta Sklodowska
Pura Belpré Award Winner Ruth Behar's inspiring story of a Jewish girl who escapes Poland to make a new life in Cuba, where she works to rescue the rest of her family The situation is getting dire for Jews in Poland on the eve of World War II. Esther's father has fled to Cuba, and she is the first one to join him. It's heartbreaking to be separated from her beloved sister, so Esther promises to write down everything that happens until they're reunited. And she does, recording both the good--the kindness of the Cuban people and her discovery of a valuable hidden talent--and the bad: the fact that Nazism has found a foothold even in Cuba. Esther's evocative letters are full of her appreciation for life and reveal a resourceful, determined girl with a rare ability to bring people together, all the while striving to get the rest of their family out of Poland before it's too late. Based on Ruth Behar's family history, this compelling story celebrates the resilience of the human spirit in the most challenging times.
Published to coincide with the 50th anniversary of the Cuban Revolution, this work takes a look at Cuban history seen through the collection of Ramiro Fernandez, the world's largest archive of Cuban photos and ephemera.
Touring the commercial graphic culture of pre-Castro Cuba, photography curator Levi and senior art director for The New York Times Heller present color reproductions of postcards, tourism advertisements, cigar boxes, music poster, hotel advertisements, and other items that combined graphic styles from the United States with a distinctive Cuban style. A brief introductory essay extols the virtue of this "golden age" of graphic design, noting that Cuba was portrayed as a "paradise" (for wealthy Americans and Europeans). Annotation copyrighted by Book News, Inc., Portland, OR
Picturing Cuba explores the evolution of Cuban visual art and its links to cubanía, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances. Contributors examine colonial-era lithographs of Cuba?s landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island?s African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity?lo cubanoamericano, Cuban-Americanness?and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States. Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island?s people, culture, and history. Contributors: Anelys Alvarez | Lynnette M. F. Bosch | María A. Cabrera Arús | Iliana Cepero | Ramón Cernuda | Emilio Cueto | Carol Damian | Victor Deupi | Jorge Duany | Alison Fraunhar | Andrea O?Reilly Herrera | Jean-François Lejeune | Abigail McEwen | Ricardo Pau-Llosa | E. Carmen Ramos
When a history teacher decides to throw out an old, threadbare Cuban flag, he doesn’t plan for the air of suspicion that quickly descends on him… A woman’s attempt to register ownership of her family home draws her into a bureaucratic labyrinth that requires a grasp of higher mathematics to fully comprehend… On the day of their graduation, a group of students spend the night drinking around the ‘Fountain of Youth’, ironically celebrating the bright future that doesn’t await them… The stories gathered in this anthology reflect the many complex challenges Havana’s citizens have had to endure as a result of their country’s political isolation – from the hardships of the ‘Special Period’, to the pitfalls of Cuba’s schizophrenic currency system, to the indignities of becoming a cheap tourist destination for well-heeled Westerners. Moving through various moments in its recent history, as well as through different neighbourhoods – from the prefab, Soviet-era maze of Alamar, to the bars and nightclubs of the Malecón and Vedado – these stories also demonstrate the defiance of Havana: surviving decades of economic disappointment with a flair for the comic, the surreal and the fantastical that remains as fresh as the first dreams of revolution. Translated from the Spanish by Orsola Casagrande and Séamas Carraher.
An unparalleled tour of the Art Deco-style architecture, interiors, decoration, and art objects of Havana, this colorful book shows the work of Cuban artists, open to the winds of change and to outside influences, who filtered the movement born in Paris through the dazzling beauty of Caribbean nature and made the art their own.
Writer and photographer Molly Mandell portrays 25 Cuban 'makers': creative craftsmen and women with a mission and a lot of passion. They share a striking and admirable do-it-yourself mentality: because Cubans didn't have access to imported goods for a long time, they learned how to make things work with whatever few products were around. This book is an ode to the resilience, the creativity and the self-reliance that have become a necessary way of life for most Cubans. It aims to capture the soul of the people of a country in times of change and transition. Therefore Made in Cuba is not only a source of inspiration for creatives, but also a personal guide to the country, offering a look inside the everyday lives of its people, at a unique moment in time. AUTHOR: Molly Mandell lived and worked in the United States when she started travelling to Cuba. On her countless trips she developed relationships with journalists and scholars but most importantly, with Cuban citizens. Molly is currently based in Copenhagen, where she works as an editor and art director at Kinfolk. SELLING POINT: * Writer and photographer Molly Mandell portrays 25 Cuban craftsmen and woman with a mission, a lot of passion, and a striking and admirable do-it-yourself mentality 120 colour images
A thorough examination of the history of the controversial island country looks at little-known aspects of its past, from its pre-Columbian origins to the fate of its native peoples, complete with up-to-date information on Cuba's place in a post-Soviet world.
"As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--Jacket.