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PrefaceThe Feeling of Being OneselfWim BlockmansPart I. Positioning by milieuShowing off One's Rank in the Middle AgesRaymond Van UytvenAttitudes and Social Positioning in Courtly Romances: Hainault, Fourteenth and Fifteenth CenturiesDanielle QuéruelGifts of Mourning-Cloth at the Brabantine Court in the Fifteenth CenturyRobert SteinSelf-Representation of Court and City in Flanders and Brabant in the Fifteenth and Early Sixteenth CenturiesWim Blockmans and Esther DonckersMarriage and Noble Lifestyle in Holland in the Late Middle Ages Antheun JanseOn the Nature of True Nobility: views from Dutch Courtiers in the Early Fifteenth CenturyJeanne-Verbij SchillingsRich Men, Poor Men : Social stratification and Social representation at the University (13th-16th Centuries)Hilde De Ridder-SymoensAround Saint George: Integration and Precedence during the Meetings of the Civic Militia of the HagueFred J.W. Van KanOwnership of Graves in Medieval Parish Churches in HollandKoen GoudriaanPart II Visions and ProblemsLove and Marriage: Fictional PerspectivesAnnelies Van GijsenFunctions of Fiction: Fighting Spouses around 1500Wim Blockmans and Tess NeijzenVisual Comments of the Mutability of Social Positions and Values in Netherlandish and German Art of the Fifteenth and Sixteenth CenturiesHans-Joachim RauppThe Wearing of Significative Badges, Religious and Secular: The Social Meaning of a Behavioural Pattern Jos KoldeweijTreacherously Significant Woodcarving: Woodcuts in Dutch Language (Post)Incunabula as a source for Socio-Historical ResearchHanneke De BruinPart III. Positioning by social functionJan van Ruusbroec and the Social Position of Late Medieval Mysticism Geert WarnarThe Position of the Artist in the Fifteenth Century: Salaries and Social MobilityMaximiliaan P.J. MartensArtist and Patron: The Self-Portrait of Adam Kraft in the Sacrament-House of St. Lorenz in NurembergJohann-Christian KlamtRebels with a Cause : The Peasant Movements of Northern Holland in the Later Middle AgesPeter HoppenbrouwersTo appear or to BeWim BlockmansThe Authors.
In this richly illustrated volume, Paul Binski provides an absorbing account of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century. He draws on textual, archaeological, and art historical sources to examine pagan and Christian attitudes toward the dead, the aesthetics of death and the body, burial ritual, and mortuary practice. Illustrated throughout with fascinating and sometimes disturbing images, Binski's account weaves together close readings of a variety of medieval thinkers. He discusses the impact of the Black Death on late medieval art and examines the development of the medieval tomb, showing the changing attitudes toward the commemoration of the dead between late antiquity and the late Middle Ages. In one chapter, Binski analyzes macabre themes in art and literature, including the Dance of Death, which reflect the medieval obsession with notions of humility, penitence, and the dangers of bodily corruption. In another, he studies the progress of the soul after death through the powerful descriptions of Heaven, Hell, and Purgatory in Dante and other writers and through portrayals of the Last Judgment and the Apocalypse in sculpture and large-scale painting.
The first part of David Nicholas's massive two-volume study of the medieval city, this book is a major achievement in its own right. (It is also fully self-sufficient, though many readers will want to use it with its equally impressive sequel which is being published simultaneously.) In it, Professor Nicholas traces the slow regeneration of urban life in the early medieval period, showing where and how an urban tradition had survived from late antiquity, and when and why new urban communities began to form where there was no such continuity. He charts the different types and functions of the medieval city, its interdependence with the surrounding countryside, and its often fraught relations with secular authority. The book ends with the critical changes of the late thirteenth century that established an urban network that was strong enough to survive the plagues, famines and wars of the fourteenth and fifteenth centuries.
That traced the rise of the medieval European city system from late antiquity to the early fourteenth century; this offers a portrait of the fully developed later medieval city in all its richness and complexity.
This volume of essays provides a comprehensive treatment of a very significant component of the societies of late medieval and early modern Europe: the dead. It argues that to contemporaries the 'placing' of the dead, in physical, spiritual and social terms, was a vitally important exercise, and one which often involved conflict and complex negotiation. The contributions range widely geographically, from Scotland to Transylvania, and address a spectrum of themes: attitudes towards the corpse, patterns of burial, forms of commemoration, the treatment of dead infants, the nature of the afterlife and ghosts. Individually the essays help to illuminate several current historiographical concerns: the significance of the Black Death, the impact of the protestant and catholic Reformations, and interactions between 'elite' and 'popular' culture. Collectively, by exploring the social and cultural meanings of attitudes towards the dead, they provide insight into the way these past societies understood themselves.