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Following a rough chronological order, the authors list hundreds of first editions in such collectors' categories as "Music of the American Revolution," "War with Tripoli," "Early Indian Items," "Early Negro Songs," "Lafayette," "Ship Items," "Tobacco Items," "Temperance Items," "Railroad Items," "Early Cali-fornia Imprints," "College Songs," "Baseball Items," "Early Comic Songs," "Famous Songs," "Portraits on Music," and dozens of other classifications. There are also separate bibliographic sections on such important songs as "The Star Spangled Banner," "Yankee Doodle," "Home Sweet Home," etc. For each song the authors give composer, lyricist, publisher, place and year of publication, musical arrangement, a full description of the actual sheet music (dedication, number of pages, engraver, price, plate mark, extra verses, peculiarities, etc.), description of illustration and type of song. Part Two is a directory of every known early American music publisher.
Discussions are designed to expand the music cataloger's understanding of publishing practices peculiar to sheet music. While much of the content emphasizes the description of the music, there are also sections devoted to subject access to illustrations, first-line/chorus/refrain text, illustrators, engravers, and publishers, and extensive reproductions of title pages from the 18th through mid-20th centuries, accompanied by examples of the cataloging, are also included.
Brief, tuneful melodies arranged for intermediate flutists and guitarists from early American (1817) popular music. Written in standard notation, these delightful arrangements feature collections of popular melodies from that era as well as airs and dances. In keeping with performance practice of the traditional music played during this time, these arrangements are organized into sets of pieces as they may have been performed during this era. the sets include jigs, slow airs and marches as well as melodies that were popular from the continent.These arrangements are appropriate both for background music as well as public concert performance. the arrangements are derived from a book of flute melodies entitled "Riley's Flute Melodies." Published in 1816 and 1817, this book was possibly used as jazz musicians use lead sheets to develop spontaneous arrangements of pieces depending upon the occasion and the musicians at hand. the guitar arrangements were modeled upon existing guitar practice during that time and use idiomatic guitar devices such as pizzicato and harmonics to provide an imaginative underpinning for the melodies. Many of the arrangements give equal treatment to both the guitar as a harmonic and melodic instrument.
This richly detailed narrative tells the stories of America's classical composers, set against significant events in American history. Acclaimed music writer Barrymore Scherer follows the development of American classical music, from Gershwin, Copland, Bernstein, Joplin, and Sousa, to lesser-known names such as William Henry Fry and Alan Hovhaness. Scherer surveys the period from the Mayflower through the Europe-tribute years to the two world wars and onwards to the growing academic and concert confidence of the post-war period. Broadway, opera, musicals, bandstands, marching bands and piano players all get their place. The book includes a CD of carefully chosen pieces. Readers also gain access to an exclusive website that offers new essays, the musical works in full, and more. This revolutionary book utilizes traditional and new media to provide a uniquely rounded portrait of the American classical scene and music.
URL: https://www.areditions.com/rr/rra/a071.html The eight Little House books by Laura Ingalls Wilder (1867¿1957), anchored in her family¿s history and filled with memories of frontier life, are cornerstone classics in American children¿s literature. Embedded in them are citations to 127 pieces of music--from parlor songs, stage songs, minstrel show songs, patriotic songs, Scottish and Irish songs, hymns and spirituals, to fiddle tunes, singing school songs, play party songs, folk songs, broadside ballads, catches and rounds. No books in American literature of comparable standing and popularity feature America¿s vernacular music so centrally, assign it such a major narrative role, and index it in such rich abundance. This edition is a reconstruction of "the family songbook," based on the music referenced in Wilder¿s books. Although no such object ever existed, her representations of music-making have likely informed the imaginations of more Americans than many a paper-and-bindings anthology, for what millions of readers have come to know about America¿s musical heritage is what they learned from the Little House books¿the titles and lyrics to songs; how songs and tunes functioned; where they were heard; what they meant; the importance of music to individuals, families, and communities. Wilder¿s references and her evocative images of music-making thus form the basis of understanding about "American music" to many readers. The Ingalls Wilder Family Songbook is an effort to give fresh voice and sound to the music inscribed in these great books and new appreciation about how music functioned during a place and time important in American history and mythology.
URL: https://www.areditions.com/rr/rrotm/otm009.html This publication is the first-ever facsimile edition of a "binder¿s volume," a personal collection of sheet music, in this case that of a nineteenth-century young woman, Emily Esperanza McKissick of Albany, New York, who must have actively used her volume with her friends and family and who became a long-lived music teacher.Essays by leading American-music specialists illuminate the general themes of this unique volume and also provide detailed information (with copious reference to period source materials) about the McKissick family, musical life in mid-century Albany, the publication history of the forty-six songs, and an analysis of the penciled annotations made by Emily on the music itself. The complete binder's volume of Emily¿s favorite songs¿some common, some rare¿is presented, cover to cover, as a photographic facsimile.
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.