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Depicts more than six thousand copyright-free motifs, trademarks, ornamental borders, scripts, and other typographical and decorative illustrations used from colonial days to the 1890's. Bibliogs.
145 full-page plates present the best typographical design from the 15th through the 20th centuries, including 60 handsome alphabets, many examples of decorative initials and a dazzling assortment of headings, scrolls and flourishes, rules and panels, ornaments, ribbons, cartouches, borders and more.
The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The second part of the book takes up themes relevant to the study of early Christian art. These seven chapters consider the ritual practices in decorated spaces, the emergence of images of Christ’s Passion and miracles, the functions of Christian secular portraits, the exemplary mosaics of Ravenna, the early modern history of Christian art and archaeology studies, and further reflection on this field called “early Christian art.” Each of the volume’s chapters includes photographs of many of the objects discussed, plus bibliographic notes and recommendations for further reading. The result is an invaluable introduction to and appraisal of the art that developed out of the spread of Christianity through the late antique world. Undergraduate and graduate students of late classical, early Christian, and Byzantine culture, religion, or art will find it an accessible and insightful orientation to the field. Additionally, professional academics, archivists, and curators working in these areas will also find it valuable as a resource for their own research, as well as a textbook or reference work for their students.
A practical reference for those in the applied and fine arts, this collection offers 1,836 sophisticated unit designs based on circles and circle segments, lines and bands, triangles, squares, rhomboids, pentagons, hexagons, scrolls, frets, loops, and other geometrical elements. Draws from Japanese, Egyptian, Classical, and Islamic originals as well as modern motifs.Reprint of the revised second edition.
New from the Winner of the Writers' Trust of Canada Marian Engel Award and the Governor General's Award for English Fiction Once touted as compendiums of human knowledge, the encyclopedias and handbooks of bygone eras now read quaintly, if not comically—yet within their musty pages are often found phrases of uncanny evocative power. Scrupulously stitching such fragments together, in a sequel to the Governor General’s Award-winning Forms of Devotion, By The Book is a collection of verbal and visual collages whose alchemies transform long-dead texts into tales of enduring vitality. With her visually witty full-colour artwork and stories like “What Is A Hat? Where Is Constantinople? Who Was Sir Walter Raleigh? And Many Other Common Questions, Some With Answers, Some Without,” and “Consumptives Should Not Kiss Other People: A Handy Guide to the Care and Maintenance of Your Family’s Good Health,” Schoemperlen’s irreverent and ironic brand of nostalgia combines vintage kitsch with comic, creepy, unexpectedly moving yarns. Praise for By The Book “Diane Schoemperlen's By The Book is a bravura performance. Fragments, collage, assemblage, found poetry - none of the conventional words cover it for they miss the fantastic wit, the energy of humour, the divine ability to find comedic ore in the print detritus of our culture. She doesn't rescue texts; with her wicked sense of irony, she actually puts thought where there was none. She infects the banal with the virus of her own brain and makes it into art. Then she makes a picture of it—oh, dwell upon the details; there are whole novels lurking in the details.”—Douglas Glover Praise for Diane Schoemperlen "Schoemperlen's inventive language and narrative structures encourage readers to be free 'from the prison of everyday thinking."—New York Times Book Review "Lovely, clever [and] imaginative."—Wall Street Journal “Cuttingly witty ... Schoemperlen could almost form a school of piquant and inventive fiction with Julie Hecht, Janet Kauffman, and Lydia Davis.”—Booklist "There is no mistaking a Schoemperlen story—devoted to form, faithful to the mysteries of the everyday."—The Globe & Mail
This digital edition includes the original artwork, has been specially adapted for ebook platforms and is optimized for tablet devices. The hardback edition of Dodger's Guide to London has fully integrated images and text. ROLL UP! ROLL UP! READ ALL ABOUT IT! Ladies and Gents, Sir Jack Dodger brings you a most excellent Guide to London! Did you know . . . ? If a Victorian couldn’t afford a sweep, they might drop a goose down their chimney to clean it! A nobby lady’s unmentionables could weigh up to 40lbs! Parliament had to be suspended during the Great Stink of 1858! From the wretches of the rookeries to the fancy coves at Buckingham Palace, Dodger will show you every dirty inch of London. Warning: Includes ’orrible murders, naughty ladies and plenty of geezers!
Eakins, Hunt, French, Morse, Trumbull, et al. and their struggle to make art respectable in 19th-century America. 211 illus.
The R.Crumb Handbook tells the story of how a loser-schmuck became a culturalcon, and is more than just another celebrity tell-all sexploitation. Thisrand new hardback collection of original cartoons with never beforeublished work, takes the reader on a unique journey through the life andimes of one of the 20th century's most notorious and influential counterulture artists.;"Crumbs material comes out of a deep sense of the absurdityf human life." - Robert Hughes, Art Critic;The only underground cartoonisto be accepted by the fine art world, the R.Crumb Handbook is divided intohe four enemies of man: FEAR; CLARITY; POWER; OLD AGE;Working with his oldrinking buddy and co-author Pete Poplasky, the four chapters are easilyigested. With over 400 pages of cartoons and photographs, Crumb's oftenontroversially-regarded views toward Disneyland, growing up in America,ippie love, art galleries, and turning 60 are revealed.;By tracing hisevelopment as a cartoonist from his tormented childhood in the 1940s througho his coming of age as an artist in the psychedelic revolution of the 1960s,
Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.