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First published in 1895, this book recounts the author's 1893 expedition to the Tafilet oasis in Morocco, one of the largest oases in the world. Previously largely inaccessible (before the invention of the motor car it was at least 10 days' journey south of Fez across the Atlas mountains and the Sahara), Harris took advantage of the Sultan of Morocco Mulai el Hassen's decision to pay a visit to the oasis during the autumn of that year. Throughout the book the author describes in great detail the places he visited and the people he met along the way. There are detailed descriptions of Marrakesh and the villages of the Atlas Mountains, as well as ruminations on the differences between the Arabs and the Berber tribes, and the situation of the Jews. Crossing the desert, Harris reached the Sultan's camp at the edge of the oasis, and there follows a detailed description of the activities of the Sultan and his retinue, their dealings with the troublesome tribes of the area, and accounts of the history, geography and people of Tafilet. The book concludes with the author's return journey to the north, and an account of the events following the Sultan's own return from the oasis and his subsequent death. Painting as it does a vivid picture of the state of Morocco at the very end of the 19th century, Walter B. Harris's Tafilet is sure to be of great interest to all those fascinated by the history of this unique and diverse North African country.
A history of Aboriginal South Australia in a collection of essays by both indigenous and white writers and historians.
The Aboriginal Story of Burke and Wills is the first major study of Aboriginal associations with the Burke and Wills expedition of 1860–61. A main theme of the book is the contrast between the skills, perceptions and knowledge of the Indigenous people and those of the new arrivals, and the extent to which this affected the outcome of the expedition. The book offers a reinterpretation of the literature surrounding Burke and Wills, using official correspondence, expedition journals and diaries, visual art, and archaeological and linguistic research – and then complements this with references to Aboriginal oral histories and social memory. It highlights the interaction of expedition members with Aboriginal people and their subsequent contribution to Aboriginal studies. The book also considers contemporary and multi-disciplinary critiques that the expedition members were, on the whole, deficient in bush craft, especially in light of the expedition’s failure to use Aboriginal guides in any systematic way. Generously illustrated with historical photographs and line drawings, The Aboriginal Story of Burke and Wills is an important resource for Indigenous people, Burke and Wills history enthusiasts and the wider community. This book is the outcome of an Australian Research Council project.
It traces the continuing Aboriginal struggle to move from the margins of colonial society to a more central place in modern Australia.
"This new history of Australian colonial art covering the period 1800 to 1900 is written around the exceptionally representative and high-quality collection held in Adelaide by the Art Gallery of South Australia. Many of the images are extremely well known but many more, especially those which have only recently been acquired, provide an opportunity to give a new interpretation and view of our early culture." - foreword.
Over the last two hundred years portraiture has played a major role in the emergence of Australian myths and legends and the creation of a cultural heritage - insde cover
Includes Aboriginal-European relations; contributions by Peter Myers, and Colin Symes and Bob Lingard annotated separately.
Examines the crucial role played by vision and colonisation of Australia and in the formation of a national consciousness. Artists transformed their depictions of land and its uses into landscape paintings which communicated the cultivation of the country as an unfolding of nature's own process.