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Hanashi

Jessika Sims, Shruti S Agarwal, Purnima Dixit, Dr. Ishrat Ali Lalljee, Aurobindo Ghosh, Rhodesia, Mitrajit Biswas, Sanjai Banerji, Riddhima Sen, Moumita De, Dr.Renuka.KP, Aryan Majumder

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Total Pages: 141


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Step into a vivid world where manga meets storytelling. This collection of short stories dives into the heart of manga culture, bringing to life diverse characters, thrilling adventures, and emotional journeys. Each tale captures the essence of manga's dynamic art and narrative, offering readers a fresh, immersive experience.
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Bringing together the latest studies on Japanese pragmatics, this edited volume showcases the breadth of research conducted in this ever-expanding, interdisciplinary field, with the introductory chapter providing a useful summary of developments in the field in the past decades. The twelve chapters address a variety of traditional and emerging topics by adopting diverse theoretical and methodological frameworks and presenting a range of perspectives on grammar, interaction and culture. They demonstrate a wide scope of pragmatics research informed by, as well as informing, usage-based grammar, cognitive linguistics, conversation analysis, sociolinguistics, linguistic anthropology, and literary and cultural studies. Chapters also consider future directions as to how the study of Japanese language in use will continue to offer critical data and analyses to the field dominated by the study of English and other European languages. This volume is certain to be of interest to students and scholars engaged in pragmatics in general and the Japanese language in particular.
Rakugo is the traditional Japanese art of storytelling. The stories are also called rakugo, or hanashi, and they are performed by professional narrators called rakugoka or hanashika. The customary place where rakugo stories are told is the vaudeville-type variety called the yose. This book is divided into three parts, including nine chapters and an epilogue, and also includes notes, three appendices, a bibliography, glossary, and index.
The old Japanese single-party system collapsed in 1993, but a new system has not yet fully evolved. Following the most significant party reform in Japanese history, this book analyses the most recent national elections, examining voter behaviour and how it is influenced. It provides a comprehensive overview of Japanese politics from 1955 to 1993 and a detailed historical study of events leading up to the 1996 and 2000 elections, before presenting statistical analysis of the elections themselves. The authors then look to the future, anticipating what form the new political system will take. Japanese Electoral Politics contains four very detailed case studies and a wealth of new data. It will appeal to students and researchers of Japanese politics and elections and electoral systems.
This wide-ranging collection seeks to reassess conventional understanding of Japan’s Asia-Pacific War by defamiliarizing and expanding the rhetorical narrative. Its nine chapters, diverse in theme and method, are united in their goal to recover a measured historicity about the conflict by either introducing new areas of knowledge or reinterpreting existing ones. Collectively, they cast doubt on the war as familiar and recognizable, compelling readers to view it with fresh eyes. Following an introduction that problematizes timeworn narratives about a “unified Japan” and its “illegal war” or “race war,” early chapters on the destruction of Japan’s diplomatic records and government interest in an egalitarian health care policy before, during, and after the war oblige us to question selective histories and moral judgments about wartime Japan. The discussion then turns to artistic/cultural production and self-determination, specifically to Osaka rakugo performers who used comedy to contend with state oppression and to the role of women in creating care packages for soldiers abroad. Other chapters cast doubt on well-trod stereotypes (Japan’s lack of pragmatism in its diplomatic relations with neutral nations and its irrational and fatalistic military leadership) and examine resistance to the war by a prominent Japanese Christian intellectual. The volume concludes with two nuanced responses to race in wartime Japan, one maintaining the importance of racial categories while recognizing the “performance of Japaneseness,” the other observing that communities often reflected official government policies through nationality rather than race. Contrasting findings like these underscore the need to ask new questions and fill old gaps in our understanding of a historical event that, after more than seventy years, remains as provocative and divisive as ever. Defamiliarizing Japan’s Asia-Pacific War will find a ready audience among World War II historians as well as specialists in war and society, social history, and the growing fields of material culture and civic history.