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The book that immerses the Cold War in the warm bath of nostalgia. Q: Why, despite all the shortages, was the toilet paper in East Germany always 2-ply? A: Because they had to send a copy of everything they did to Moscow. Communist jokes are the strangest, funniest, most enchanting and meaningful legacy of the 80 years of political experimentation in Russia and Eastern Europe, known as Communism. The valiant and sardonic citizens of the former Communist countries - surrounded by an invisible network of secret police, threatened with arrest, imprisonment and forced labour, confronted by an economic system that left shops empty, and bombarded with ludicrous state propaganda - turned joke-telling into an art form. They used jokes as a coded way of speaking the truth. HAMMER AND TICKLE takes us on a unique journey through the Communist era (1917-1989), and tells its real history through subversive jokes and joke-tellers, many of whom ended up in the gulags. It is also illustrated with a combination of rare and previously unpublished archive material, political cartoons, caricatures, photographs and state-sponsored propaganda. Humorous, culturally poignant and historically revealing, this is the story of a political system that was (almost) laughed out of existence.
The book that immerses the Cold War in the warm bath of nostalgia. Q: Why, despite all the shortages, was the toilet paper in East Germany always 2-ply? A: Because they had to send a copy of everything they did to Moscow. Communist jokes are the strangest, funniest, most enchanting and meaningful legacy of the 80 years of political experimentation in Russia and Eastern Europe, known as Communism. The valiant and sardonic citizens of the former Communist countries - surrounded by an invisible network of secret police, threatened with arrest, imprisonment and forced labour, confronted by an economic system that left shops empty, and bombarded with ludicrous state propaganda - turned joke-telling into an art form. They used jokes as a coded way of speaking the truth. HAMMER AND TICKLE takes us on a unique journey through the Communist era (1917-1989), and tells its real history through subversive jokes and joke-tellers, many of whom ended up in the gulags. It is also illustrated with a combination of rare and previously unpublished archive material, political cartoons, caricatures, photographs and state-sponsored propaganda. Humorous, culturally poignant and historically revealing, this is the story of a political system that was (almost) laughed out of existence.
From the creator of the Cuck Philosophy YouTube channel comes this timely and explosive re-evaluation of Marx and Nietzsche for the 21st-century left. Modernity has been defined by humanity's capacity for self-destruction. Over the last century, the means which threaten not only life's joy but its very existence have only multiplied. At the same time, as a new wave of nationalism and right-wing politics spreads across the world, fewer and fewer people are being convinced that socialism could improve their everyday lives, let alone save us from our own destruction. In this timely and explosive book, philosopher and YouTuber Jonas Čeika (aka Cuck Philosophy) re-invigorates socialism for the twenty-first century. Leaving behind its past associations with bureaucracy and state tyranny, and it's lifeless and drab theoretical accounts, Čeika instead uses the works of Marx and Nietzsche to reconnect socialism with its human element, presenting it as something not only affecting, but created by living, breathing, suffering human individuals. At a time when ecological collapse is hurtling towards us, and capitalism offers no solution except more growth and exploitation, How to Philosophise with a Hammer and Sickle shows us the way forward to a socialism grounded in human experience and accessible to all.
Humor Book Winner in the 2021 IndieReader Discovery Awards A sci-fi satire about seeking work-life balance while doing public relations for an authoritarian president. PR extraordinaire Blake Hamner (the "n" is silent) put off his honeymoon for his big break: joining a major political campaign for president. Now, the "Hammer" struggles to make time for his marriage as Crisis Communications Manager for Our Leader, who since taking power has become increasingly mad and totalitarian. The Hammer starts to reconsider his career choices when one of Our Leader’s savage steel hounds attacks the Comms team at a press conference. He’d love to talk about his erratic job with his wife, Triple-N news anchor Maria Worthington, but they have a rule: the broadcast journalist doesn’t ask Blake for inside information about his work, and the spin doctor doesn’t use their relationship as leverage on what Maria reports. They say you shouldn’t keep things from each other in a marriage, but it’s OK—the only secrets between Blake and Maria are professional. When a revolutionary levels grave allegations against Our Leader—and accuses Blake of distributing disinformation and propaganda to cover it up—the PR rep who thought he could talk his way out of any crisis finds himself utterly trapped in a dystopian job. Praise for Utopia PR "In a tale that’s reminiscent of political farces such as the HBO TV series Veep, Bender employs a smooth, amusing, and straightforward prose style that’s briskly paced ... Its tone is irreverent, and readers looking for a quick chuckle will likely enjoy Bender’s winking comedy, which is punctuated with genuinely sweet, sincere moments." -- Kirkus Reviews "Sharp and witty, the novel Utopia PR is a free range political send-up set in a chaotic, perplexing, and familiar future world." -- Foreword Reviews "It is a fun and efficient book, but also scary: like all good fiction, it uses sarcasm to make readers think about the world outside." -- IndieReader "A lighthearted, uplifting vision into the dark times we’re facing." -- IndieMuse “Philadelphia writer Adam Bender’s new novel Utopia PR, a political satire set in a dystopian Washington, DC, offers a brisk and entertaining sendup of politics and the media, two machines driven by capitalism and ambition.” -- Broad Street Review "A dystopian novel laced with intrigue, science fiction, romance and humor ... I recommend this book to fans of dystopia who would appreciate a comedic writing style and the underlying themes of marital challenges, finding your purpose, diversity and manipulation through social media." -- Reedsy Discovery For fans of humorous science fiction, political satire, speculative fiction and dystopia; authors like John Scalzi, Christopher Moore, Douglas Adams, Terry Pratchett, Kurt Vonnegut, Ray Bradbury, George Orwell, and Christopher Buckley; and books like: Catch-22, Thank You for Smoking, Slaughterhouse-Five, and The Hitchhiker’s Guide to the Galaxy. Adam Bender is an award-winning journalist and author of speculative fiction that explores modern-day societal fears with a mix of action, romance and humor. He is the author of The Wanderer and the New West, Divided We Fall and We, The Watched.
An epic quest exposes hidden truths about Leonardo da Vinci’s Salvator Mundi, the recently discovered masterpiece that sold for $450 million—and might not be the real thing. In 2017, Leonardo da Vinci’s small oil painting the Salvator Mundi was sold at auction. In the words of its discoverer, the image of Christ as savior of the world is “the rarest thing on the planet.” Its $450 million sale price also makes it the world’s most expensive painting. For two centuries, art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the early sixteenth century. But where was the original by the master himself? In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings, and sheikhs. Ben Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Amsterdam, Moscow, and New Orleans; to the galleries, salerooms, and restorer’s workshop as the painting slowly, painstakingly emerged from obscurity. The vicissitudes of the highly secretive art market are charted across six centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, in which we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth. Praise for The Last Leonardo “The story of the world’s most expensive painting is narrated with great gusto and formidably researched detail in Ben Lewis’s book. . . . Lewis’s probings of the Salvator’s backstory raise questions about its historical status and visibility, and these lead in turn to the fundamental question of whether the painting is really an autograph work by Leonardo.”—Charles Nicholl, The Guardian “As the art historian and critic Ben Lewis shows in his forensically detailed and gripping investigation into the history, discovery and sales of the painting, establishing the truth is like nailing down jelly.”— Michael Prodger, The Sunday Times
The book that immerses the Cold War in the warm bath of nostalgia. Q: Why, despite all the shortages, was the toilet paper in East Germany always 2-ply? A: Because they had to send a copy of everything they did to Moscow. Communist jokes are the strangest, funniest, most enchanting and meaningful legacy of the 80 years of political experimentation in Russia and Eastern Europe, known as Communism. The valiant and sardonic citizens of the former Communist countries - surrounded by an invisible network of secret police, threatened with arrest, imprisonment and forced labour, confronted by an economic system that left shops empty, and bombarded with ludicrous state propaganda - turned joke-telling into an art form. They used jokes as a coded way of speaking the truth. HAMMER AND TICKLE takes us on a unique journey through the Communist era (1917-1989), and tells its real history through subversive jokes and joke-tellers, many of whom ended up in the gulags. It is also illustrated with a combination of rare and previously unpublished archive material, political cartoons, caricatures, photographs and state-sponsored propaganda. Humorous, culturally poignant and historically revealing, this is the story of a political system that was (almost) laughed out of existence.
The only way to change culture is to create culture. Andy Crouch says we must reclaim the cultural mandate to be the creative cultivators God designed us to be. In this expanded edition of his award-winning book he unpacks how culture works and gives us tools to partner with God's own making and transforming of culture.
Nominee: Colorado Libraries for Early Literacy CLEL Bell Award, TALK 2017-2108 Chickadee Award Darcy has plans. She and her friend are going to play dress up, do each other's hair, and polish their nails. Daddy has plans, too. He's going to read the paper, mow the lawn, and fix the fence. When Darcy's friend cancels and she's sure her day is ruined, Daddy suggests that they tackle their to-do lists together with a Darcy-Daddy Day. Daddy dons a tutu, and Darcy gives him a fancy hair do. They groom the lawn with Her Majesty's Mowing Service and face off in a Daddy-directed sock battle. But will Darcy want to hammer? Will Daddy do nails? Stepping outside their comfort zones, Darcy and Daddy opt to be open-minded and even a bit daring. As Daddy says, "Sometimes things you've never done end up being fun!" With a gung-ho attitude, Darcy masters the hammer, and Daddy goes for it with the nails.
A daringly fresh look at the history of communism.
Two of the most trusted reviewers in the field join with top authors, illustrators, and critics in a definitive guide to choosing books for children—and nurturing their love of reading. A FAMILY OF READERS is the definitive resource for parents interested in enriching the reading lives of their children. It’s divided into four sections: 1. Reading to Them: Choosing and sharing board books and picture books with babies and very young children. 2. Reading with Them: Launching the new reader with easy readers and chapter books. 3. Reading on Their Own: Exploring what children read—and how they read—by genre and gender. 4. Leaving Them Alone: Respecting the reading privacy of the young adult. Roger Sutton knows how and why children read. He must, as the editor in chief of THE HORN BOOK, which since 1924 has been America’s best source for reviews of books for young readers. But for many parents, selecting books for their children can make them feel lost. Now, in this essential resource, Roger Sutton and Martha V. Parravano, executive editor at the magazine, offer thoughtful essays that consider how books are read to (and then by) young people. They invite such leading authors and artists as Maurice Sendak, Katherine Paterson, Margaret Mahy, and Jon Scieszka, as well as a selection of top critics, to add their voices about the genres they know best. The result is an indispensable readers’ companion to everything from wordless board books to the most complex and daring young adult novels.