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In recognition of his achievements in literature, Hamlin Garland (1860?1940) received four honorary doctorates and a Pulitzer Prize. Keith Newlin traces the rise of this prairie farm boy with a half-formed ambition to write who then skyrocketed into international prominence before he was forty. His life is a story of ironic contradictions: the radical whose early achievement thrust him to the forefront of literary innovation but whose evolutionary aesthetic principles could not themselves adapt to changing conditions; the self-styled ?veritist? whose credo demanded that he verify every fact but whose credulity led him to spend a lifetime seeking to confirm the existence of spirits. His need for recognition caused him to cultivate rewarding friendships with the leaders of literary culture, yet even when he attained that recognition, it was never enough, and his self-doubt caused him fits of black despair. ø The first and only other biography of Hamlin Garland was published more than forty years ago; since then, letters, manuscripts, and family memoirs have surfaced to provide, along with changing literary scholarship, a more evaluative and critical interpretation of Garland?s life and times. Hamlin Garland: A Life is an exploration of Garland?s contributions to American literary culture and places his work within the artistic context of its time.
As a self-proclaimed native "son of the middle border" states of Wisconsin, Nebraska, Iowa, Minnesota, and South Dakota, Hamlin Garland wrote short stories, novels, and essays about the harsh realities of farm life. At a time when rural romanticism was in literary vogue, he described conditions for midwestern farmers as they really were and promoted a wide variety of reforms to improve their lives, including women's rights legislation and single-tax reform. The volume reprints much of Garland's radical fiction and nonfiction from between 1887 and 1894, including four of his most outspoken stories depicting farm conditions of the time. Fueled by moral outrage and a cry for justice shaped by his own family's hardships in Wisconsin, Iowa, and South Dakota, the radical writing of his early career is filled with compassion and fury.
Silet brings together an extensive, representative and easily accessible sampling of criticism of the work of the nationally known Midwestern writer and reformer, Hamlin Garland (1860-1940).
The literature of the African American West is the last racial discourse of the region that remains unexplored. Blake Allmendinger addresses this void in literary and cultural studies with Imagining the African American West?the first comprehensive study of African American literature on the early frontier and in the modern urban American West. ø Allmendinger charts the terrain of African American literature in the West through his exploration of novels, histories, autobiographies, science fiction, mysteries, formula westerns, melodramas, experimental theater, and political essays, as well as rap music and film. He examines the histories of James P. Beckwourth and Oscar Micheaux; slavery, the Civil War, and the significance of the American frontier to blacks; and the Harlem Renaissance, the literature of urban unrest, rap music, black noir, and African American writers, including Toni Morrison and Walter Mosley. His study utilizes not only the works of well-known African American writers but also some obscure and neglected works, out-of-print books, and unpublished manuscripts in library archives. ø Much of the scholarly neglect of the ?Black West? can be blamed on how the American West has been imagined, constructed, and framed in scholarship to date. In his study, Allmendinger provides the appropriate theoretical, cultural, and historical contexts for understanding the literature and suggests new directions for the future of black western literature.
2004 Minnesota Book Award Winner The Midwestern small town has long held an iconic place in American culture--from the imaginings of Sinclair Lewis's Main Street and Sherwood Anderson's Winesburg, Ohio to Garrison Keillor's Lake Wobegon. But the reality is much more complex, as the small town has been a study in transition from its very inception. In A Place Called Home, editors Richard O. Davies, Joseph A. Amato, and David R. Pichaske offer the first comprehensive examination of the Midwestern small town and its evolving nature from the 1800s to the present. This rich collection, gleaned from the best writings of historians, novelists, social scientists, poets, and journalists, features not only such well-known authors as Sherwood Anderson, Carol Bly, Willa Cather, Hamlin Garland, Langston Hughes, Garrison Keillor, William Kloefkorn, Sinclair Lewis, Susan Allen Toth, and Mark Twain but also many lesser known and exceptionally talented writers. Five chronological sections trace the founding, growth, and decline of the Midwestern town, and introductory comments illuminate its ever-changing face. The result is a wide-ranging collection of writings on the community at the heart of America.
Although the years from 1873-1893 lacked the well known, dramatic events of the periods before and after, this period presented a major transformation in Wisconsin's economy. The third volume in the History of Wisconsin series presents a balanced, comprehensive, and witty account of these two decades of dynamic growth and change in Wisconsin society, business, and industry. Concentrating on three major areas: the economy, communities, and politics and government, this volume in the History of Wisconsin series adds substantially to our knowledge and understanding of this crucial, but generally little-understood, period.