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This manual offers a wealth of instructional tools, including background information on Shakespeare's sources, his life, his theater, and stage directions; suggestions for teaching the play; detailed summaries of every scene; questions and answers for every act; an annotated bibliography; a guide to pronouncing proper names; a Shakespearean time line; and and alphabetical glossary of terms.
This edition offers a new way to read and study The Tragedy of Hamlet - without distracting footnotes. A freshly edited version of Shakespeare's original text, incorporating the latest scholarship, appears opposite a modern English translation that parallels the original, line-for-line.
This manual offers a wealth of instructional tools, including background information on Shakespeare's sources, his life, his theater, and stage directions; suggestions for teaching the play; detailed summaries of every scene; questions and answers for every act; an annotated bibliography; a guide to pronouncing proper names; a Shakespearean time line; and and alphabetical glossary of terms.
Make Shakespeare?s Hamlet come alive for your students! This manual is filled with background information on Shakespeare and his theatre, suggestions for teaching and producing the play, summaries of every scene, and questions and answers for every act. You?ll also find an annotated bibliography, a guide to pronouncing proper names, a Shakespearean time line, and a glossary of terms. For the best experience, use this manual alongside the Access to Shakespeare edition of Hamlet.
This edition offers a new way to read and study The Tragedy of Julius Caesar - without distracting footnotes. A freshly edited version of Shakespeare's original text, incorporating the latest scholarship, appears opposite a modern English translation that parallels the original, line-for-line.
This edition offers a new way to read and study Macbeth - without distracting footnotes. A freshly edited version of Shakespeare's original text, incorporating the latest scholarship, appears opposite a modern English translation that parallels the original, line-for-line.
An updated edition of the classic book on digital storytelling, with a new introduction and expansive chapter commentaries. I want to say to all the hacker-bards from every field—gamers, researchers, journalists, artists, programmers, scriptwriters, creators of authoring systems... please know that I wrote this book for you.” —Hamlet on the Holodeck, from the author's introduction to the updated edition Janet Murray's Hamlet on the Holodeck was instantly influential and controversial when it was first published in 1997. Ahead of its time, it accurately predicted the rise of new genres of storytelling from the convergence of traditional media forms and computing. Taking the long view of artistic innovation over decades and even centuries, it remains forward-looking in its description of the development of new artistic traditions of practice, the growth of participatory audiences, and the realization of still-emerging technologies as consumer products. This updated edition of a book the New Yorker calls a “cult classic” offers a new introduction by Murray and chapter-by-chapter commentary relating Murray's predictions and enduring design insights to the most significant storytelling innovations of the past twenty years, from long-form television to artificial intelligence to virtual reality. Murray identifies the powerful new set of expressive affordances that computing offers for the ancient human activity of storytelling and considers what would be necessary for interactive narrative to become a mature and compelling art form. Her argument met with some resistance from print loyalists and postmodern hypertext enthusiasts, and it provoked a foundational debate in the emerging field of game studies on the relationship between narrative and videogames. But since Hamlet on the Holodeck's publication, a practice that was largely speculative has been validated by academia, artistic practice, and the marketplace. In this substantially updated edition, Murray provides fresh examples of expressive digital storytelling and identifies new directions for narrative innovation.
In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.