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This guide to the film industry from the 1900s to the present day has now been updated with John Walker's critiques of the films that have been turning heads in 2002/3. It delivers all the cast and crew credits, fun trivia and behind-the-scenes information you need on thousands of movies (over 23,000) including hundreds of new ones. This perennial guide also includes plot synopses and critical evaluations, as well as video cassette, laser disc and DVD availability. Reader friendly icons denote films suitable for family viewing, Academy Award Winners and nominees, soundtrack availability and video format compatibility. The guide also contains lists of four-star and three-star films by title and year.
Ranging across a hundred years of cinema, and featuring more than 23,000 films,Halliwell’s Film, Video & DVD Guideis the undisputed bible for movie enthusiasts and trivia buffs everywhere. For more than two decades, film enthusiasts, trivia buffs, and ordinary movie watchers alike have consulted the pages of Halliwell's for the most comprehensive information available on their favorite films. Often imitated, but never bettered,Halliwell’s Film, Video and DVD Guideis packed with essential information, from the classics of the Silver Screen to the very latest blockbusters. Contents include: Concise plot synopses for every film; casts and credits; critical evaluations and reviews; insider gossip and facts; quotes and dialogue, a quick-reference guide to the best films ever; an index of leading directors; Academy Award winners, listed by year, and more. There are also easy-to-spot icons for: family viewing; video, DVD, and soundtrack availability; and Oscar awards and nominations.
The TLA Film, Video and DVD Guide 2004 is the absolutely indispensable guide to worthwhile cinema. It includes over 10,000 entries on the best of film and video that a real film lover might actually want to see. Unlike some of the other mass market guides that tend to be clogged with unenlightening entries on even more unenlightening films, TLA focuses on independent, foreign as well as the best of Hollywood to bring the cineaste an opinionated guide that is both fun to read and easy to use. The guide includes: * Reviews of more than 10,000 entries * Four detailed indexes--by star, director, country of origin, and theme. * More than 300 photos throughout * A listing of all the major film awards of the past quarter century, as well as TLA Bests and recommended films *A comprehensive selection of cinema from over 50 countries. From one of the finest names in video retailing and a growing rental chain comes the latest edition of one of the most respected film, video, and DVD guides. The TLA Film, Video and DVD Guide is perfect for anyone with an eclectic taste in cinema.
The Facts On File Guide to Research is a comprehensive guide to doing thorough and accurate research. It includes a detailed listing of available resources and explains general research methods and proper citation of sources. An invaluable reference, this book helps researchers make use of the many new resources available today. Divided into four sections, this easy-to-use guide helps students and general readers prepare for research papers and class studies. Step-by-step guides, detailed explanations, and valuable appendixes covering style guides, such as APA. MLA, and The Chicago Manual of Style, combine to create an incredibly authoritative accessible reference.
Cinema & Sentiment Film's challenge to Theology What do films do to people? What do people do with films? All film-watching happens within a cultural context. Exploring cinema-going as leisure activity and by comparing film-watching with worship, Clive Marsh demonstrates aspects of the religious function of film-watching in Western culture. Through a variety of case-studies, including a look at the films of Robin Williams and the Coen brothers, Marsh's study shows how film-watching as a regular practice contributes to the shaping of human living. Engaging with rapidly changing social and religious behaviour patterns in Western culture, Cinema and Sentiment suggests a need to recover a positive sense of 'sentiment', both in theology and film. Marsh locates his findings within recent studies of theology and film. In his final chapter he offers to church leaders, students of theology and film studies and all those with an interest in contemporary culture some very practical suggestions.
Alfred Hitchcock made many great films, but he also made many that critics and audiences largely dismissed. These least celebrated films, despite their admitted flaws and relative obscurity, offer much to reward the open-minded viewer. This critical study examines and reappraises fifteen such films generally overlooked by scholars and Hitchcock aficionados: Juno and the Paycock, The Skin Game, Waltzes from Vienna, Jamaica Inn, The Paradine Case, Under Capricorn, I Confess, Torn Curtain, Number Seventeen, Rich and Strange, Secret Agent, Mr. and Mrs. Smith, Stage Fright, The Wrong Man, and Topaz. Each film is discussed and analyzed in detail, revealing the master's touch in many previously unheralded ways. Brief assessments of the films from popular review compendia introduce each one, and excerpted highlights of numerous works of scholarship are liberally sprinkled throughout the text. In addition, wonderful rare still photographs from each film are included. Readers will come away with a richer sense of the director's talents in these films, adding to their appreciation of his work in unexpected ways.
The leading authority on American film is back with the latest edition of his "indispensable" (Los Angeles Times) and bestselling movie and video guide. Leonard Maltin's Movie and Video Guide 2004 is the best, biggest, and most up-to-date of its kind. The comprehensive 2004 guide includes: € Capsule reviews of more than 18,000 films, including more than 300 new entries € More than 13,000 listings of videocassettes and 8,000 DVD listings € Write-ups on every film series € A revised index of leading actors and actresses € Leonard Maltin's exclusive list of Fifty Films That Got Away: Movies You Really Ought to See ...and much, much more.
Nick Enright (1950-2003) was one of Australia¿s most significant and successful playwrights. As a writer, director, actor and teacher he influenced theatre in Australia for thirty years. Enright wrote more than fifty plays for the stage, film, television and radio, translated and adapted more, and taught acting to students in varied settings, both in Australia and the United States. His writing repertoire included comedy, social realism, farce, fantasy and the musical. In addition to his prodigious contribution to all of these genres, he was a passionate advocate for the actor and the theatre in contemporary society. In this volume Anne Pender and Susan Lever present a set of essays and recollections about Nick Enright¿s work for students, teachers and scholars. The book offers a comprehensive study of Enright¿s writing for theatre, film and television. Scholars, acting teachers and theatre directors have contributed to this work each illuminating an aspect of Enright¿s remarkable career. The discussions cover interpretations of Enright¿s scripts and productions, detailed analysis of his directing style, substantial background and analysis of his writing for musicals, as well as accounts of his specific approach to acting and to adaptation across genres. The essays and recollections included in this book will inspire theatre practitioners as well as scholars. Most importantly, this book will inform and enlighten students and teachers both at high school and university about an exceptional career in the theatre.
What does it take to make a great motion picture? What do we even mean by cinematic greatness? What is more important: movie awards, critical acclaim, or box office success? Who has the biggest impact: the writer, the director, or the actors? Scientific research has provided some provocative answers. This review of cinematic creativity and aesthetics is confined to scientific studies carried out by a multidisciplinary group of researchers. Do great films receive both shiny trophies and five stars? Chapter 2 concentrates on movie awards, including the Oscars and Golden Globes, and how those awards relate to critical acclaim. How do the dramatic awards compare with the visual, technical, and music awards? Chapter 3 studies more closely how these awards cluster together and which of these clusters best predict cinematic success. How does box office compare with critical evaluations and movie awards? Chapter 4 adds a new consideration, namely the film's financial performance. The following four chapters focus on specific contributions to a film's impact: Chapter 5 covers the script (including writers), Chapter 6 the director (or "auteur"), Chapter 7 the actors (especially gender differences), and Chapter 8 the music (both scores and songs). Chapter 9 addresses the question of whether the same cinematic factors that make some films great also make other films bad: Are bombs the exact opposite of masterpieces? The book closes with an epilogue on future directions in scientific studies of cinematic creativity and aesthetics. What do researchers need to do if we want a complete understanding of what it takes to create a powerful cinematic experience? This volume will be invaluable to anyone interested in film, including any aficionado who is open to a scientific approach, and researchers in the areas of creativity, aesthetics, and cultural economics. The reported research comes from many disciplines, including psychology, sociology, economics, management, marketing, communications, journalism, broadcasting, history, musicology, and statistics.