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Shirley Steadman, a 70 year old living in a small town in the North East of England, loves her volunteer work at the local hospital radio. She likes giving back to the community, and even more so, she likes getting out of the house. Haunted by the presence of her son, a reluctant Royal Navy officer who was lost at sea, and still in the shadow of her long dead abusive husband, she doesn't like being alone much. One day, at the radio station, she is playing around with the equipment and finds a frequency that was never there before. It is a pirate radio station, and as she listens as the presenter starts reading the news. But there is one problem - the news being reported is tomorrows. Shirley first thinks it is a mere misunderstanding - a wrong date. But she watches as everything reported comes true. At first, Shirley is in awe of the station, and happily tunes in to hear the news. But then the presenter starts reporting murders - murders that happen just the way they were reported. And Shirley is the only one who can stop them.
Shirley Steadman, a 70 year old living in a small town in the North East of England, loves her volunteer work at the local hospital radio. She likes giving back to the community, and even more so, she likes getting out of the house. Haunted by the presence of her son, a reluctant Royal Navy officer who was lost at sea, and still in the shadow of her long dead abusive husband, she doesn't like being alone much. One day, at the radio station, she is playing around with the equipment and finds a frequency that was never there before. It is a pirate radio station, and as she listens as the presenter starts reading the news. But there is one problem - the news being reported is tomorrows. Shirley first thinks it is a mere misunderstanding - a wrong date. But she watches as everything reported comes true. At first, Shirley is in awe of the station, and happily tunes in to hear the news. But then the presenter starts reporting murders - murders that happen just the way they were reported. And Shirley is the only one who can stop them.
In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.
The Doomsday Clock gauges the threat of nuclear war. Currently, the clock is set at six minutes before midnight. What happens after the hands reach midnight? Survivalist Leeland Dawcett finds out when he and his family are plunged into the nightmare of their country returned to a third-world state. No phones. No computers. No television. At first, Leeland thinks basic survival is the answer. Until he crosses the path of the wrong guy... Someone who wants to do more than just survive...
NEW YORK TIMES BEST SELLER • Sam and Sadie—two college friends, often in love, but never lovers—become creative partners in a dazzling and intricately imagined world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. It is a love story, but not one you have read before. "Delightful and absorbing." —The New York Times • "Utterly brilliant." —John Green One of the Best Books of the Year: The New York Times, Entertainment Weekly, TIME, GoodReads, Oprah Daily From the best-selling author of The Storied Life of A. J. Fikry: On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won’t protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love.
A novel of dystopian future in the tradition of SOYLENT GREEN and H.G. Wells' THE TIME MACHINE, with an introduction by Ken MacLeod Tinker was a good citizen of the Hive - a model worker. But when he was allowed sexual activation he found Mu Ren who, like him, harboured forbidden genes. And so began the cataclysm. But in a world where half-wild humans are hunted for sport - and food - can anyone overthrow the Hive? Greater by far than its stunted, pink-blooded citizens, the Hive is more than prepared to rise and crush anyone who challenges its supremacy ...
“A well-tuned mandolin of a gothic adventure.” —Washington Post On the morning of her seventieth birthday, Georgianna Grove receives an unexpected letter that calls her back to Missing Lake, Wisconsin, where her mother was murdered sixty-six years earlier. Georgie’s father had confessed to the murder the next morning and was carted off to a state penitentiary. Determined to unearth the truth, Georgie takes her reluctant family on what will become a dangerous canoe trip up the swollen Bone River to return to the campsite that has haunted her memories. Thrilling and richly drawn, More News Tomorrow follows a daughter’s quest to finally understand her parents’ fate.
English translation of the marginalia, or marginal notes, that were added to the text of the Deshima Diaries from the 1670's onwards in order to provide the Dutch chief of Deshima with a quick reference to the notes of his predecessors. This volume covers the marginalia from the 1740-4800 diaries. Providing the general public, and especially those who have neither a command of Dutch nor of Japanese access to a fascinating period of Japanese history in which the Dutch played such a singular role. At the same time, the serious scholar wil obtain an easy key to the extremely rich holdings of the archive of the Deshima trading factory, which covers a shelf length of more than forty meters in the National Archives in the Netherlands, but which has been only rarely utilized by historians, Japanologists or other scholars. In the 1740s, the Dutch East India Company (VOC) was in many ways at the height of its power. The second half of the 18th century saw the decline of the Company from being the high and mighty - and only - trading company which covered from its base in Batavia (Jakarta) all of Asia with a network that stretched from Basra in Persia to Nagasaki in Japan, to becoming a mere shadow of its former self with only a tenous hold on a few possessions in the Indonesian archipelago. By the end of the century, it had lost its establishments in South Africa, India and Ceylon to the British, and its flleet was gone. However, as a trading company, it was dead, but as a proto-colonial producer it was actually doing quite well. The basis of the present text are the Deshima Dagregisters: their original tables of contents, Vol. VII (1740-1760), Vol. VIII (1760-1780), Vol. IX (1780-1790), Vol. X (1790-1800) published in the Intercontinenta Series Nos. 18 (1993), 19 (1995), 20 (1996), and 21 (1997) by the Institute for the History of European Expansion at Leiden University. Scientific Publications of the Japan-Netherlands Institute No. 21. Published by the Japan-Netherlands Institute, Tokyo 2004 (original ISBN 4930921066).
From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.
Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch perfect, you know from the opening page that this is the real thing—a literary experience in which to lose yourself, by an author of immense talent. Here is a gorgeous, slow-burning story set in the rural “badlands” of northern Ontario, where heartbreak and hardship are mirrored in the landscape. For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, Crow Lake is a quiet tour de force that will catapult Mary Lawson to the forefront of fiction writers today.