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This study of one of the most innovative practitioners of the Beaux-Arts movement in America covers Flagg's early training and Beaux-Arts works, his town and country houses, his commercial and utilitarian buildings, the Singer Tower, urban housing reform, and his small houses of modular design.
Early nineteenth-century illustrations of Hartford, Connecticut, show church steeples towering over the Victorian homes and brownstone facades of businesses around them. The modern skyline of the town has lost many of these elegant steeples and their quaint and smaller neighbors. Banks have yielded to newer banks, and organizations like the YMCA are now parking lots. In the 1960s, Constitution Plaza replaced an entire neighborhood on Hartford's east side. The city has evolved in the name of progress, allowing treasured buildings to pass into history. Those buildings that survive have been repurposed--the Old State House, built in 1796, is one of the oldest and has found new life as a museum. Yet the memory of these bygone landmarks and scenes has not been lost. Historian Daniel Sterner recalls the lost face of downtown and preserves the historic landmarks that still remain with this nostalgic exploration of Hartford's structural evolution.