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In Half Boyfriend a feudal rich boy from a village courts a gorgeous city brat who has a weakness for lost causes. They go through a series of pointless events and unbelievable coincidences in a dead-end plot that has to end with the chuavinist sleeping with the girl.
To All the Boys I’ve Loved Before meets The Farewell in this incisive romantic comedy about a college student who hires a fake boyfriend to appease her traditional Taiwanese parents, to disastrous results, from the acclaimed author of American Panda. Chloe Wang is nervous to introduce her parents to her boyfriend, because the truth is, she hasn’t met him yet either. She hired him from Rent for Your ’Rents, a company specializing in providing fake boyfriends trained to impress even the most traditional Asian parents. Drew Chan’s passion is art, but after his parents cut him off for dropping out of college to pursue his dreams, he became a Rent for Your ’Rents employee to keep a roof over his head. Luckily, learning protocols like “Type C parents prefer quiet, kind, zero-PDA gestures” comes naturally to him. When Chloe rents Drew, the mission is simple: convince her parents fake Drew is worthy of their approval so they’ll stop pressuring her to accept a proposal from Hongbo, the wealthiest (and slimiest) young bachelor in their tight-knit Asian American community. But when Chloe starts to fall for the real Drew—who, unlike his fake persona, is definitely not ’rent-worthy—her carefully curated life begins to unravel. Can she figure out what she wants before she loses everything?
#1 New York Times Bestseller “Funny and smart as hell” (Bill Gates), Allie Brosh’s Hyperbole and a Half showcases her unique voice, leaping wit, and her ability to capture complex emotions with deceptively simple illustrations. FROM THE PUBLISHER: Every time Allie Brosh posts something new on her hugely popular blog Hyperbole and a Half the internet rejoices. This full-color, beautifully illustrated edition features more than fifty percent new content, with ten never-before-seen essays and one wholly revised and expanded piece as well as classics from the website like, “The God of Cake,” “Dogs Don’t Understand Basic Concepts Like Moving,” and her astonishing, “Adventures in Depression,” and “Depression Part Two,” which have been hailed as some of the most insightful meditations on the disease ever written. Brosh’s debut marks the launch of a major new American humorist who will surely make even the biggest scrooge or snob laugh. We dare you not to. FROM THE AUTHOR: This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative—like maybe someone who isn’t me wrote it—but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book: Pictures Words Stories about things that happened to me Stories about things that happened to other people because of me Eight billion dollars* Stories about dogs The secret to eternal happiness* *These are lies. Perhaps I have underestimated my sneakiness!
Now a senior at her Seattle prep school, Ruby continues her angst-filled days coping with the dilemmas of boyfriends, college applications, her parents' squabbling, and realizing that her "deranged" persona may no longer apply.
Inspired by true incidences and persons chaos and the calm is the story of Misha Singh, a devastated eighteen year old teenager who has gone through various phases of separations and end number of betrayals by the ones she most trusted. After her brothers horrifying death her parents decide to separate leaving her in a great phase of unending depression. The story around the life of a teenager with a dysfunctional family who continuously tries to seek happiness from exterior sources and undergoes a life changing phase, a truth she hadn't known for years unveils itself in the most uncertain manner. It's the journey of a girl and her search for the idealistic world and the harsh realities of life.
In a single week, a family leaves behind its past and a daughter awakens to the future in Emily Chenoweth’s intimate and beautifully crafted debut novel. In the winter of 1990, Helen Hansen–counselor, wife, and mother in the prime of her life–is diagnosed with an inoperable brain tumor. The following August, Helen, her husband, Elliott, and their daughter, Abby, a freshman in college, take a trip to northern New Hampshire, where Helen will be able to say goodbye to a lifetime of friends. Ensconced in a historic resort in the White Mountains–a place where afternoon cocktails are served on the veranda and men are expected to wear jackets after six–the Hansens and their guests must improvise their own rituals of remembrance and reconnection. For Elliott, the trip is a parting gift to his beloved wife, as well as some needed respite from the caretaking duties that have become his main work. For Helen and the procession of old friends who come to pay their respects, the days offer a poignant celebration of a dear, too-brief life. And for Abby, still unaware that her mother’s cancer is terminal, the week brings a surprising conflict between loyalty and desire as, drawn by the youthful, spirited hotel staff, she finds herself caught between the affections of two very different young men. Heartbreaking and luminous, Hello Goodbye deftly explores a family’s struggle with love and loss, as a summer vacation becomes an occasion for awakening rather than farewell, and life inevitably blossoms in the face of death.
Once, friendship met love. Love asked, “Why do you even exist when I am here?” Friendship replied, “To put smiles on faces where you have left tears.” Sunny, Alize, Mark, Kaira, Rehan, Jenny and Peter have an invincible friendship. They are living there life to the fullest. They rock the college corridors, sneak out of the college gate, prank their professors. But, just like a ‘to be happy story’, their story also has problems. What harm does Rathore cause them? Where does misunderstanding, overthinking and their ego lead them? Even after facing huge piles of troubles, how does their friendship last? Why doesn’t their friendship sink?
"Everything was perfect, at least for him. Now even a message notification would cheer him up, which was of no importance to him before. Now he spent most of his time with his cellphone. From being Mr. Attitude of college, he had transformed into a lover boy. This was something he had never witnessed or experienced before. This was a great feeling, a never-ending warmth in his heart. These new happenings made his life heaven; after all, it was first time he was experiencing love. He had friends who were his life and now, he had someone who was more than a friend to him. He was happy about his decision to be in love. His life was in full pace and the little emptiness of his heart had been filled by this girl, his love. She loved him, he loved her... his gang was with him... what was more that he could ask from God? Everything was beyond perfect to him, unimaginable. However, as usual, expiry dates of good things are too short. It has been a fear in his mind before accepting this new track of life. Because he knew that his heart was too vulnerable to break. How long can he go to save his perfect life? It has been a question that haunts him every night before sleep, and soon comes again as he opens his eyes in the morning. But in the end, it is all about Realization of self, which is the only thing matters most in the life, which he was going to witness, which he will experience. What a true man is and what is the value of realization, this story is all about it. "
Culturally powerful ideas of normalcy and deviation, individual responsibility, and what is medically feasible shape the ways in which we live with illness and disability. The essays in this volume show how illness narratives expressed in a variety of forms—biographical essays, fictional texts, cartoons, graphic novels, and comics—reflect on and grapple with the fact that these human experiences are socially embedded and culturally shaped. Works of fiction addressing the impact of an illness or disability; autobiographies and memoirs exploring an experience of medical treatment; and comics that portray illness or disability from the perspective of patient, family member, or caregiver: all of these narratives forge a specific aesthetic in order to communicate their understanding of the human condition. This collection demonstrates what can emerge when scholars and artists interested in fiction, life-writing, and comics collaborate to explore how various media portray illness, medical treatment, and disability. Rather than stopping at the limits of genre or medium, the essays talk across fields, exploring together how works in these different forms craft narratives and aesthetics to negotiate contention and build community around those experiences and to discover how the knowledge and experiences of illness and disability circulate within the realms of medicine, art, the personal, and the cultural. Ultimately, they demonstrate a common purpose: to examine the ways comics and literary texts build an audience and galvanize not just empathy but also action. In addition to the editors, the contributors to this volume include Einat Avrahami, Maureen Burdock, Elizabeth J. Donaldson, Ariela Freedman, Rieke Jordan, stef lenk, Leah Misemer, Tahneer Oksman, Nina Schmidt, and Helen Spandler. Chapter 7, “Crafting Psychiatric Contention Through Single-Panel Cartoons,” by Helen Spandler, is available as Open Access courtesy of a grant from the Wellcome Trust. A link to the OA version of this chapter is forthcoming.
A woman reflects on her working-class roots, her unsuitable exes, and her accidental road to happiness in a memoir of “many delights” (Atlanta Journal Constitution). A misfit in Spooner, Wisconsin, with its farms, bars, and strip joints, Debra Monroe leaves to earn a degree, then another, and another, and builds a career—if only because her plans to be a midwestern housewife continually get scuttled. Fearless but naive, she vaults over class barriers but never quite leaves her past behind. When it comes to men, she’s still blue-collar. Negotiating the world of dating, Monroe pays careful attention to what love and sex mean to a woman ambivalent about her newfound status as “liberated.” Both the story of her steady rise into the professional class and a parallel history of unsuitable exes, this memoir reminds us how accidental even a good life can be. If Joan Didion advises us “to keep on nodding terms with the people we used to be,” Monroe takes this advice a step further and nods at the people she might have become but didn’t. Funny, poignant, wise, My Unsentimental Education explores the confusion that ensues when a working-class girl ends up far from where she began. “Trying to be a Midwestern housewife in the tradition of her mother and grandmothers, and an early feminist at the same time, makes for comic incongruity.”—Wisconsin State Journal “Monroe’s candid memoir reads like a country ballad: a down-and-out woman, working gritty jobs, gets entangled with Mr. Completely, Laughably Wrong. But her unexpected story is far from a cliché.” —Kirkus Reviews