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Hal has worked in the warehouse a very long time. Will his loyalty be put to the test when a new machine shows up?
The "home" is a quintessentially quotidian topic, yet one at the center of global concerns: Consumption habits, aesthetic preferences, international trade, and state authority all influence the domestic sphere. For middle-class residents of late-nineteenth- and early-twentieth-century Beirut, these debates took on critical importance. As Beirut was reshaped into a modern city, legal codes and urban projects pressed at the home from without, and imported commodities and new consumption habits transformed it from within. Drawing from rich archives in Arabic, Ottoman, French, and English—from advertisements and catalogues to previously unstudied government documents—A Taste for Home places the middle-class home at the intersection of local and global transformations. Middle-class domesticity took form between changing urbanity, politicization of domesticity, and changing consumption patterns. Transcending class-based aesthetic theories and static notions of "Westernization" alike, this book illuminates the self-representations and the material realities of an emerging middle class. Toufoul Abou-Hodeib offers a cultural history of late Ottoman Beirut that is at once global in the widest sense of the term and local enough to enter the most private of spaces.
This is a story that will compels you to read page after page until your eyes can no longer focus on the print. This is a story you will never forget. Chapter after Chapter this story has impressed the toughest critics with its tale of demonic possession. This is an old fashion ghost story that will make you want to sleep with the lights on. This story is about what the mother of two clairvoyant children felt while she lived the scariest time in her life. It explains the reasons why a demon was able to survive for century’s, and possess not just the previous owner of their new home and the stepson, of her new friend Diane Lewis. Susan has suffered more than one tragedy in her life, and unknown to her. The Cross family, and her friend Diane Lewis a surviving family member of its latest victim have been chosen to help explain to the world; how the last two people who were possessed by this demon, were not the psychopaths everyone believed them to be. It shows the emotional trauma victims’ families live with intertwined with the emotions felt by the demons two last hosts. Susan thanks to a special soul; sees how the criminals as individuals tried to battle the demon on their own, and how they lost their battle. Every good lie is believable because it does contain some truth. Because of that fact, the possessed people who at one time did at one time wish ill will on someone. Believed they were responsible for the crimes. That is the reason why over centuries, even the ones who discovered the demon possessing them committed these evil acts. They were as individuals held responsible, and punished for the crimes. They were too late to expose the demon since possession as an explanation, was ignored. This demon was arrogant because it had survived unexposed for centuries. The world has always believed it was the person it possessed, was solely responsible for the crimes that were committed. Until now.
This book presents a personal account of a Syrian woman's youth in the Suq Saruja (old city) of Damascus in the first half of this century. Author Tergeman wrote the original memoir, Ya Mal al-Sham, in Arabic to preserve the details of a genuine Arab past for Syrian young people and to help them appreciate the architecture of the old quarter with its reminders of earlier values.
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This book assesses the contribution of women to the Arabic novel, both in subject matter and form. It begins by tracing the struggle over women's rights in the Arab world, particularly the gradual improvement in women's access to education--the first area in which women made significant gains. Subsequent chapters discuss Arab women writers' remarkable talents and determination to overcome the barriers of a male-dominated culture; survey the 1950s and 1960s, during which women's writing gained momentum and more women writers emerged; and address the shift in emphasis and attitude that women's literature underwent in the late 1960s, especially following the 1967 Arab-Israeli war, when women novelists began to place more stress on international politics. Zeidan adapts Western-based feminist literary theory to a discussion of Arab women's literature but refrains from imposing that theory inappropriately on literature whose context differs significantly. He compares the women's movements in Arab and Western cultures and the development of women's literature in those cultures, and uses these comparisons to highlight similarities and differences between them as well as to consider how one affected the other. His analysis culminates in the early 1980s--the end of the formative years--when women's writing had become a familiar part of Arabic literature in general and a positive reflection on the collective Arab consciousness.
Meanwhile, in a local support group for people with control issues… Hi! I’m Joey, and I’m learning to cope with not having control over any aspect of my life. Really, I am. So what if my boyfriend’s parents are here for a visit. I can deal with that, right? They probably won’t completely hate me. I’m sure they won’t judge me for being an unrepentant bumpkin. Oh, and somebody's trying to kill my mom. There's no way that can end badly. But, surely I can find the villain before he accomplishes his deadly task, right? At least Hal's parents are here to watch me completely melt down and lose my mind. Sooo, that's cool. Sigh… Stick a pitchfork in me. I’m dung.
Newspapers and the practice of journalism began in the Middle East in the nineteenth century and evolved during a period of accelerated sociopolitical and cultural change. Inspired by a foreign model, the Arab press developed in its own way, in terms of its political and social roles, cultural function, and the public image of those who engaged in it. Ami Ayalon draws on a broad array of primary sources--a century of Arabic newspapers, biographies and memoirs of Arab journalists and politicians, and archival material--as well as a large body of published studies, to portray the remarkable vitality of Arab journalism. He explores the press as a Middle Eastern institution during its formative century before World War II and the circumstances that shaped its growth, tracing its impact, in turn, on local historical developments. After treating the major phases in chronological sequence, he looks closely at more specific aspects: the relations between press and state; newspapers and their audience; the press and traditional cultural norms; economic aspects of the trade; and journalism as a new profession in Arab society.