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THE WORDS OF WYCLEF JEAN: I want to assure my countrymen that I will continue to work for Haitis renewal; though the board has determined that I am not a resident of Haiti, home is where the heart isand my heart has and will always be in Haiti. This ruling just tells me that I cant officially seek the office of president. More importantly, there is no one who can tell me to stop my work in Haiti, and there is no one who could. I think of my daughter, Angelina, and it makes me want to redouble my efforts to help give all the children in Haiti better days. I also want to honor the memory of my father, a minister; I know that he would tell me that even though Ive faced a setback, I must continue in all my good-faith efforts to help Haiti turn a corner to a better and brighter future. Do not think that my role in the future of Haiti is over; its just a different role than I had anticipated it to be.
This biography covers the life and career of hip-hop musician Wyclef Jean. Born into poverty on the island of Haiti, Jean has come a long way from a barefoot boy who found himself surrounded by music and magic. As a former member of the Fugees, he is partially responsible for the history-making album The Score and is a multiplatinum recording artist in his own right. He has become a symbol of Haitian national pride and a generous philanthropist. This compelling volume offers students insights into Wyclef Jean's early life and career. Informative sidebars, a detailed timeline, and an expansive bibliography support social studies and biography assignments.
THE WORDS OF WYCLEF JEAN: I want to assure my countrymen that I will continue to work for Haiti's renewal; though the board has determined that I am not a resident of Haiti, home is where the heart is and my heart has and will always be in Haiti. This ruling just tells me that I can't officially seek the office of president. More importantly, there is no one who can tell me to stop my work in Haiti, and there is no one who could. I think of my daughter, Angelina, and it makes me want to redouble my efforts to help give all the children in Haiti better days. I also want to honor the memory of my father, a minister; I know that he would tell me that even though I've faced a setback, I must continue in all my good-faith efforts to help Haiti turn a corner to a better and brighter future. Do not think that my role in the future of Haiti is over; it's just a different role than I had anticipated it to be.
Aulus is committed to fulfilling his promise to his late mother, Martine, by searching for his twin brother who was separated from him through adoption. In his quest, Aulus takes on a challenging project in a foreign country to dismantle armed gangs. Although his wife, Sophie, expresses concern for his safety, their daughter, Sophi-Angelique (nicknamed Sophi-An), eagerly joins her father, having survived a kidnapping and near-death experience during her time as a nurse with Médecins Sans Frontières in that same country. Unbeknownst to Aulus, the gangs have been monitoring his activities closely, leading to his betrayal and subsequent kidnapping with the assistance of a corrupt police chief. However, he manages to escape thanks to a man who bears a striking resemblance to his twin brother, Sauul, who had created an advanced spy network for the gangs to track Aulus and his team. He is soon revealed to be his long-lost sibling through a DNA test. Together, Aulus and Sauul devise a cutting-edge, high-tech anti-gang Artificial Intelligent system with the objective to systematically dismantle the gang networks. Their mission takes an unexpected turn when they orchestrate a cyber-attack inspired by Robin Hood, forcefully seizing the stolen money amassed by politicians, gangs, and their associates. In a remarkable turn of events, they managed to return a staggering $58.5 billion back to the country. The reclaimed funds are then prioritized for significant improvements in crucial sectors, such as agriculture, education, healthcare, infrastructure, the judicial system, and overall security. Aulus concluded that despite of the horrifying and dehumanizing state of security in that country, there will inevitably be some positive outcomes arising from it.
Aulus was separated from his twin sibling at birth. He was raised by his single mother, Martine, who was betrayed by her mentor while she was in high school. Aulus witnessed the death of his mother at an early age and vowed to seek justice for his mother throughout his life journey. He later became homeless, but hopeful of a better future. Aulus embarked on a journey to pursue his dream, in which he strongly believed that in order to succeed in life, your dream for success must be well-rooted in your ability to change adversity into opportunity and seize the future.
If you're interested in Plato, you're reading the wrong book. If you're interested in difficult childhoods, sexual misadventures, aesthetics, cultural history, and the reasons that a club sandwich and other meals--including breakfast--have remained in the memory of the present writer, keep reading. --from Feelings Are Facts In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts(the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--that is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscleand its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Factsrecalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
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Videodisc release of episodes from the 2010 television program.