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The beginning band has a concert coming up, and Suzanne convinces Katie that she has to look her best for the big night. And that includes a new haircut from Cherrydale's newest - and sparkliest - hair salon. But when the magic wind switcheroos Katie into Suzanne's stylist right before Suzanne's own cut, Katie is left in one hairy situation!
"The Princess was one of those 'angels unawares.' Her physical beauty was out of this world. Her spirituality was rare. You could not be in her presence without a sense of awe. She came, she touched, she went, leaving her footprints in our heart! Greta Sheppard . . . Writer/Author, Lecturer. The youthful freshness of Arlene's account makes you cry out: "No!" And then, "Yes, take me along with you." Vicky Love, author of "Childless is not less" When you read this book, you will be moved within. Arlene wrote most of it before she went to glory. It is written from her heart... from the meditations of a young girl filled with dreams... a young girl facing eternity. It will fill you with emotions that are hard to express. You will be touched as you enter her journey... I was. Patricia King Extreme Prophetic Ministries "A Princess Meets Her Prince Charming" is the exceptionally touching story of the strong faith of a young girl battling for her life. During her short lifetime, Arlene touched many people's lives. Though her story is about her battle with cancer, the emotional ups and downs, and her strong faith throughout, it's also filled with deep love, commitment and joy. It is sure to touch your life in ways you wouldn't think possible. Arlene's book takes you through her fight, beginning with the discovery of her cancer, climaxing with her Make A Wish Foundation visit with Prince Charles, in Buckingham Palace, back through another battle with leukemia and ending with a letter from Arlene's parents, missionaries David and Rowene Sheppard. Even though Arlene is now in heaven, here is a touching story that deserves to be heard. Rick Osborne Author: 101 Things Children Ask About God
This book gives a peek into bits and pieces of my life...thoughts, feelings, ideas and experiences...written in the style of Ogden Nash
A new history of the United States that turns American exceptionalism on its head American Empire is a panoramic work of scholarship that presents a bold new global perspective on the history of the United States. Drawing on his expertise in economic history and the imperial histories of Britain and Europe, A. G. Hopkins takes readers from the colonial era to today to show how, far from diverging, the United States and Western Europe followed similar trajectories throughout this long period, and how America’s dependency on Britain and Europe extended much later into the nineteenth century than previously understood. In a sweeping narrative spanning three centuries, Hopkins describes how the revolt of the mainland colonies was the product of a crisis that afflicted the imperial states of Europe generally, and how the history of the American republic between 1783 and 1865 was a response not to the termination of British influence but to its continued expansion. He traces how the creation of a U.S. industrial nation-state after the Civil War paralleled developments in Western Europe, fostered similar destabilizing influences, and found an outlet in imperialism through the acquisition of an insular empire in the Caribbean and Pacific. The period of colonial rule that followed reflected the history of the European empires in its ideological justifications, economic relations, and administrative principles. After 1945, a profound shift in the character of globalization brought the age of the great territorial empires to an end. American Empire goes beyond the myth of American exceptionalism to place the United States within the wider context of the global historical forces that shaped the Western empires and the world.
The ultimate sartorial and etiquette guide, from the ultimate life and style guru. By turns witty, sardonic, and always insightful, Glenn O’Brien’s advice column has been a must-read for several generations of men (and their spouses and girlfriends). Having cut his teeth as a contributor at Andy Warhol’s Interview in its heyday, O’Brien sharpened them as the creative director of advertising at the hip department store Barneys New York for ten years before starting his advice column at Details magazine in 1996. Eventually his column, "The Style Guy," migrated to its permanent home at GQ magazine, where O’Brien dispenses well-honed knowledge on matters ranging from how to throw a cocktail party (a diverse guest list is a must), putting together a wardrobe for a trip to Bermuda (pack more clothes for less dressing), or when it is appropriate to wear flip-flops in public (never). How To Be a Man is the culmination of O’Brien’s thirty years of accumulated style and etiquette wisdom, distilled through his gimlet eye and droll prose. With over forty chapters on style and fashion (and the difference), on dandies and dudes, grooming and decorating, on how to dress age-appropriately and how to age gracefully, this guide is the new essential read for men of all ages.
In 2004 Sue found herself dealing with the fallout of the breakdown of her fourth marriage. Vowing never to marry again, she met Mark during a residential training course. Despite all her reservations and her determination not to fall in love, she realised that she had found a man who loved her like no other. On the day of their house move into their new home and new life together, shefound a lump in her right breast. Within ten days it was confirmed, she had been diagnosed with breast cancer and needed an operation immediately. Sue then faced an aggressive course of chemotherapy over a six month period, followed by radiotherapy. This is the story of a very ordinary woman, a wife and mother of six, who has had quite an extraordinary life. It tells of her thoughts, feelings and emotions as she faced up to the prospect of losing her breast and dealing with the tough treatments that followed. Sue, like many diagnosed with cancer, did not know what to expect and so she has written this book with the hope that is will provide encouragement and inspiration for those in a similar situation. Sue very honestly talks of her relationship with God and how the cancer affected her outlook and how, just when she felt that too much had happened in her life for God ever to be able to play a part, there was an incredible catalogue of events that took place giving her the message that God had never left her side. For every copy sold, a donation will be made to Breast Cancer Care and Cancer Research in the hope that with this support, further advancements can be made in the fight against cancer.
Hair, or lack of it, is one the most significant identifiers of individuals in any society. In Antiquity, the power of hair to send a series of social messages was no different. This volume covers nearly a thousand years of history, from Archaic Greece to the end of the Roman Empire, concentrating on what is now Europe, North Africa, and the Near East. Among the key issues identified by its authors is the recognition that in any given society male and female hair tend to be opposites (when male hair is generally short, women's is long); that hair is a marker of age and stage of life (children and young people have longer, less confined hairstyles; adult hair is far more controlled); hair can be used to identify the 'other' in terms of race and ethnicity but also those who stand outside social norms such as witches and mad women. The chapters in A Cultural History of Hair in Antiquity cover the following topics: religion and ritualized belief, self and society, fashion and adornment, production and practice, health and hygiene, gender and sexuality, race and ethnicity, class and social status, and cultural representations.
An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment—its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances—are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Américo Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.
Dedicating objects to the divine was a central component of both Greek and Roman religion. Some of the most conspicuous offerings were shaped like parts of the internal or external human body: so-calledanatomical votives. These archaeological artefacts capture the modern imagination, recalling vividly the physical and fragile bodies of the past whilst posing interpretative challenges in the present. This volume scrutinises this distinctive dedicatory phenomenon, bringing together for the first time a range of methodologically diverse approaches which challenge traditional assumptions and simple categorisations. The chapters presented here ask new questions about what constitutes an anatomical votive, how they were used and manipulated in cultural, cultic and curative contexts and the complex role of anatomical votives in negotiations between humans and gods, the body and its disparate parts, divine and medical healing, ancient assemblages and modern collections and collectors. In seeking to re-contextualise and re-conceptualise anatomical votives this volume uniquely juxtaposes the medical with the religious, the social with the conceptual, the idea of the body in fragments with the body whole and the museum with the sanctuary, crossing the boundaries between studies of ancient religion, medicine, the body and the reception of antiquity.