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Thirteen plus one short tales by nine different Appalachian authors, an uprooting of tradition with another just for fun. A strong mix of history, speculation, and, perhaps, a wee bit of fear. These hills are listenin', child, so come sit a spell. You'll hear tales you ain't before; dark yahoos, wishes gone wrong, veil walkers, and someone's head might well roll. Ain't nothin' really, just a few new stories you can take back to the holler and share with you and yours. Maybe they'll shiver. Maybe you will too. And maybe, just maybe, you'll hug someone tight when things get scary enough. This is an anthology of nontraditional Appalachian ghost tales. It's not that we don't like the classics. Rather, we're ready for something new. By order of appearance: Part One: Short doesn't mean necessarily sweet. "Messages" by Deborah Marshall "Miss Vera" by Brenda M. G'Fellers "Can Johnny Come Home with Us?" by Rebecca Lynn "Strays" by Brenda M. G'Fellers "A Visit from a Peculiar Entity" by Jeanne G'Fellers Part Two: Here's to sad songs, rabid beasts, and things best left unseen. "Singin' Sally" by Sarah Elizabeth "Survival" by Brenda M. G'Fellers "Born with a Veil" by Jules Corriere "The Neighbors are Fantastic" by Jeanne G'Fellers "Pieces and Parts" by Anne G'Fellers-Mason "As Light Fades" by Kristin Pearson Part Three: Pull up a chair... if you ain't too scared. "Great Uncle's Rocking Chair" by Jeanne G'Fellers "Causing a Scene" by Anne G'Fellers-Mason "The Salt Creek Valley Monkey Dog" by Edward Karshner
The hills of the Appalachia region hold secrets--dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky--tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.
A collection of spine-tingling Appalachian ghost stories and tall tales passed down from generation to generation. Whether they tell of faucets that drip blood, monster catfish that lurk at the bottom of quarries, or strange lights on the mountaintop, these stories will make you--like the people who are sharing them--question what you believe. Foxfire has brought the philosophy of simple living to hundreds of thousands of readers, teaching creative self-sufficiency and preserving the stories, crafts, and customs of Appalachia. Inspiring and practical, this classic series has become an American institution. In July 2016, Vintage Shorts celebrates Foxfire's 50th Anniversary.
Even the Spider can’t escape a ghost’s web . . . I’m being haunted. As Gin Blanco, aka the assassin the Spider, I’m used to being haunted by all the bad things I’ve done over the years. I suppose it was only a matter of time before an actual ghost came back to haunt me. But for once, I’m not the bad guy, and I wasn’t the person who sent this ghost—this haint—into the afterlife. But this haint definitely wants something from me, and I can’t help but think that it’s revenge on the person responsible for her untimely demise. Good thing revenge is my specialty, whether it’s among the living or the dead . . . Note:Haints and Hobwebsis an 11,000-word story that takes place after the events of Tangled Threads, book 4 in the Elemental Assassinurban fantasy series. Haints and Hobwebsfirst appeared in The Mammoth Book of Ghost Romancein 2012.
The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.
"The best novel so far by a writer whose growth has been steady and sure . . . . [Oral History] tells the story of the Cantrell family and the odd curse that its members believe to have hung over them. It is a tale that begins in the late 19th century with Granny Younger, the midwife, and continues well into the 20th century through several generations of Cantrells; it is also a tale deeply rooted in the folk culture of the Appalachians, a tale that in the best tradition of folklore contains 'story upon story.'" -- The Washington Post Book World "A novel as dark, winding, complicated as the hill country itself. . . You could make comparisons to Faulkner and Carson McCullers, to The Sound and the Fury, As I Lay Dying, and Wuthering Heights. You could employ all those familiar ringing terms of praise: 'rare,' 'brilliant,' 'unforgettable.' But Lee Smith and Oral History make you wish all those phrases were fresh and new, that all those comparisons had never before been made. For this is a novel deserving of unique praise." -- The Village Voice "Deft and assured . . . She is clearly drunk on the language of Appalachia, on its stories and its people . . . . She is nothing less than masterly." -- The New York Times Book Review
Although Sidney Saylor Farr is renowned in the field of Appalachian studies, her own fascinating personal history has been little known until now. My Appalachia is Farr's story of growing up in the mountains of southeastern Kentucky, where her devotion to her family led her to accept crushing responsibilities that steered her away from her own goals. Her intense determination, however, compelled her to find her own path in life and gave her the strength to become one of the most influential figures in her discipline. At the age of twelve, Farr was forced to leave school to care for her ailing mother and several younger siblings. Given the responsibilities of adulthood early in life, she pushed herself through countless challenges, including poverty, discrimination, and personal loss. Yet she managed to thrive -- she educated herself, raised two sons, and became a voice for her family, community, and culture. In My Appalachia, Farr shares the stories of her struggles and triumphs to create a vivid picture of a culture as enduring as the mountains. Composed of a rich mix of folklore, family history, and spiritual and intellectual exploration, My Appalachia reveals the beauty at the heart of life in Appalachia.
Twelve-year-old Hayder Hennessey wants to be a good son for his struggling mother and have a new start at a normal life, especially after the deaths of his father and baby sister. But when his mother moves them from Dallas to the small town of Black Knot, Oklahoma, Hayder figures out pretty fast things are a little bit different here. A little bit off. Enter Cora Corbucci, Hayder’s new next-door neighbor. The sole survivor of a grisly mass murder, Cora has been seeing and hearing a lot of unsettling things lately. Soon, Hayder begins to see and hear things too—unreal things that can’t be disbelieved. Meanwhile the citizens of the Knot drift through their lives, blissfully unaware of the slow poisoning of their souls. Of their blood. Hayder and Cora join forces with Juston Matheson, the town sheriff, to unearth the source of these horrors, exhuming dreadful secrets about their hometown better off having stayed forgotten. An ancient family of witches, the Fulcis, seek to open a door into another realm, a door hidden away in the dark forests and hollers around Black Knot, allowing the awakening of a sleeping horror who seeks to bring about hell on earth. Only, the gang learns these witches may not be the only evil they must face to survive. For in the town of Black Knot, where every day feels like Halloween, of eternal twilight, Hayder and his friends are about to go to war. “The low-down, greasy tone of the narration...will appeal to bizarro and hardcore horror fans. For those readers, there’s plenty to love” —Publishers Weekly
"Appalachian folk magic and conjure are little known today, but forty or fifty years ago, just about every person you might ask in Appalachia either knew something about it themselves or knew someone who did it. These practices and 'superstitions' are at the core Appalachian culture. Who were the old conjurors and witches of Appalachia? What did they do, believe in, and dress land talk like? How can you learn the ways of conjuring for yourself? This book answers those questions and more"--