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A book of Japanese style poetry to delight all lovers of their styled verse ... Within the book you will truly see Erich's great love of God and his wonderful at one feelings with nature in all forms ... seasons, animals, trees and flowers along with his true love of human life and gentle living...
A classic translation of Basho's most famous travel journal
His introduction gives an excellent overview of the development of tanka in the last one hundred years.
A world of dew And within every dewdrop A world of struggle The iconic three-line haiku form is increasingly popular today as people embrace its simplicity and grace--and its connections to the Japanese ethos of mindfulness and minimalism. Say more with fewer words. This practical guide by poet and teacher Bruce Ross shows you how to capture a fleeting moment, like painting a picture with words, and how to give voice to your innermost thoughts, feelings, and observations. You don't have to be a practiced poet or writer to write your own haiku, and this book shows you how. In this book, aspiring poets will find: Accessible, easy-to-replicate examples and writing prompts A foreword that looks at the state of haiku today as the form continues to expand worldwide An introduction to related Japanese haiku forms such as tanka, haiga, renga, haibun, and senryu A listing of international journals and online resources Do you want to tell a story? Give haibun a try. Maybe you want to express a fleeting feeling? A tanka is the perfect vehicle. Are you more visual than verbal? Then a haiga, or illustrated haiku, is the ideal match. Finally, a renga is perfect as a group project or to create with friends, passing a poem around, adding line after line, and seeing what your group effort amounts to. Ross walks readers through the history and form of haiku, before laying out what sets each Japanese poetic form apart. Then it's time to turn to your notebook and start drafting some verse of your own!
This highly practical guide instructs readers on how to write haiku and senryu (the latter, humorous haiku). Haiku and senryu are short, insightful poems that capture the moments of our lives, whether happy or sad. Usually written in one to four lines, these challenging poems for their brevity and thought, are about nature, the seasons, and human nature. This guide dispels the many myths about them and instructs people on reading them with understanding and writing them thoughtfully. It also informs on how and where to get them published. Haiku and senryu are written worldwide in dozens of languages and are growing rapidly in popularity. The book teaches readers the basics and finer points of style and content for beginning and intermediate poets, giving a few hundred examples of excellent published poems, along with analysis of them. Also included, is instruction about haiku and senryu sequences, a series of individual poems with a theme. This guide offers the history behind these forms in the U.S. and in Japan, the latter, where they originated. Further, for educators of all levels and workshop leaders, it contains practical aids, outlines of study, lesson/homework plans, and samples of students' poetry. In addition, the book's highly useful appendices and bibliography guide readers to dozens of resources worldwide, online and in print, to increase their knowledge of the forms and offer publishing, networking, and contest opportunities. The book is written by Charlotte Digregorio, an award-winning author of four other non-fiction books, a prize-winning poet of many forms, including haiku and senryu, and a Pushcart Prize nominee. Digregorio is Midwest Regional Coordinator of the Haiku Society of America. She has been a professor of languages and writing, a writer-in-residence at many schools, a conference speaker nationwide, and a teacher of younger students. She publishes papers in university journals on haiku and senryu, and her poems are often quoted and critiqued in publications. Her poems are exhibited in venues, such as public/academic libraries, cultural centers, art galleries, storefronts, restaurants, coffee and tea houses, and on public transit.
SOUL POETRY is a collection of the most fantastic and mind blowing inspirational poems, verses and quotes. Laced with a tinge of humour, SOUL POETRY is a gold mine not only for the seeker of spiritual love, magic, solace and enlightenment but also for the general reader in search of beauty, fantasy, entertainment, reflexion and relaxation. This book is an exploration and a discovery of the Self. The spiritual approach of the author to the elements of nature, the absorbing aspects of life, love, happiness, joy, pain, suffering, relationships, reunions, break-ups and death gives a special mythical clich to the distinctive poems, verses and quotes. Written for the passionate reader in mind, the author travels with him along a journey of enchanting dreams, beauty and wonder, bringing at times tears to his eyes and at others a smile on his face. SOUL POETRY brings the writer and the reader together as One Soul in an lan of luscious sharing. *** Reading through it one cannot escape the devotional thread which runs through it, throughout...I look forward to reading more of her works. Sir Hamid Moollan, QC GOSK *** A Souls divine union with the Beloved, a complete and delightful assuaging of the hearts calling; the perfect emotional fulfilment of all lyrical urges, engaging mind, body and soul. You cannot possibly feel alone upon opening this profoundly heart moving book. Bert Brunet, multi award-winning author ***
"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
This haiku book provides an invaluable guide to developing your own haiku-writing skills, with clear explanations, brilliant examples, and innovative writing exercises. It also offers an introduction to related Japanese poetic forms including: Senryu—commentaries on human nature that are often humorous or ironic Haibun—short, autobiographical narratives accompanied by a haiku Tanka—imaginative poems full of highly personal, emotional expressions Haiga—drawings accompanied by commentary in haiku form Renga—a collaborative form featuring linked sequences of poetry How to Haiku is a wonderful resource for anyone who wants to try their hand at this precise and poetic form of expression.
A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.
"Generous, irreplaceable. . . . It's an eye-opener and a who's-who of haiku today."—Providence Sunday Journal Originally a Japanese form that flourished in the seventeenth and eighteenth centuries, haiku has recently experienced tremendous growth in popularity in the English language. The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes