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HAIKU PUNmanship continues in the tradition of my four recent other haiku/pun books. A pun word or expression is embedded in each haiku, that 3-lined Japanese unrhymed verse that has survived since antiquity. These haikus/puins reflect a whole gamut of life experiences and sentiments, touching upon, love, occupations, crime, sex, nature and God knows what ad nauseam. So go ahead, smile, giggle, groan, wince or laugh out loud.
He lived his early years in New York City. His formal education includes Bachelor of Arts, Master of Arts and Doctor of Philosophy degrees. He was a decorated combat medic in World War II. He was a teacher, school principal and school superintendent. He acted in community theater and film. He currently resides in a New Jersey adult retirement community, active in local and veterans' affairs. He has two children, four grandchildren and five great grandchildren. He is at peace with himself and wishes peace for all mankind.
HAIKU/PUNishment continues in the tradition of my recent Haikus for Punsters, More Haikus for Punsters and A Haiku/Pun for Everyone. A pun word or pun expression is embedded in each haiku, that 3-lined Japanese unrhymed verse that has survived since antiquity. These haikus/puns reflect a whole gamut of life experiences and sentiments, touching upon love, occupations, crime, sex, law, politics, nature and God knows what ad nauseam. So go ahead, smile, giggle, groan, wince or laugh out loud, and here is my favorite sample from my next book! Old school principals Do not die, kids say, they just Lose their faculties.
A Haiku/Pun for Everyone continues in the tradition of the recent More Haikus for Punsters and Haikus for Punsters-each haiku embodying a pun word or pun expression. As in the previous two books, these haikus focus on a whole gamut of human experiences. Smile, giggle, groan, or laugh out loud, but I caution the reader: Revise this haiku And you'll be arrested for Disturbing the piece.
Fifteen-year-old Jade Flynn and three other girls were the sole occupants of the fourth floor of St Nicholas Care Home for Children. They were forced to take part in 'special community projects' - drug dealing, money laundering, gun running. Required to work for a man they called The Geezer. Until a shocking event made them rebel. Steal something that wasn't theirs. So they ran. Disappeared. 10 YEARS LATER . . . Jade Flynn is now living a respectable life as Jackie Jarvis and is getting married. She invites her three best friends to be her maids of honour. But someone else turns up as well - The Geezer. He'll kill them, unless they do one last job for him, then they can return to their normal lives. But can they trust him? This time if they disappear they won't be coming back . . .
"More Haikus for Punsters" continues in the tradition of the recent "Haikus for Punsters," embodying a pun word or pun expression in each haiku, that 3-line Japanese unrhymed verse form that has survived from antiquity.These 266 haiku/puns focus on a whole gamut of human experiences and sentiments, touching upon love, sex, business, occupations, crime, law, politics, nature and God knows what else to the point of ad nauseam. Smile, giggle, groan, or laugh out loud, but I caution reader: Revise this haikuand you'll be arrested forDisturbing the piece.
Vivid and memorable characters aren't born: they have to be made. &break;&break;This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs. Use them to pry, chip, yank and sift good characters out of the place where they live in your memory, your imagination and your soul. &break;&break;Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing and presenting characters, plus handling viewpoint in novels and short stories. With specific examples, he spells out your narrative options–the choices you'll make in creating fictional people so "real" that readers will feel they know them like members of their own families. &break;&break;You'll learn how to: &break; draw the characters from a variety of sources, including a story's basic idea, real life–even a character's social circumstances&break; make characters show who they are by the things they do and say, and by their individual "style"&break; develop characters readers will love–or love to hate&break; distinguish among major characters, minor characters and walk-ons, and develop each one appropriately&break; choose the most effective viewpoint to reveal the characters and move the storytelling&break; decide how deeply you should explore your characters' thoughts, emotions and attitudes
Paul Dogolov, divorced Vietnam War hero and novelist, teaches a writing class in a maximum security prison. Convinced that one of his students, serving a life sentence for brutal murder, is innocent, he sets out to find the real killer. The search leads him to a remote, dust-blasted California desert town and a scorpion's nest of bizarre and vicious characters. The result is a tale of intrigue, corruption, and savage humor, in which Dogolov, through his encounter with the horrific, yet wildly comic, Fat Lady of the title, learns about terror, degradation, and ultimately, love in a funhouse-mirror world where illusion is reality, reality, a chimera. "David Scott Milton is certainly one of the most talented, uncompromising prose writers of his generation, and The Fat Lady Sings is perhaps his best and also most appealing novel." — Peter Bogdanovich
If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years? Why pay to watch films in cinemas that don't have a projectionist but do have a fast-food stand? And, in a world where Sex and the City 2 was a hit, what are film critics even for? Outspoken, opinionated and hilariously funny, The Good, The Bad and The Multiplex is a must for anyone who has ever sat in an undermanned, overpriced cinema and wondered: 'How the hell did things get to be this terrible?'
In rural western New York, three-year-old Layla Babcock disappears from her parents' mobile home. Her father, Jon Babcock, insists she is lost in the hundreds of acres of state forest land behind their home. But many residents in the nearby village of Welton suspect she has been kidnapped or murdered. Layla's mother, Abby, is deeply despondent and of little help. As the months pass by with no resolution, Abby disappears with her threadbare suitcase and a few belongings, leaving her husband and two teenage sons, Zach and Kyle, behind. Still more questions go unanswered. Did Abby run away from her abusive husband, or was she murdered? The townsfolk of Welton-everyone from the bikers at the Hotel Welton, the local watering hole, to the patrons of the Friday-evening fish fry at Shelly's Café-get caught up in the mystery and the family's misery. In the end, the long-awaited answers spring from rather unexpected sources, including angel visions of a café cook and the vandalized sculpture of an ex-New York City artist.