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Haiku Ice is the fourth part in my series of haiku collections exploring the four different seasons. Each collection explores how the different seasons affect the woods, fields, hedgerows, plants, and animals which inhabit the beautiful Devonian countryside. Above all, Haiku Ice is a celebration of winter. This collection explores the magical transformations, discoveries, and interactions with nature as winter tightens her grip over the sleeping landscape. The world in winter is an enchanted place. I do not think there can be anything more magical than watching snow fall by candlelight listening to Vivaldi's Four Seasons. Winter is also the time of solitude and reflection as people and animals shelter from the cold and a wintry quietness settles on the frozen countryside. I read my poetry at many events and one of the major pieces of feedback I have received was that people were fascinated to hear the story behind the haiku. Therefore, scattered throughout this collection are my reminiscences of how some of the following haiku were written. Above all, Haiku Ice is a memory of my Devonian winters. Pictures of winters recorded as haiku for everyone to experience and enjoy.
Ice. Beautiful in its frozen stark state, dangerous to all who battle it, lethal to those caught up in it... Thirteen O'clock Press authors have come up with a startling variety of stories featuring ice - prepare to be chilled...
An exciting collection of poems from the 2014-15 Year 4 students of David Livingstone Academy, St Cyprian's Greek Othordox Primary Academy and Winterbourne Junior Girls' School that have taken part in Well Versed Ink's poetry workshops. Read about the children's heroes - mums, dads and Batman - and see how they were turned into haikus and other forms of poems...
A grieving mother and son hope to survive Christmas in a remote mountain cabin in Pennsylvania, in this chilling novella of dread, isolation and sinister spirits lurking in the frozen woods. Perfect for fans of The Only Good Indians, The Shining and The Babadook. Two weeks ago, Christine Sinclaire’s husband slipped off the roof while hanging Christmas lights and fell to his death on the front lawn. Desperate to escape her guilt and her grief, Christine packs up her fifteen-year-old son and the family cat and flees to the cabin they’d reserved deep in the remote Pennsylvania Wilds to wait out the holidays. It isn’t long before Christine begins to hear strange noises coming from the forest. When she spots a horned figure watching from between frozen branches, Christine assumes it’s just a forest animal—a moose, maybe, since the property manager warned her about them, said they’d stomp a body so deep into the snow nobody’d find it ’til spring. But moose don’t walk upright like the shadowy figure does. They don’t call Christine’s name with her dead husband’s voice.
The greatest collection of hockey-related poetry this or any house has ever published, and a watershed moment in American letters. Hockey haiku is the most rarefied of the haiku genres, and it represents the perfect union of graceful brutality, ordered chaos, and the blood that courses through our veins...and onto the ice. Hockey Haiku: The Essential Collection is full of poems from John Poch and Chad Davidson that embody to perfection hockey's unique harmony of beauty and violence. For example: Zamboni bumper: Don't laugh---It crushed the leg of the Little Leaguer. And it turns to the questions we as a hockey society are reluctant to answer: Conflict--How can I pledge my allegiance to two national anthems?
An exciting and creative approaches that links literacy and oracy in a way that children will enjoy. Performing poetry is also proven to boost self-esteem. Includes: * Audio downloadable resources with recordings of published poets and children performing their own work * Activities to develop speaking and listening skills * Model poems from which to work * Guidelines for progressing through the writing and performance process * A three stage model: preparation -- writing -- performing
'Weaving Words into Worlds' comes as the third spinoff of the international ecopoetics conference organized in Perpignan in 2016. Reflecting upon how the many stories we tell directly influence the world we live in, each of the contributions in this international volume directs our attention to the constant, ecopoetic weaving of word to the world at work via the many entanglements between mind, matter, and meaning, whether on a local or a global scale. It encapsulates how the words, stories, and concepts we humans articulate as we try to make sense of the world we inhabit give part of its shape to the web of ecological relations that we depend on for survival. It seeks to cast light on the disenchanting and reenchanting powers of stories and poiesis in general—as stories retain the power to make us either become oblivious to and destroy or to feel and honor the many, complex ties between the multitudinous nature cultures intertwined within the fabric of a multispecies world always in the making. This book offers a total of fourteen articles written by international scholars in ecocriticism and ecopoetics who, by their analyses of literature and/or films and the political subtext they thus render visible, aim at showing how the study of environmentally minded media may renew our attention to the entangled agencies of the human and the more-than-human realm. Thus, this work offers to counter a reproach ecocriticism has often been met with, namely the over-presence of US scholars and the lack of diversity in subjects in the field, since the articles presented provide a wide variety of approaches and topics with examples of UK and Native American literature, Polynesian myth, graphic novels, or haiku. In doing so, the book expands on the fields of ecocriticism and ecopoetics, adding to this branch of study and enriching it with high-quality academic studies.
A Scottish isle hosts a literary festival in this humorous yet tragic novel by the author of A Method Actor's Guide to Jekyll and Hyde. On an island like no other, populated by writers, the annual Brilliant & Forever Festival is a much anticipated event; its participants a story away from either glory or infamy. This year, three best friends—two human, one alpaca—are chosen to compete, so victory is not only about reward. This is a novel like no other; a wonderful, provocative tussle, a whip-cracking, energetic, laugh-out-loud satire on what we value in culture, and in our lives. And yet, written with exquisite warmth and empathy, it’s also a moving exploration of integrity, friendship and belonging. It’ll split your sides and break your heart. Praise for The Brilliant & Forever “Laugh-out-loud funny. It’s so refreshing to read a book that isn’t like anything else.” —David Robinson “A wise warm-hearted meditation on the human condition.” —TheScotsman (UK) “Full of wry detail and satirical flourish, a demonstration of virtuoso storytelling. MacNeil atomizes the process of othering by which communities define themselves. All of that makes it sound overly serious, which it isn’t: MacNeil’s prose style keeps things light, lyrical, and funny.” —The Skinny “The reader will realize that this charming, sad novel is inspired by Italo Calvino . . . . It is a joy to read such an engaging, luminous novel, which dissects rather than enacts our cultural cringe.” —The Guardian (UK)