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Toward the end of her life, Viennese artist Marie-Louise von Motesiczky (1906–1996) at last gained recognition as one of Austria’s most important 20th-century painters. The great art historian Ernst Gombrich praised the artist’s striking individuality and the delicacy and subtlety of her painting. This book celebrates Motesiczky’s work and situates the artist in the troubled history of her times. Drawing on a wealth of unpublished family archives, including decades of correspondence between Marie-Louise and the writer Elias Canetti, the book tells the story of Motesiczky’s life from her childhood in Vienna amidst talented and distinguished family members to her later years living and working among other exiled artists in England. The book also offers a sensitive critical study of Marie-Louise’s paintings, discussing particular works and the circumstances that surrounded their creation. These include compelling self-portraits, a moving series of paintings of the artist’s aging mother, and lyrical depictions of her English garden.
Smith takes a provocative look at the fascinating and beautiful landscapes painted by Austrian artist Egon Schiele (1890-1918), renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. 90 illustrations, 50 in color.
Joseph Urban is a lavish celebration of this prolific artist, architect, and designer, whose accomplishments include magnificent Art Deco buildings, spectacular Ziegfeld Follies productions, and dramatic sets for the Metropolitan Opera. Joseph Urban (1872–1933) began his career as an architect and artist in Vienna before moving to America in 1911. In 1914 he moved to New York, where he ultimately signed on as set designer of the Metropolitan Opera. He also became immersed in an astonishing array of outside projects, designing nightclubs, hotel lounges, skyscrapers, theaters, stage and film sets, and even children’s books. Though his creative output was immense, little remains of his work except the Mar-a-Lago in Palm Beach, and the New School and the base of the Hearst Tower in New York. Praise for Joseph Urban: "a trove of his luminous renderings and photos" --Elle Décor
From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings. Illustrated with more than 130 photographs of their influential designs, this book tells the engrossing story of Urban and Bel Geddes. Christopher Innes shows how these two men with a background in theater lent dramatic flair to everything they designed and how this theatricality gave the distinctive modernity they created such wide appeal. If the American lifestyle has been much imitated across the globe over the past fifty years, says Innes, it is due in large measure to the designs of Urban and Bel Geddes. Together they were responsible for creating what has been called the “Golden Age” of American culture.
The specific role of the Austro-Hungarian Empire and the later nation of Austria within the formation of regional art histories in East Central Europe has received little attention in art historical research so far. Taking into account the era of the Dual Monarchy as well as the period after 1989, the contributions analyze and critically scrutinize the imperial legacies, transnational transfer processes and cultural hierarchies in art historiographies, artistic practices and institutional histories. Consisting of 17 texts, with new commissions and one reprint, case studies, monographic essays and interviews grouped thematically into two sections, the anthology proposes a pluriversal narrative on regional, cultural and political contexts.
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstatte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for theChazen Museum of Art, University of Wisconsin Madison "