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A must for every Seder table at Passover!
This illustrated version of the popular Passover song "Had gadya" (חד גידא) was the wonderfully playful offspring of the avant-garde artist El Lissitzky (1890-1941). It dates to a little-known period early in his career when he immersed himself in the Jewish cultural renaissance that flourished in Russia from roughly 1912 to the early 1920s. Signed with his Hebrew given name, this volume-with its wraparound cover, colorful lithographic montages, and stylized use of Yiddish and Aramaic words-celebrates Lissitzky's interest in Jewish folk traditions while looking forward to the dynamic graphic and typographic designs for which he is best remembered. This near-scale facsimile-including the rarely seen cover-allows readers to experience Lissitzky's Had gadya as originally envisioned. It is accompanied here by Nancy Perloff's discussion of the work's cultural and artistic contexts, Arnold J. Band's English translation of Lissitzky's Yiddish version of the song, sections on Lissitzky's iconography and vocabulary, and lyrics set to music.
Folktales from Eastern Europe presents 71 tales from Ashkenasic culture in the most important collection of Jewish folktales ever published. It is the second volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives at The University of Haifa, Israel (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Ashkenasic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition
It starts with one little goat. It ends with one little goat. But what happens in between is a whirlwind of nonsense and fun. Ursula Dubosarsky and Andrew Joyner make the most of their advanced sense of the ridiculous in this hilarious read-aloud traditional tale. Fabulous repetition and shout-aloud sound effects are complemented by increasingly hilarious illustrations. The text is based on a traditional song recited at the close of the Jewish Passover.
Season of Renewal¬+is a haggadah designed for families with children of all ages. Cheerful full-color artwork and inviting design make this haggadah accessible and welcoming.
This is an original, philosophical discussion in which André Neher relates the lives of prominent nineteenth- and twentieth-century Jews to traditional Jewish thought on issues of assimilation, the Holocaust, and liberal intellectualism.
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These prints were originally exhibited at Waddington Graphics, London, 6 Feb.-2 March, 1985; they have been part of the permanent collection at the Tel Aviv Museum since April 21, 1986. This catalogue was produced for the opening of the latter exhibition.
Shows examples of Stella's large scale paintings, constructions, and reliefs created over the last seventeen years, and discusses the themes, style, and materials of his work.