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¿Qué sientes cuando escuchas la palabra sexo? ¿Está en los genitales, en el cerebro, en todo tu cuerpo? ¿Dónde sitúas el límite entre lo que consideras sexual y lo que no lo es? En nuestra cultura la sexualidad está desintegrada y separada de la persona. El sexo se ha relegado a espacios a veces innombrables. En ocasiones, al hablar de sexo, se desvanece la naturalidad o incluso se congelan las expresiones. Entonces, el sexo representa el límite de las ideas permitidas y se desencadena la censura para experimentar y sentir. Sin embargo, el sexo es parte constitutiva de la naturaleza humana. La sexualidad no es un ámbito de estudio sino una manifestación esencial del hecho de estar vivos. Cuando nos relacionamos con el sexo como si fuera algo ajeno a nosotros, dejamos de saber quiénes somos y nos perdemos. Este libro revela las contradicciones, mentiras y sentimientos de culpa en relación con el sexo que vivimos, el que deseamos vivir y el que viven otras personas. De ese modo, el autor nos brinda las claves para conectar con nuestro ser más profundo y recuperar nuestra totalidad. Porque en el fondo, el sexo es el espejo oculto del alma, la llave maestra para aceptarnos a nosotros mismos tal cual somos y para aceptar a quienes viven la sexualidad y la propia vida de manera diferente a la nuestra.
¿Por qué hombres y mujeres seguimos sin entendernos en la cama? Se nos enseñó a percibir el mundo con cinco sentidos, pero quizás sea el momento de reconocer que tenemos uno más, el "sexo sentido", tan firmemente anclado en nuestros genes como los otros cinco. La pulsión sexual nos guía desde tiempos inmemoriales. Así que el éxito o fracaso de nuestras relaciones puede estar escrito en el ADN. José María Sanchón explica en este libro lo que sabemos de nuestra conducta erótica a través de los últimos avances científicos. Porque no somos sólo animales racionales; también, y sobre todo, somos animales sexuales. Para contrastar estas ideas, Sanchón conversa con mujeres de la nueva generación, mujeres nuevas que hablan del sexo, y lo practican, sin tabúes. El resultado es un brillante manifiesto para una nueva sexualidad.
A book for married couples, from newlyweds to those married for fifty years or more, advice on how to maintain a healthy sex life.
"No other writer in the Spanish-speaking world is as fiercely independent and thoroughly irreverent as Gabriela Wiener. Constantly testing the limits of genre and gender, Wiener's work ... has bravely unveiled truths some may prefer remain concealed about a range of topics, from the daily life of polymorphous desire to the tiring labor of maternity." --Cristina Rivera Garza, author of The Iliac Crest In fierce and sumptuous first-person accounts, renowned Peruvian journalist Gabriela Wiener records infiltrating the most dangerous Peruvian prison, participating in sexual exchanges in swingers clubs, traveling the dark paths of the Bois de Boulogne in Paris in the company of transvestites and prostitutes, undergoing a complicated process of egg donation, and participating in a ritual of ayahuasca ingestion in the Amazon jungle--all while taking us on inward journeys that explore immigration, maternity, fear of death, ugliness, and threesomes. Fortunately, our eagle-eyed voyeur emerges from her narrative forays unscathed and ready to take on the kinks, obsessions, and messiness of our lives. Sexographies is an eye-opening, kamikaze journey across the contours of the human body and mind.
The debut novel from Nobel Prize–winning author Alice Munro, “one of the most eloquent and gifted writers of contemporary fiction” (The New York Times). “Munro has an unerring talent for uncovering the extraordinary in the ordinary.”—Newsweek Rural Ontario, 1940s. Del Jordan lives out at the end of the Flats Road on her father’s fox farm, where her most frequent companions are an eccentric bachelor family friend and her rough younger brother. When she begins spending more time in town, she is surrounded by women—her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother’s boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence. Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro’s unparalleled awareness of the lives of girls and women.
In 2010, pioneering sociologist Catherine Hakim shocked the world with a provocative new theory: In addition to the three recognized personal assets (economic, cultural, and social capital), each individual has a fourth asset—erotic capital—that he or she can, and should, use to advance within society. In this bold and controversial book, Hakim explores the applications and significance of erotic capital, challenging the disapproval meted out to women and men who use sex appeal to get ahead in life. Social scientists have paid little serious attention to these modes of personal empowerment, despite overwhelming evidence of their importance. In Erotic Capital, Hakim marshals a trove of research to show that rather than degrading those who employ it, erotic capital represents a powerful and potentially equalizing tool—one that we scorn only to our own detriment.
This edited collection presents a range of heretofore unpublished, unavailable methods for the systematic reconstruction of culture from interviews and other discourse. Authors set the design and evolution of their methods in the context of their own research projects, and draw general lessons about investigating culture through discourse. These methods have largely grown out of the work of the cultural models school, and represent the approaches of some of the very best methodologists in cultural anthropology today. An impetus for the volume has been inquiries from researchers, many of them graduate students, about how to conduct the kind of research that cultural models theorists do. This is not a linguistics book; unlike approaches to discourse analysis from linguistics, this volume focuses on culture, treating discourse as a medium especially rich in clues for cultural analysis, and hence a window into culture.