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A richly informative alphabet picture book celebrating Harlem's vibrant traditions, past and present.
For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture—but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay. Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing—some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara’s own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.
A poem celebrating the people, sights, and sounds of Harlem.
DIVA collection of writings and artwork by Richard Bruce Nugent, an important yet heretofore obscure figure of the Harlem Renaissance./div
This first full-length biography of Harrison offers a portrait of a man ahead of his time in synthesizing race and class struggles in the U.S. and a leading influence on better known activists from Marcus Garvey to A. Philip Randolph. Harrison emigrated from St. Croix in 1883 and went on to become a foremost organizer for the Socialist Party in New York, the editor of the Negro World, and founder and leader of the World War I-era New Negro movement. Harrison s enormous political and intellectual appetites were channeled into his work as an orator, writer, political activist, and critic. He was an avid bibliophile, reportedly the first regular black book reviewer, who helped to develop the public library in Harlem into an international center for research on black culture. But Harrison was a freelancer so candid in his criticism of the establishment-black and white-that he had few allies or people interested in protecting his legacy. Historian Perry s detailed research brings to life a transformative figure who has been little recognized for his contributions to progressive race and class politics. Copyright Booklist Reviews 2008.
As a diplomat's son, star athlete, and Harvard Law School graduate, in the early 1980s Joseph Holland had a world of opportunities awaiting him on Wall Street and in corporate America. Instead, Holland moved to the inner city, driven by a divine calling full of unfolding mystery and challenge. He found himself in Harlem during the nadir of its blight and endeavored to contribute to a neighborhood that was tough in every sense of the word. A Republican among Democrats, a privileged Southern scion among working-class Northerners, Holland earned his stripes as an entrepreneur/activist embracing a vision of personal and community transformation. A five-year sojourn became a three-decade commitment, as his Harlem-based career morphed from practicing law to empowering the homeless, to running small businesses, to writing plays, to serving in politics, to building housing--all aimed at revitalizing a beaten-down, dream-deferred cultural mecca haunted by poignant memories of its glory days in the early twentieth century.
Publisher Description
Through a series of far-reaching historical and personal vignettes, the reader is challenged to question their time-honored was they understand and interact with the world. In this book, Dr. Steven Harlem challenges us to have The Courage to Think Differently. Dr. Harlem's perspective will have us reflecting on the following: The importance of considering alternative models to better understand events in our own lives. The beliefs that unconsciously shape your perception. The need to develop multiple ways of seeing and questioning in order to tease out the truths from the myths of our society. How communication and your assessment of human behavior can enhance your personal and professional lives. Utilizing results from both his professional and personal experience, clinical psychologist Steven Harlem surprises, enlightens, and challenges our traditional ways of thinking about behavior and improvement. Through the pages of this book, you will be equipped to test alternative models, question previous dogmas, and revolutionize the ideas that shape our world.
In 1968–69, Columbia University became the site for a collision of American social movements. Black Power, student power, antiwar, New Left, and Civil Rights movements all clashed with local and state politics when an alliance of black students and residents of Harlem and Morningside Heights openly protested the school's ill-conceived plan to build a large, private gymnasium in the small green park that separates the elite university from Harlem. Railing against the university's expansion policy, protesters occupied administration buildings and met violent opposition from both fellow students and the police. In this dynamic book, Stefan M. Bradley describes the impact of Black Power ideology on the Students' Afro-American Society (SAS) at Columbia. While white students--led by Mark Rudd and Students for a Democratic Society (SDS)--sought to radicalize the student body and restructure the university, black students focused on stopping the construction of the gym in Morningside Park. Through separate, militant action, black students and the black community stood up to the power of an Ivy League institution and stopped it from trampling over its relatively poor and powerless neighbors. Comparing the events at Columbia with similar events at Harvard, Cornell, Yale, and the University of Pennsylvania, Bradley locates this dramatic story within the context of the Black Power movement and the heightened youth activism of the 1960s. Harnessing the Civil Rights movement's spirit of civil disobedience and the Black Power movement's rhetoric and methodology, African American students were able to establish an identity for themselves on campus while representing the surrounding black community of Harlem. In doing so, Columbia's black students influenced their white peers on campus, re-energized the community's protest efforts, and eventually forced the university to share its power.
Demonstrates how Harlemite's dynamic fight for their rights and neighborhood raised the black community's racial consciousness and established Harlem's legendary political culture. King uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. --Adapted from publisher description.