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When the young Julian Robinson, later the Viscount Ladywood, showed too much spunk as a lad, his parents shipped him off to a very select private school to learn discipline. Under the stern tutelage of Mademoiselle de Chambonnard, Master Julian was forced to undergo a series of rigorous lessons involving female domination and enforced cross-dressing.
When the young Julian Robinson, later the Viscount Ladywood, showed too much spunk as a lad, his parents shipped him off to a very select private school to learn discipline. Under the stern tutelage of Mademoiselle de Chambonnard, Master Julian was forced to undergo a series of rigorous lessons involving female domination and enforced cross-dressing.
This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').