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In William Murray Graydon's 'Guy in the Jungle; Or, A Boy's Adventure in the Wilds of Africa', readers are taken on a thrilling journey through the dangerous and exciting landscapes of Africa. Written in a style that combines adventure with elements of coming-of-age, this novel engages readers with its vivid descriptions of the wild and untamed African wilderness. Graydon's attention to detail and ability to paint a realistic portrait of life in the jungle makes this book a standout in the adventure genre, appealing to both young adult and adult readers alike. Set against the backdrop of colonial Africa, the novel explores themes of survival, friendship, and the resilience of the human spirit in the face of adversity. Graydon's use of first-person narrative gives a personal touch to the story, allowing readers to connect with the protagonist on a deeper level. William Murray Graydon, a prolific writer of adventure stories for young readers, drew inspiration for 'Guy in the Jungle' from his own experiences traveling in Africa. His passion for exploration and his love of storytelling are evident in the vivid and captivating narrative he weaves. Graydon's deep knowledge of the African continent and its diverse cultures adds authenticity to the novel, making it a compelling read for those interested in the history and geography of Africa. I highly recommend 'Guy in the Jungle; Or, A Boy's Adventure in the Wilds of Africa' to readers looking for a gripping adventure story set in the heart of Africa. Graydon's masterful storytelling and engaging characters make this novel a must-read for anyone interested in exploring the mysteries of the African wilderness and the human spirit.
Originally published in 1991. Focusing on ‘boys' own’ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ‘Englishness’. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
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